Saturday, April 30, 2016

David Talbot ("Electric Universe") on Coast To Coast AM Sunday evening/May 1

Disinformation like the new "flat earth movement" is intended to obscure and conflate with the likely truth of the "Electric Universe" (as opposed to the mainstream "gravity universe"). We've covered this info before. This 2-hour segment will start about midnight pst; 3:00 AM est. You can find it later on a YouTube channel called "Conflict Returns." They keep deleting his account because of the copyright, but he continues to come back under "conflict... something." I prefer to listen to a good program live; often out on our deck here... out along the hillside if weather permits. This is a fascinating and important program.

Positive Thinking/ Electric Universe

Date: Sunday - May 1, 2016
Host: George Noory
Guests: David Essel, David Talbot, Wallace Thornhill  

 First half: With 30 years of work in the field of personal growth, David Essel is the author of 9 books on self-realization. He will reveal why the real ‘’secret to success’’ requires much more than positive thinking, affirmations or vision boards, and that no one ever changed their lives through positive thinking alone. Second half: David Talbot is a comparative mythologist who has devoted 35 years to examining the origins of ancient beliefs and symbolic traditions. Wallace Thornhill is an Australian physicist. His lifelong investigation of "The Electric Universe" offers a revolutionary view of the cosmos. They will discuss the latest developments in their electric universe and plasma cosmology theories and how educators are not keeping up with all the changes happening in the scientific community.



5-3-16 UPDATE

Here is the whole program from another of "Conflict's" channels. The Electric Universe segment starts at about an hour and fifteen minutes. In case I lose this embedding, the direct link is..... 

Coast To Coast AM - May 1, 2016 Myth of Positive Thinking & Electric Universe

Conflict May


Sunday, April 24, 2016

Ghost programs and the metaphysical issue: Part 17

The evening of the week which I call "Ghost night" is now Saturday on the Travel Channel network (277 on DirecTV), with new episodes of the popular programs 'The Dead Files' along with the other mainstay 'Ghost Adventures' now airing. Now added to that lineup is a new program 'Deadly Possessions' with Zak Bagans, which is a lot like 'Haunted Collector'. This program has an interesting format, and interesting topics, based on actual haunted items. He's apparently building a "haunted item collection." Apparently they usually purchase or take items off of the owners hands which have caused them much grief. Lifetime Move Network's "ghost night" was switched from Saturday to Thursday I believe, but it's off season for it currently. That's the lineup with 'The Haunting of' with Kim Russo, "Ghost in My Child', and 'My Haunted House'.

This subject matter in popular culture, which started in earnest in 2005, is moving along as strong as ever. What people can't seem to grasp is that we don't "become ghosts" after death. A "ghost" is a soul which is compelled to remain behind because of some unresolved issue. A suicide will always result in this; that seems to be a definite rule, however it's not a permanent state. A soul is intended to go into the afterlife, at which time it then becomes a free spirit. Apparently free to travel both worlds at will until it decides to go back to have another experience. It's more complex than that, but that's the gist of it. I call this the "Soul Matrix."

About ten years ago, my father passed away from lung cancer. About a week ago I was visiting my mother, and in the early evening we lit a candle and turned off all the lights. We spoke about him for awhile, and then were silent for a bit with the effect of light and shadow from the flickering candle apparent on the ceiling. After about twenty minutes, the lamp just came on all by itself. It didn't "click" on, but just "came on." I can't prove that it was him, although I know it was. It was either him energetically affecting the electrical charge, or I caused it through psychokinesis, or it occurred through some type of universal synchronicity triggered by the power of ritual/suggestion, or it was just a coincidence. After about ten more minutes, the light turned off on its own. Later I turned it "on" via the switch, and "off" as normal.

I had another strange experience recently, although this was more in the coincidence realm I think. A synchronicity relevant only to the person experiencing it. I live on a slope of a mountain, where the streets were carved out. With houses on only one side and separated from one another, the original topography of the hills are easy to make out. I was driving in a location which was on another part of the slopes of the mountain. I parked to finish my drink. The roads there were similar to those in the neighborhood, except that there were no houses; only a few scattered businesses. I noticed the particular view that I had from where I was parked appeared to be an exact match for one street in the neighborhood... right down to some trees, bushes, and natural formations. It was eery. With so many similarities, I soon began to look for "dissimilarities." I couldn't really find any. It was as though this street was a dead ringer for the other street, minus the houses.

Below, an episode of Fade To Black with Jimmy Church; also an occasional guest host on Coast To Coast AM. A frequent guest is author Tracy Twyman, a deep researcher on occult history, secret societies, and metaphysical subjects, and a good name to google or YouTube if interested in this subjects. He's interviewed her on Coast as well.

Ep.150 FADE to BLACK Jimmy Church w/ Fr. Jack Ashcraft, Tracy Twyman, Exorcism Ouija LIVE on air 


Day three of Halloween Week on FADE to BLACK and tonight we have up first Fr. Jack Ashcraft and we discuss how he determines if someone is in need of his services and what steps are taken we have Tracy Twyman, author of many books and her current offering is Clock Shavings...which is a non-fiction account of her communication with Cain and Baphomet for the last 13 years through her Ouija board.


Fade To Black (YouTube)


Tuesday, April 19, 2016

Reflections upon the Full Pink Moon

Live "Pink Moon Show" at The Old Farmer's Almanac online

Live stream from Thursday evening from 5:00 to 5:45 PM pst

April Full Moon Names

April’s Full Moon, the Full Pink Moon, heralds the appearance of the moss pink, or wild ground phlox—one of the first spring flowers. It is also known as the Sprouting Grass Moon, the Egg Moon, and the Fish Moon.

'Green moon on April 20, 2016? Not true'

No, there won’t be a green moon on April 20, 2016 … or on May 29. Some possible origins of this latest urban legend.

There are several versions this (completely untrue) story, and we’ve gotten many questions about it from within our community, from people wanting to know if it’s true. Here’s the main version: the moon will appear green for the first time in 420 years on April 20, 2016.


"Torvi" - hazel eyes, Viking face..

'Notorious Lola Montez kept the men in S.F. panting'

Lola Montez already had a racy global reputation when she landed in S.F.

Gary Kamiya - San Francisco Chronicle - June 1, 2014
On May 21, 1853, the most notorious woman in the world arrived in San Francisco by paddle-wheel steamer from Panama. Her name was Lola Montez.

She had come unannounced, so no one was there when she stepped off the ship at Long Wharf and made her way into the city. But her erotic exploits, political intrigues, violent temper and extraordinary beauty had made headlines throughout the world.


31 gets a release date and new distributor

Rob Zombie’s much anticipated release ‘31‘ has now got a release date. Stick September 16 in your diaries folks.

After a small issue with previous distributors Alchemy, the film has also secured Saban Films to help distribute the movie for it’s theatrical release.

“After meeting with Saban, it was obvious that this was the perfect home for ’31,’” said Rob Zombie. “They have a true understanding of the genre and how to handle it. I am very excited to work with them.”

The Bastard Fairies-We're All Going To Hell (Official Video)

The Bastard Fairies


Some Atheist podcasts use this catchy song from a few years back.

God's Angry Man - Werner Herzog [1/6]

Nick Paulsen

God's Angry Man - Werner Herzog's documentary on Dr. Gene Scott. Part 1/6.

Those outside of California may not remember the very zealous Glendale-based Dr. Gene Scott. He occupied one of the old UHF channels just prior to the great increase of cable networks. He would rant and rave to the point where you might end up just watching him to see what was up. He had a true cult following I think. The rest of it is on YouTube.

Myths: Lilith 

Thomas LeRoy

The Sect of the Horned God presents a video series of great myths. (If you are looking for porn, this is not your video.)

Music: Strange Ways -- Silent Partner (Youtube Audio Library)

Cat stands up to aggressive Boxer dog 

Сat fight with dog/Very brave cat 2013-09

Cats VS Dogs

'View From Space Hints at a New Viking Site in North America'

Ralph Blumenthal - New York Times - March 31, 2016

A thousand years after the Vikings braved the icy seas from Greenland to the New World in search of timber and plunder, satellite technology has found intriguing evidence of a long-elusive prize in archaeology — a second Norse settlement in North America, further south than ever known.


Lighthouse of Alexandria - The ancient Egyptians had massive unknown energy/light source

The Lighthouse of Alexandria and the Ancient Port of Alexandria


Alexandria, Egypt was founded by Alexander the Great in April 331 BC ,and became the capital of the Graeco-Egyptian world. The second largest city in Egypt, Alexandria also was called "The Pearl of the Mediterranean". The ancient port city was home for one of the Seven Wonders of the Ancient World - The Pharos of Alexandria (The Lighthouse of Alexandria). 

Scarborough Fair - Nox Arcana

Nox Arcana

"Scarborough Fair" by Nox Arcana from the album Winter's Majesty. Original lyrics and musical arrangements by Joseph Vargo. Vocals performed by Jeff Endemann.

Interesting cover of 'Scarborogh Fair' by gothic band Nox Arcana.


Saturday, April 16, 2016

'Dracula Untold' (2014) - movie review; and the Romanians who saved Europe

'Dracula Untold'

Dracula Untold is a 2014 American dark fantasy action horror film directed by Gary Shore in his feature film debut and written by Matt Sazama and Burk Sharpless.[4] Rather than focus on Irish novelist Bram Stoker's 1897 novel Dracula, the film creates an origin story for its title character, Count Dracula, by re-imagining the story of Vlad the Impaler. Luke Evans portrays the title character, and Sarah Gadon, Dominic Cooper, Art Parkinson, and Charles Dance appear in supporting roles.

Principal photography began on August 5, 2013, in Northern Ireland. Universal Pictures released the film on October 10, 2014, in cinemas and IMAX. The film is the first installment of the rebooted Universal Monsters Cinematic Universe,[5] followed by The Mummy in 2017.

Despite mixed critical reviews, with praise towards Luke Evans's performance and the story, and criticism directed at the characterization, Dracula Untold was a box office success grossing $217 million worldwide.

A few days ago I rewatched 'Dracula Untold', this time with the idea of examining the local Romanian legend and folklore... or even the European legend and folklore aspect of it. This can at times conflate with old pagan mythology. The overall Dracula legend is a fantasy based on combining the real historical character of "Vlad the Impaler" with old vampire folklore. I thought it was an interesting dark twist for a fantasy tale. My earlier pondering of some older native pagan tradition somehow rising to stop the Ottoman Muslim expansion had no basis in the movie or in actual history. However, it seems odd to me that Vlad Dracul was a member of an apparently Christian and "monarchical chivalric order for selected nobility" called the Order of the Dragon.

Serpentine symbolism is very seldom a part of Christianity. Serpent, dragon, or snake symbolism represents "knowledge," and is often conflated with the snake in the Garden of Eden. As to whether or not this order was a Freemasonic or Alchemical secret society, it seems possible. The Order of the Dragon used both Christian and serpentine symbolism. The society was present in Europe, especially Germany and Italy. One curious symbol is the red amulet worn by Vlad Dracul. Once I saw a plastic red Dracula amulet necklace on sale for Halloween. Illustrations of the real Vlad Dracul show him either wearing this red amulet as a necklace or as part of his royal headdress. Adding to the legend is that his name "Dracul" (House of Draculesti) sounds a little like "Draco".. such as a dragon; although I'll take that as mere coincidence.

Although extremely brutal, in many ways we must view him as a hero. He literally stopped the Ottoman Empire by becoming even more brutal than they were. The Dracula legend of popular culture, as well as his own extreme actions, have probably prevented him from attaining the status of a true hero... such as a William Wallace. He is a folk hero today in both Romania and Bulgaria. As the old saying goes "he did what had to be done." The Romanians saved Europe. Vlad Dracul was a Charles Martel on perhaps an even grander scale. The Romanians were facing a much larger and more dangerous enemy in the Ottomans. The Battle of Calugareni took place well over a century later.

Battle of Calugareni

The Battle of Calugareni was one of the most important battles in the history of early modern Romania. It took place on 23 August (13 August on old style calendar) 1595 between the Wallachian army led by Michael the Brave and the Ottoman army led by Sinan Pasha. It was part of the Long War, fought between Christian and Ottoman forces at the end of the 16th - beginning of the 17th centuries.

The whole Ottoman forces were estimated at about 100,000 men, but not all of their troops were on the battlefield at Calugareni. It seems that about 30,000-40,000 Ottoman soldiers were involved in the battle.

Michael the Brave had in total about 16,000 men and 12 large field cannon, with Transylvanian (Székely) detachments.[5] Being heavily outnumbered, Michael the Brave strategically positioned his forces near a swampy field (near Neajlov River) that would negate the Ottoman's military superiority. South of the village of Călugăreni, where the Câlniştea river flows into Neajlov river, the terrain is a muddy marsh, surrounded by forests. A narrow bridge over the Neajlov river was a mandatory pass point. The battle had three different phases.

Islam vs Christianity - 23 August 1595 Battle of Calugareni ( Part 1)


IULIAN ROMANIA ^^^ Battle of Călugăreni was one of the most important battles in the history of early modern Romania. It took place on 23 August 1595 between the Wallachian army led by Michael the Brave and the Ottoman army led by Sinan Pasha.The whole Ottoman force was estimated to have between 70,000 and 100,000 troops.Michael the Brave had in total about 16,000 men and 12 large field cannons.Mihai continued his attacks deep within the Ottoman Empire, taking the forts of Nicopolis, Ribnic, and Chilia and even reaching as far as Adrianople. At one point his forces were only 24 kilometers from Constantinople. The Order of Michael the Brave, Romania's highest military decoration, was named after Michael !!!

Islam vs Christianity - 23 August 1595 Battle of Calugareni ( Part 2)

Vlad Dracul

'Dracula Untold' (2014) - movie review

The movie begins in Transylvania in 1442. The landscape was shown as dark, foreboding, and beautiful. Romania is indeed beautiful, as like an Oregon within Europe. Vlad Dracul was portrayed as the benevolent Prince of Wallachia, a forerunner of modern Romania. By his side, his wife Mirena; a strong noble character who finally dies in the soon-to-be struggle. He was entitled "Son of the Dragon," although I don't know if that is what Dracul really means; and as the "Prince of Transylvania." He grew up under Ottoman oppression, and had served as a forced conscription for the Ottomans; who had a practice of forcing regional rulers to give them young boys to train and use as cannon fodder for their own wars of expansion. I don't know how historically accurate this movie is, but I'll just go with it. He was something of a legendary warrior in his own service as a boy/young man, and had a long relationship with the Ottoman representatives who would soon invade his countryside again, particularly Sultan Mehmed whom he fought with as a conscription. They all grew up together in a sense, and now they were men.

The theme of the movie can be reflected by an interesting quote from Vlad Dracul in the movie: "Sometimes the world no longer needs a hero. Sometimes what it needs is a monster." It shows his transformation from a benevolent prince, to "Vlad the Impaler." The concept that an enemy can be so vicious that you must become like them in order to survive and defeat them. I think that's probably true. After the Ottomans returned, they demanded in no uncertain terms that the Prince hand over to them one thousand boys--including his own son--for military service to the Sultan.

Spoiler alert beyond this point!



While at first the Prince reluctantly went along with the Sultans demands, he changed his mind just as he was handing his son over to a small group of Ottomans whom he slayed all by himself. The war was on. This was similar to the dramatic scene in 'Braveheart' when the Scots finally let loose on an oppressive English Lord and a small group of his armed guard. The image of a boy finally standing up the class bully; a concept as old as mankind. I suppose you could say that any "bully" would be best served if they merely struck "fear" upon their victim, but not to the point of "desperation."

The Prince then enters a cave in the mountains where a cursed undead man, a vampire, dwells. This vampire cannot leave the cave until he can turn another man into a vampire. I don't recall all of the terms of this curse, but that's the basic gist of it. Vlad agrees to allow this vampire to kill him. He goes through a period where he is dead in the cave, then rises from the dead and leaves the cave... a clear allegorical "Jesus." However, you could also say that he allegorically "struck a deal with the Devil" as well. There is also a strong allegorical concept, shown in many movies, of an oppressed people "rising from under the ground" to face their enemy.

The deal was that he would remain "undead" with all of these dark powers for a period of three days, just as Jesus died for three days before coming back to life, and if he could avoid drinking human blood then he would return to being a moral again. If not, then he would remain undead, and the vampire from the cave would have to remain condemned to the cave. With these new powers, he could now turn into a pack of bats and fly and attack as a pack. He became almost indestructible, but could only go out when the sun went down. I took this all as to mean that the Wallachians, represented by the prince, regaining their ancient courage. This would actually be the reverse of the Christian concepts of "loving your enemies" or "turning the other cheek." There's also something of an Alchemical tie-in to all of this... "the dark arts" which were not necessarily evil, but can be used for good or evil. The symbolism of "bats" I took to mean as the resistors becoming "creatures of the night"... of which bats well represent.

There was a reference, I think perhaps by the Sultan, of "100,000" Turks will march on Europe"... apparently in reference to an unfolding plan. After the Sultan sees a large number of Ottoman troops impaled on poles, one of the wounded soldiers presented him with a message from the Prince: "Vlad Dracul hopes that you enjoy the view." There's nothing quite like some malevolent person or force getting a real taste of their own medicine. When the full Ottoman army finally does march upon Romania, the Sultan has them wear blindfolds so they cannot see all the impaled Turks on sticks. Apparently this sight really did instill fear upon the Ottomans at that time, but I'm not sure if they actually wore blindfolds.

After creating some new vampires from people who were dying anyway, the Prince and the Walllachians went on to defeat the Ottoman army. This allegory of "vampires" I think represented, as like with the "werefolf" legend, people who transform themselves in spirit into wild animals... often in order to face an enemy. The Vlad Dracul of the movie, as well as the other vampires, finally allows himself to die in the sunlight... becoming a martyr. It sort've reminds me of the old saying "it's not always the popular guy who gets the job done."


Friday, April 8, 2016

The Arctic Home in the Vedas: Part 21 - The migration of ancient Mediterraneans, Teutons... and Atlanteans?

Manly P. Hall - Serpents and Druids (Eire, Arya, Iran)

Culain ruled by Venus

A compilation I made of clips, chiefly following the ancient Irish/Aryan/Iranian trails, from Hall's "The Atlantean Hypothesis" lecture series.


Manly P. Hall discusses a possible Atlantean origin for the Druids coming from the west, as well as the ancient Mediterranean and Teutonic migrations from the east. He also makes distinctions between them and the proto-Europeans (ex. Basques).. In terms of ancient knowledge and occultism, nobody in modern history was as learned as Hall.

Saturn, the Druids, the Phoenecians, and the Wicker Man

Tim Hayes

Follow this weird, Saturnian line of descent from the ancient Phoenecians and the Celtic druids (who both practiced the sacrificial rites of Moloch/Saturn/EL) down to some of its modern incarnations in the Cremation of Care Ceremony and the Burning Man Festival.


The second video, from the Saturnian-themed Tim Hayes YouTube channel, follows a different hypothesis of a Phoenician origin of the Druids. The ancient Phoenicians were on the same cultural level as the Egyptians, Greeks, and Romans; but have been relegated to an occultic role by the powers that be. Could this possible connection explain the reason that Phoenician and Druidic are seemingly combined as one by the Bohemian Club? We know that they traveled far and wide, including the British Isles.


Thursday, April 7, 2016

"Ancient Aliens" in Val Camonica?

10,000 BC Old Alien Painting Discoverd In a Cave in Val Camonica, Italy 17. Dec 2011


Down below is cave painting is c.10,000 BC and is from Val Camonica, Italy.It appears to depict two beings in protective suits holding strange implements

This is a part text from this page:

This cave painting is c.10,000 BC and is from Val Camonica, Italy. It appears to depict two beings in protective suits holding strange implements. Notice the halo looking objects over their heads, which is identical to the ones in the photos above from Toro Muerto, Peru.


The second image has long been a part of the "Ancient Alien" hypothesis.


Wednesday, April 6, 2016

Polytheistic Religions in Pre-Roman Italy: Part III

South of Umbrians and Picenes, the Sabines, speaking Oscan and culturally close to Samnites, settled on Central Apennines. They were one of the most ancient populations in Italy and soon merged with Romans, to whom they handed down the pride they had in common with Samnites and the adherence to frugal customs and rural values we can find in archaic Roman writers, like Catone, who reports the presupposition that the Sabines’ name came from Sabo, son of Sancus, their main god, phonetic variant of Umbrian Saku, but this presupposition has no serious bases. Apart from Sancus-Saku, Umbrian religion and Sabine had much more in common: Sabines also worshipped the male parallel of Roman goddess Pomona, calling him Poimuni. Their goddesses Ardoina and Curi were identified respectively with Diana and Juno.

Vestini were very similar to Sabines. They settled in the Aterno valley and on Adriatic coast of current Abruzzo. They are known for the statue of the so-called Capestrano warrior; their name may come from the goddess Vesta, who became goddess of fireplace, home and preservation of life. Along the same river the Marrucini settled; they were an Osco-Umbrian population, too, and they might have been a branch of Marsi which moved north; both names may come from god Mars’.

We know very little about other Osco-Umbrian groups’ religion such as Aequi’s or Hernici’s, apart from what we can deduce from their belonging to this branch of Italic populations. We can deduce from Marsi’s name that they could practise a strong cult to the god Mars or that they might be born from a ver sacrum ceremony, as ancient sources say. Marsi settled at first in Sabine region, then moved to the region called Marsica from their name, under Umbrian pressure. Romans told that Marsi were snake-charmers or immune to their bite, so the snake should have had an important religious or totemic role among them, a role we can imagine linked to healing if we observe a christian rite which takes place in the same region nowadays, consisting in covering saint Dominic’s statue with snakes that are to be touched and taken by believers who want to heal or to preserve health. Marsi’s goddess Angizia held knowledge of medicinal herbs, of which they were experienced, and was a snake-charmer too.

The Paelignans settled in Samnio region, on Abruzzo’s Apennines, and made the Marsic league with Marsi, Marrucini, and Vestini; once they were believed to be of Illyric origins, but their language is Oscan. We don’t know much about their culture, because they romanized very quickly after the defeat they suffered during social war. The same happened with Frentani, inhabitants of basins of Fortore, Tiferno and Sangro rivers, on Adriatic coast of current Abruzzo and Molise. Their name may come from the word meaning “deer”, the sacred animal who led them during the ver sacrum from which they took origin.

The Volscians founded some cities which survived during Roman period: Antium, with a patron goddess who was interpreted as Fortune but had a larger “sphere of competence”: she was a goddess linked to fertility, birth, healing especially of reproductive organs, but also to navigation and agriculture; Anxur, where there were a temple dedicated to Iuppiter anxurus or Jupiter as a child, built in IV century a.e.v., over which Sulla made another temple to be built. Cassino is a Volscian city too, and there are traces of a cult to a deity of waters, later identified with Apollo.

Certainly Samnites are the most known among Osco-Umbrians, because of their pride and opposition to Roman conquest: these qualities are disclosed in books, where the role they had in Roman culture’s development is often forgotten. In facts, Atellans, farces of scurrilous humor, have a Samnite origin and were taken by Roman first attempt of literary production. For long Samnites were believed not to be a urban population: actually, while Samnites living on the mountains stayed reserved and conservative, those living in plains opened to influences coming from other populations, Grecians included, and rebuilt some cities: Pompeii, Etruscan city, was rebuilt by Samnites as the temple consecrated to fertility goddess of sulphurous waters, Mefitis, worshiped especially by Samnites, demonstrates; near the city of Capena, in southern Latium, there was a sacred area called in Latin lucus Feroniae, the wood sacred to the goddess Feronia, linked to springs and woods, whose cult was spread all over Central Italy: under Roman rule, this sacred area was widened.

As we have information about Umbrian religion from Gubbio’s tables, so we have information about Samnite religion from Agnone’s tables, regulating the practice of cult inside the sacred enclosure of Agnone, consecrated mainly to Ceres (Kerres, in their language) and subordinately to sixteen deities listed in these tables, often called “Kerriiais”, meaning “Cereal” and thereby “who makes grow”, referring to their function of inducing growth and coming from the name of the goddess Ceres, goddess of vegetation and harvest.

These deities are: Vezkei, in Latin Veiovis; Evklui Paterei, Father Euclo, called Hades or Hermes by Grecians, so he may have been a psychopomp god; Futrei Kerriai, Ceres’ daughter; Anter Statai, or Stata Mater for Latins; Ammai Kerriiai, Maia, Italic goddess of Spring, later identified with her Greek namesake, Hermes’ mother; Diumpais Kerriiais, Nymphs of springs; Liganakdikei Entrai, deity of vegetation and fruits; Anafriss Kerriiuis, Nymphs of rain; Maatuis Kerriiuis, dew’s goddess; Diuvei Verehasiui, or in Latin Jupiter Virgator, whipper, maybe someway bound to Lupercalia rites, during which some priests hit with leather straps the hands of women stretching out them to ensure fertility; Diuvei Regaturei, Jupiter Pluvius, who makes it raining; Hereklui Kerriiui, Hercules; Patanai Piistiai, goddess of wine making; Deivai Genetai, in Latin Mana Geneta; Pernai Kerriiai, Latins’ Pales, goddess of sheep farming; Fluusai, Flora, goddess of earth and patron of sprouds.

Samnites living near Agnone paid a tax for sacred enclosure’s maintenance and tables says that the enclosure belongs to those who paid this decima and have the right to attend it. There were fifteen altars inside this sacred garden; rites honoring Flora were performed outside it. Agnone’s sacred garden is an example of what Samnites’ first worshiping places looked like: they were open spaces, woods and valleys; only later Samnites began building sanctuaries, the most known of which is the sanctuary near Pietrabbondante, federal sanctuary of Samnite League. It had a big temple with three cellae and three altars dedicated to three deities, one of which was the goddess Victory, and a theatre. The architecture of this sanctuary shows consequences of the influence exerted by Grecians since VI century a.e.v. Mamerte, parallel to Latins’ Mars, was a very important god; his comrade-in-arms was the god Heres; like Sabines, Samnites worshipped Famel, goddess of earth. Lucina, goddess of birth, was a so important goddess that first Romans adopted her as an independent goddess and later her name became one of Juno’s appellations. Samnites had a sacred animal, like other Osco-Umbrian populations; theirs was the bull, while the cock was Samnite league’s sign.

Hirpini had the wolf as sacred animal and their name comes from the Samnite word for wolf, hirpus. They were an Oscan-speaking population, settled in southern Sannio, where Romans founded the colony of Beneventum. They, or their priests, were also called Hirpi Sorani (wolves of mount Soratte, from the place where this cult was celebrated); the historiographer Servius said that Hirpini practised the cult to Dis Pater, a Latin deity of underworld, with whom the original deity must have been identified, so some scholars believe that the adjective “Sorani” may come from Suri, an Etruscan underworld god. Hirpini also practised fire-walking, walking on coals with bare feet.

Lucanians’ sacred animal was the wolf, too, if we consider their name as given to them by Grecians, coming from the word meaning wolf, lukos; according to some philologists, their name is rather derived from the Latin word for “sacred wood”, lucus.

To their south, the Bruttii settled in current Calabria; ancient historiographers said they were shepherds or servants to Lucanians, but soon rebelled against them. They were a rough and nomadic population who conquered many cities of Magna Graecia before being defeated by Romans during the Punic Wars, when they were Hannibal’s allies. Archaeological findings demonstrate that they never founded real cities and their settlements consisted in an oppidum (fortification) and its connected villae. We don’t have traces of their culture.

The third Indo-European wave came from Illyria, preceding those of Grecians, Celts and Germans: various populations crossed the Adriatic and settled in current Apulia, between Abruzzo and Marches where overlapped to Osco-Umbrians population (Picenes) or in current Veneto. In Apulia, Illyrians were Daunii, Peucetii and Messapians; Liburni  settled in Picene region: we don’t know much about their religion because they merged with local Osco-Umbrians so that some historians believe Illyrian influences to be the result of relations at a distance and that Liburni never really settled in Italy; so Veneti were Illyrians too, and archaeologists prefer calling them Palaeoveneti, to avoid confusion with other populations reported under the same name, for example a Celtic group settled in Brittany, skillful navigators defeated by Cesar.

This confusion derives from uncertain origins of the name Veneti: it may come from the root ven- meaning “loved, friend”, and thereby Veneti means “members of groups united by blood ties”, or may come from a similar root meaning “to win” and so Veneti means “winners”; so Veneti is a generic name. The Veneti we are talking about may be, according to some sources, the Enetoi (Greek word for “praiseworthy”) mentioned in Iliad as a population coming from Paflagonia and by Herodotus as an Adriatic population, known to Grecians and then to Romans as skilful horse breeder. The so ancient use of this name doesn’t implies the existence of an original group later divided. The Palaeoveneti came from Illyria in XIII century a.e.v.; their language, attested by inscriptions, is an Indo-European language with similarities with Italic, Greek and Germanic branch, while their alphabet derives from the Etruscan alphabet of the city of Chiusi by adding the Greek letter O (in facts, this sound doesn’t exist in Etruscan language) and they have a syllabic script.

The Palaeovenetic culture is also called “atestina”, meaning “of the city of Este”, being this city their principal centre, near which there were four temples. The main one was dedicated to the goddess Reitia, connected to healing, as the ex-votos found around it show, but also to writing, as many alphabetic tablets and styli for writing have been found near the temple. Maybe the sanctuary contained also schools. The other temples were dedicated to the Dioscuri (Greek interpretatio of twin deities, common feature among Indo-European religions), to a warlike goddess whose name is not known, and the fourth may have been an auguraculum (a place where divination was practised). Most of Venetic temples are near waters; in Cadore region (Alps of current region Veneto) there was a temple consecrated to a triform goddess or to the god Trumusiate; near Abano’s thermal spring the cult of Hercules was practiced and there was a temple to the god Apono.

Iapyges was the collective noun for all the Illyrian population settled in current Apulia, who were believed to come from Crete according to some ancient sources: Sallentini, Calabrians, Messapians, Peucetii, Daunii. We don’t know much about Sallentini, Calabrians and Peucetii; we know something more about Daunii and Messapians.

Daunii settled in northern Apulia; they didn’t pass down much of their religion, but there remains some anthropomorphous stelae, bearing arms and hands drawn on them. Male stelae have an armor drawn on them, female ones a dress; some have a pin at the top, on which a head should be put. The of the entity drawn on the stele, which may be related to commemoration of dead people, was shown by other drawings: jewels, weapons, spheroid graphemes, colored scenes with people and animals. Scenes are different according to the stele’s sex: male stelae have fighting and hunting scenes, while female ones have a great variety of themes. On the latter representations of opium poppies were notices, so it is thought the Daunii used this flower not only for healing, but also for ecstatic and religious purposes.

Messapians settled in southern Apulia; they went to Italy during the Iron Age and stayed in touch with other Illyrian populations, both with those on the opposite coast of Adriatic and with those who came to Italy too, especially with Veneti. Some ancient historiographer, for example Herodotus, said Messapians were descendant of Cretans, who merged with local population. Messapian language is attested by many public, funerary, votive and numismatic inscriptions in Greek alphabet from Taranto and it is an Illyrian language. Their religion went under Grecians’ influence so that some Messapian deities have names which are very similar to those of Greek deities. In Torre dell’Orso’s and Roca’s inscriptions there are some names of typically Messapian deities: Tator or Taotor, one of the most important gods, or Batio, who was worshipped in brambles (and so his name, from the Messapian word for bramble) and represented sometimes as a god and sometimes as a goddess breast-feeding her child. Later, Batio was identified with Jupiter and worshiped as Jupiter Batio, but the cult of the goddess of growth survived in post-messapian period. Ana was another goddess, later identified with Aphrodite, as in a dedication on a capital to Aphrodite Ana.

 This is the general picture of Italian situation. Of course, it’s only an overview, just to give an idea of complexity and tissue of populations in the territory of what we call Italy nowadays. Even though I introduced them as distinct populations, actually they overlapped everywhere until they definitively merged under Roman rule.

The Federazione Pagana doesn’t have a predominant ethnic-religious orientation (except in “numeric” sense of word, I mean for what concerns the majority of members) and so its purpose is to support development of paganism in Italy and thereby of these paganisms and others and to let every single person search for his/her historic and emotional roots.

Manuela Simeoni

[2] It’s what happens with those who start studying “stregheria”, but they believe they can’t practice it or they won’t find a master because they don’t have Italian ancestors.

[3] Ante Era Vulgare: before current era, it means b.c.

[4] From now on, I will use mainly Latin names of population where I couldn’t find the English word for them. Latin names are in italic.


Tuesday, April 5, 2016

Temples to the ancient Phoenician-Canaanite god Ba'el to be constructed in New York, London, and all over the world


Baal; properly Baʿal; Phoenician; was a title and honorific meaning "lord" in the Northwest Semitic languages spoken in the Levant during antiquity. From its use among people, it came to be applied to gods. Scholars previously associated the theonym with solar cults and with a variety of unrelated patron deities, but inscriptions have shown that the name Baʿal was particularly associated with the storm and fertility god Hadad and his local manifestations. The Hebrew Scriptures, compiled and curated over a span of centuries, include early use of the term in reference to their God Yahweh, generic use in reference to various Levantine deities, and finally pointed application towards Hadad, who was decried as a false god. This use was taken over into Christianity and Islam, sometimes under the opprobrious form Beelzebub.

Ba'el is usually associated with the Phoenician god "El" and the planet Saturn. The "Cult of Saturn" has been covered here before. This reminds of many similar projects where nobody seems to really take credit. It just happens, all in the name of large, global, nameless, faceless institutions. I don't have a problem with it, but why not a few temples to other ancient traditions. Maybe to Freya, Poseidon, or some some African or Native American god. No, they're just totally fixated on what they believe is "Saturn/Satan." That's why they have so many loud and gaudy displays at every big event they can bring it to. If it was more of a mutual agreement to construct a temple of El, maybe a lot of people could feel a connection to it. Of course, the Christians don't like it. I just don't like the elitist mentality behind it, just as with the Georgia Guidestones. The Bohemian Club's 45-foot stone owl at Bohemian Grove is based on the god Moloch. There were sacrifices of  babies to Ba'el and to Moloch, which are very conflated deities from ancient Phoenicia-Canaan. So often there's the sound of "el" in the mix somewhere: "ow-el," "Ba-el," or "Mo-el-ech."

There are many videos on YouTube regarding El, Baal, Molech, or even the video 'Dark Secrets Inside Bohemian Grove." What it all boils down to is the god El, the planet Saturn, and what they call "The Golden Age" when Saturn was a star in our northern sky five or ten thousand years ago. It's a highly important and lost part of our history, and I respect it, but I don't respect what these people have done in recent history. They don't have any more claim to what I guess one could call "the age of Saturn" than anyone else in the world. I have respect for the history and spiritual traditions of the Phoenician Priesthood; however I can do without the 'Rocky Horror Picture Show'/Miley Cyrus/Caitlyn Jenner culture that these plutocrats are putting together. They believe that this culture was marked by bisexual orgies and the general relevant themes that they promote so much today.

Temple of Baal to Be Erected in NYC, London, and Hundreds of Other Cities


This is happening next month. This is really happening.

Sorry for the technical difficulties and no, I'm not laughing at this like it's funny. The laughing you hear is the kind of nervous laughter of doom that happens when you walk down a dark alley at night and realize you aren't alone, it's actually filled with starving zombie clowns and giant talking spiders.


Truthstream Can Be Found Here:
Twitter: @TruthstreamNews

Saturn is Baal/Bael

Tim Hayes

Saturn has also been worshipped as Baal, the Caananite storm god. "Baal is often represented by the symbol of the bull. Since only priests were allowed to utter his divine name, Hadad, Ba‛al was commonly used. Prior to the discovery of the Ugaritic texts it was sometimes thought that there were various and quite-separate gods called Baal. However, it is now generally accepted that there was one great Canaanite storm-and-fertility deity Baal-Hadad, and local manifestations of this one god." The one god is better known as Saturn/Kronos/El,


Monday, April 4, 2016

Polytheistic Religions in Pre-Roman Italy: Part II

Ligurians were considered, even by ancient authors, the most ancient population in Italy. Certainly it was one of the biggest and was settled in the major part of western Alpine region before the Celtic expansion during V-IV century a.e.v. After the Celts’ coming, Ligurians merged with them and were known as Celtic-Ligurians. Their original language, before the strong Indo-European influence exerted by Celts, is supposed to be similar to the Rhaetians’, so Ligurians were not Indo-Europeans. Like the Celts, Ligurians were divided into various groups and we can hardly distinguish Celts from Ligurians among the names of northern Italy inhabitants, because their union was very deep-rooted: we can say that Ligurians were Apuans, who Romans brought to Samnius, Bagienni, Friniates, settled between Lucca and Modena, Ingauni, who subjected other Ligurians, Intimilii and Sabati; and also Lepontii, whose belonging to Ligurians was supposed on the basis of toponymy,  their pre-Indo-European dialect and the custom to bury corpses, Levii, settled around existing city of Pavia, who were bound to Anamares and defeated by Insubres, Salassi, who trade with transalpine populations through Great Saint Bernard pass, sacred to the god Poeninus.

Other populations in the same area are supposed to be Celts: Anamares, settled around Piacenza, Gauls (Senones, Boi, Cenomani, Sequani, settled in the Po valley), Insubres, settled in current Lombardy, Taurini, whose Celtic origins are supposed on the basis of toponomy, Taurisci, whose name, like Taurini’s, comes maybe from Celtic root taur- meaning “mountain”. The origin of Orobii was unclear to ancient authors also; the merging between Celts and Ligurians is particularly clear in some populations as Anamares, Bagienni, Taurini and Taurisci. Ligurians’ religion also went under Celtic influence: it might have been a “naturalistic” religion, with a strong cult of forests, woods, peaks and rivers, all worshiping places sometimes pointed out by a simulacrum, a stone or an altar, but deities’ names we know had a Celtic origin, probably because of the interpretatio the Celts did, in the same way Romans interpreted foreign deities.

So a healing deity is called Bormanus, while Romans called Jupiter the mountain god Poeninus. From the god Bekkos takes its name Mount Bego, full of rupestrian figures; this god was represented half human and half bull: horns or a half animal body are main features of many figures engraved in those rocks. From Celts, Ligurians borrowed the cult of god Belenos, who was worshipped as far as the Adriatic Sea coast. Ligurians also worshiped Hercules, like many other ancient Italian populations. They used to throw personal objects like weapons and jewels in rivers, lakes, marshes and torrents, but we don’t know exactly why they did so, as an offer to deities or to prevent everyone from using a dead person’s objects. The burial of the dead was the most spread practice until the Bronze Age, then cremation came into use.

When we talk about Italics, we mean all those Indo-European population which came to Italy. They are divided into two groups: Latino-Sicels and Osco-Umbrians (or Umbro-Sabellians or Umbro-Samnites). Among both these groups, relations among various populations had a strong religious feature and leagues of independent cities always had their seat in a sanctuary. They worshipped totemic animals and most of their deities were bound  biological cycles and agriculture. Among both groups, even though it happened more often among Osco-Umbrians, the ver sacrum (sacred spring) ceremony was practiced: in case of need, that is to say in case of famine or war, all fruits of the earth, animals and children (sometimes only boys) born that spring, among 1st March and 30th April, were consecrated to deities, especially Mars, and while fruits and animals were sacrificed, boys, once they turned twenty, left their original community and went away to found a city in the place where their totemic animal or deity would lead them, then this new group would take their name from the animal or deity.

There are also some deities we can call “Italic”, because their cult was practiced by both Latino-Sicels and Osco-Umbrians: these are, for example, Jupiter worshipped by Latins (Sanctuary of Iuppiter Latiaris) and also by Umbrians and Samnites, being mentioned in tables fm Gubbio (Umbrians) and Agnone (Samnites), and whose name comes from the Indo-European root meaning the daylight; a deity of fruits, a god according to Osco-Umbrians, a goddess according to Romans, who is Pomono or Pomona; Mars or Mamers or Mamurius, god of war but also patron of agriculture and guide in founding new communities, main god of the ver sacrum ceremony, which took place when there were problems in agriculture or about defense. The most ancient Italic group is the one of Latino-Sicels: archaeologists consider cultures settled around the Tiber mouth and in southern Etruria, those of Latins and Falisci, similar to the Sicels’, who overlap Sicanians and Elimi in Sicily.

At the beginning, Latins organized in a league of independent cities, having its center in Diana’s temple near Aricia, in the sacred wood of Nemi, guarded by the Rex Nemorensis, a priest who was killed by he who wanted to succeed him, generally a fugitive slave, and who stripped away a branch from a tree to declare his own right to fight with this priest. Having language and religious practices in common, Latin cities entered into federations that were more religious ones than politic, whose members gathered during some festivals to make sacrifices in sanctuaries. Main cultic center was Latian Jupiter’s (Iuppiter Latiaris) sanctuary, on Mount Cavo, among Albani Hills; here a white bull was sacrificed during the yearly festival of Feriae Latinae and meat was distributed among representatives of cities taking part to the league.

In Iuppiter Latiaris’ sacred area there was also a sacred spring of Nymph Ferentina, a goddess who should have also a sacred wood we didn’t identify. The city of Lavinium, being tied to myths about Aeneas, had a sanctuary dedicated to Penates, household gods of fireplaces, to whom salt and emmer were offered. Another important city, which Festus told was related to Etruscans but in which archaeologists didn’t find any trace of Etruscan culture but only of Grecian one, was Tusculum, hosting a temple dedicated to Jupiter, Latins’ main god, of whom two simulacra were found, and one dedicated to the Dioscuri, destroyed during Middle Ages. In Lanuvium Iuno Sospita (helper), with very bellicose features, was also worshiped.

The Falisci belong to the same branch of Latins and their language is very similar to Latin. But they also had close relations with Etruscan, as ancient authors affirmed Falisci were an Etruscan group. Their most important city, Falerii Veteres, had Minerva as patron and her temple was brought to Rome on the Aventino hill after third Samnite war ending, when the city was destroyed by Romans or, according to some historians, abandoned by the Falisci themselves who would find more convenient to move closer to their new allies, the Romans, building a new city, Falerii Novi, next to a  Roman built road. Falerii Novi’s gate dedicated to Jupiter still exists, and some inscriptions demonstrate the existence of cults to Mercury, Ceres and Liber; Juno quiritis, with very strong warlike features, was patron of the city. On the top of Mount Soratte there was a temple to Apollo, now replaced by a Christian church.

Scholars think that Sicels had established first in Bruzio, then in Sabines’ region, finally in Campania before they crossed the Straits of Messina and settled for good in Eastern Sicily, in XI century a.e.v. circa. As it happened to Sicanians and Elimi, Sicels were absorbed by Grecian colonization and took some features of Grecians’ religion: they worshiped the “Palici”, twin deities, patrons of navigations and agriculture we know only through Greek legends. Their name itself comes from Greek, meaning “born twice”, because they would be born first from their mother Talia the Nymph, and then from the ground which swallowed Talia at Hera’s command. Their father was Zeus; in this case Zeus was a translation by interpretatio of the Sicel god Adrano, known to be father of the “Palici”.

Populations belonging to Osco-Umbrian group came to Italy later and they were: Umbrians, who were settled around Tiber upper basin, Samnites, settled on Abruzzi’s mountains and divided into Carencini, Pentri and Caudini, then Hirpini, Aequi, Frentani, Volscians. Belonging to Samnite stock the Lucanians, Bruttii, Marrucini, Marsi, Vestini and Oscans; these were all called Sabellians by the Romans together with the Apulians, former inhabitants of current Apulia before Illyrian populations arrival, and with the Sabins, who could have originated by Umbrians with the migration practice called ver sacrum, ritual exodus of young people looking for new places to settle in. Bound to Sabines, there were the Paelignans, once believed to have come from Illyria.

Many of these population took their name from a sacred animal (Picenes, Hirpini, Lucanians, Frentani) or from their patron deity (Marsi and Vestini). They have some deities in common: Flusa was a goddess of earth or of vegetation in different pantheons, who became the Roman Flora, and then Saku or Sancus, god of pacts and contracts, and, according to Cato, main deity of Sabines, whose name was believed to come from this god’s son’s name, Sabo. In Rome, Sancus became Semo Sancus, god who supervised treaties, later identified with Dius Fidius and then with Jupiter Sancius, Jupiter watching over given word. During a certain period, the Oscan language was more spread than Latin; it’s as different from Umbrian as Spanish is from Italian, especially after Umbrian cultural renewal, a not very known change in common with Latin, while Oscan remained conservative.

Main sources for studying Umbrians’ religion are Gubbio’s tables, reporting ancient Umbrian texts to be pronounced during some rites performed in the city of Gubbio. One of these still survives in its Christianized form: originally it was a rite for purification, in which sacrificial victims, three different animals to honor three different deities, were asperged with water and carried at a run around the city for three times, nowadays people carry at a run three holy candles which are 275 kg heavy along the same path; before running, candles are asperged with water and dedicated to three different saints. The most evident feature of Umbrians’ religion is the deification of nouns, concepts, actions, objects because of their philosophy, thinking that every abstract concept had its own divine substance: so Fisovio Sancio is the god protecting Gubbio’s citadel, because he’s the divine substance of the rite which is going to be performed.

On the same tables we can find a list of sacrificial victims, paired with the most appropriate deity, and there are also vegetal offers every three sacrificial animals, so marking a division of deities in triads, maybe coming from Etruscan culture. To Jupiter Father, many times recalled in tables, an ox was to be offered, an over one year of age victim was to be offered to “Spettore”, a male lamb to the “Giovio” (maybe a Jupiter’s son, he could be someway similar to Hercules, whose cult was so spread in Italy), pork lard to Dicamno Giovio, an over one year of age sheep to Atto Giovio, a male pig to Atto Marzio. After the sacrifice to the evoker gods, the rite went on with divination through observation of flight of birds. We don’t know whether the Umbrians learned this practice from Etruscans or Etruscans learnt it from Umbrians; but it should be practiced a lot, in facts surnames coming from names of birds are still common in Gubbio.

The priest entered into a bond with the deity, who had to ensure the birds behavior would be expression of divine power, then the augur went on with divination. This big rite, done for purification and protection on the city and its army, ended with the sacrifice of three calves to Mars Hodio and three steers to Hondo Cerfio. These animals’ meats were eaten keeping silence, with a twist of bread. Music should also have much importance in Umbrians’ religion and the tables report instruction about how to construct a musical instrument with the needed sacrifices to Father Jupiter and to “Pomono Popdico”, a god also called “Poemune”, corresponding to Roman goddess of fruits, Pomona. Other inscriptions report the name of the goddess Cubra, later identified with Bonadea by Romans.

The same goddess was worshiped, with her name’s phonetic variant of Cupra, by Picenes as a mother goddess of fertility and she was their main deity. There are still two towns with the goddess’ name in theirs (Cupra marittima(= by the sea) and Cupra montana (=by the mountains)) and her temple was on Tesino’s mouth’s left bank. In this area some simulacres were found. According to ancient sources as Strabo or Pliny the Elder, the Picenes had their roots in Sabines from which they born by the ver sacrum ceremony, and established in current Marches following a woodpecker (in Latin picus), a bird sacred to Mars, from which they took their name.

It seems to be that this Osco-Umbrian group settled breaking up into families and tribes and merging with other inhabitants of the same region, a pre-Indo-European population which we don’t know much more about: this is the reason why some archaeologists prefer to call Picentes the former group and Picenes the latter. Picene culture never had unitary features and it varied from town to town, even though towns sometimes gathered into confederations. They traded with other population settled on Adriatic coasts such as Etruscans, Illyrians, Daunii and Liburni; some modern historians think that Liburni influenced Picenes’ culture by settling in the same region.


Sunday, April 3, 2016

Polytheistic Religions in Pre-Roman Italy: Part I


[Published by the Pederazione Pagana in Italy, based in Venice]

Celsus, Alethès Logos, V, 25

“Every population cultivates its own traditions, anyway they have been established. And this seems to happen not only because every population believed that was right  to follow its own customs and necessary to preserve the principles in force, but also because, as it’s very similar, all parts of earth, assigned some to a tutelary deity and some to another from the beginning and divided into fixed domains, are still administered in this way. Besides, what is done by every population is right in so far as it is done in the way those tutelary deities like it. It will be impious to subvert the original institution of the various places”

So Celsus says in his work reconstructed from its criticism written by Origen; the basic concept is that every population has the right-duty to preserve its costumes, beliefs and deities of the land it belongs. Although Celsus is a late and not very reliable source, since his work comes to us indirectly, the idea he expresses here should be widely spread in Greco-Roman world. Just think that Greeks described other religions in geographical works or geographical parts of historical works (for example, the Histories by Herodotus, which Celsus often refers to) while Romans used, during wars, to call the enemies’ deities to Rome, where they promised they would built a temple for them.

After the long interruption due to Christianism, today in Europe we see the rebirth of the so-called “ethnic” religions, or, to use a word we are taking back to its ancient meaning, paganism. In Europe we don’t see that restless seeking for one’s origins as we see in America, where there are some Wiccans who feel sorry for they don’t have the “right” roots of the tradition they chose[2]. But it’s true that the pagan path to walk is often chosen on the strength of a sense of belonging, which comes from individual sensibility and not necessarily has an effective connection to a person’s  geographical background.

This is more true in Italy, where the ethnic groups, both native and immigrant ones, before and after Christianity, merged in various ways and everyone of them leaved its mark on the country; so, before and after the Romans’ conquest, ancient populations’ religion lived together on the same territory. So an Italian person can have Celtic, Germanic, Italic, Pre-Latin, Latin, Roman, Grecian roots without fully identify with only one of them: this is the sense of belonging who lead someone, for example many of those who find their Roman roots, to feel him/herself as a descendant of one ethnic groups, some others to feel him/herself part, to practise or to study more than one ancient religions, which can all be called traditional. Many of those traditions are probably still buried under the sands of time, some of them are “recovered” in a wiccan way: that’s the case of a Wiccan current in Veneto, putting on the center of their practices the ancient Venetic goddess Reitia.

I don’t want to enter into the merits of the choice; what I want to present here is some kind of geographic map of ancient polytheistic religions who came across Italy during the centuries before Christianity, showing superpositions among them and how they stratified on the territory. To be brief, I won’t talk over the most developed religions, those which are the most known and exerted a strong influence on Italic paganism: I mean Grecian religion, coming from the colonies of  Magna Graecia since VIII century a.e.v.[3], Etruscan religion, Celtic religion, Phoenician religion and Roman religion, which developed from the union of Italic, Etruscan and later Grecian elements. 

But in Italy the Germanic element didn’t lack, under the guise of the Cimbrian, who settled on the Alps and in northern Italy. The complexity of those religion and the abundance of information we have, if we compare it to the scarcity of sources we have about other ancient Italic religions, make it very difficult to discuss them here, where I simply want to give an overview of religious situation in Italy from the beginning to Rome. All those religion deserve a better elaboration (to which I will apply myself) also about the links among them I just sketched here. The Italian peninsula was occupied since the Palaeolithic era; the most ancient archaeological  finds go back to about 850,000 years ago. 

Since the Palaeolithic we can distinguish three different cultures, with different kind of tombs, all with rich outfits. These three groups fragmented still further during the Mesolithic, when we can date the so-called “Venuses”, little sculptures with marked feminine features. During the Neolithic, some new populations, coming from the East by sea or from the Danubian basin, came to Italy and brought some important innovations, like agriculture and ceramic. These populations also had a great surgical knowledge and could do the trapanning of the skull, making the patient to survive. Later the use of metals spread in the peninsula.

During the Eneolithic, cultural groups established and spread: in this period, in the region now called Emilia, developed the civilization of  “terramaras”, characterized by palafitte and manufacts spread in the whole Central-southern Italy. In the same period started in Europe the spreading of Indo-European languages coming from East in consecutive waves.

So the eldest local population are born in proto-historic Europe; later other immigrant population will arrive and add to them. In this article, because of its features of synthesis, I won’t dwell long on archaeological and social features of every civilization, but I’ll try to focus my attention, as much as possible and even when I’ll be forced to simply make a list of deities’ names, on religious aspects of those civilizations. Although, it’s necessary to keep in mind that ancient “pagan” cultures didn’t separate sacred and profane as monotheistic religions do, but everything had a sacred part and a profane (as we will define it nowadays) one.

Ancient sources pass down some names [4] of ancient populations living in the peninsula before Latins and Osco-Umbrian, but for these names we don’t have a strict definition nor enough finds to identify them accurately: the Ausonians, ancient inhabitants of Samnius, whose name we find in Virgil’s work, belong to this group. Maybe the word indicates all the ancient non-Grecian inhabitants of the area, but if they really were a civilization, they extinguished during V century a.e.v. The same can be said about the Oenotrii, ancient inhabitants of Southern Italy before Sabellian populations’ arrival. Some traces of their language remain in dialects, some tombs were found and Cato passes down three names of tribus (Coni, Morgetes, Vitales).

In ancient Italy there were also other populations whose origin we don’t know for certain, but which are probably non-Indo-European: Sardinians, whose civilization is called “nuraghic”; Sicanians, inhabitants of that island that Homer calls “Sikania” from their name, now Sicily, and their neighbours the Elimi; in current Veneto Rhaetians and Euganeans; the Villanovan civilization, ancestors of Etruscans; and above all the Ligurians.

The Sardinian nuraghic civilization’s religion was a naturalistic one, perceiving deities in natural elements. Their sanctuaries were built between 1300 and 900 a.e.v. and were used, as in other ancient cultures, also as a market place and for politic meetings; at their center there was a well-temple, consisting in a doorway at ground level, a stair going down under the ground, a sunken room with a false dome vault and the sacred spring just down the stairs. On the ground, the sacred area was delimited by a stone fence. There are still about forty of those well-temples dedicated to water deities (water is very precious in a so dry region as Sardinia is); a christian rural church was often placed side-by-side to them. 

Sardinians prosecuted their ancestors’ cults, worshiping a Mother Goddess and a Bull God, both deities of fertility, being the two forces who combine to generate life, whose cult was someway linked to the cult of the dead. The tombs they built were collective and enormous, with a semicircular façade in a bull’s horns shape and a stele with a little door to go inside the tomb. All around this tombs, called “Giants’ tombs” because of their impressive dimensions, there were some stone sedilia on which the dead ones’ relatives can sleep, maybe to communicate with their dearest in dreams, practicing the incubation. In front of the tombs there were some “betili”, a Sardinian word meaning little menhirs, phallic symbols of fertility carved with two eyes or two breasts: the betili having eyes were guardian deities of the dead, the betili having breasts represent the unity of the male deity with the feminine one to bring back the life. 

Sardinians had other kind of temples, the temple in a cave with a stalagmite for altar and a sacrificial fireplace, and the temple with rectangular plan. We have some remaining examples of both, but we don’t know who was the deity they were consecrated to; temples in caves are supposed to be consecrated to chthonian deities. Later, Sardinian were affected by Grecian and Carthaginian people; during Roman period, an ancient local god was known under the name of Sardus Pater (father Sardo): this god derived from or was similar to the Carthaginian god Baal. Ancient mythographers believed that Sardus Pater was Hercules’ son, and that Hercules came to Sardinia from Libia (so he can be considered son of Hercules-Melqart, a Greco-Roman interpretation of the Phoenician god Melqart).

Homer calls the other Italian big island “Sicania”, from the name of its ancient inhabitants, the Sicanians, who were pushed to the western part of Sicily by the Sicels. Thucydides said that Sicanians already lived in the island during Trojan war but they came from Iberia across Italy, while according to Antiochus and Thymeus Sicanians are native of Sicily. We know very little about them, because they lost their ethnic features during the IV century a.e.v. under Grecian and Phoenician influence. The same lot was shared by the Elimi, who ancient authors believed to be native of southern Italy, of which the Oenotrii pushed them out (Hellanicus), or to be a group originated in Asia from the union between Trojan exiles and other people (Thucydides); they underwent a quick process of Hellenization and disappeared under Carthaginian rule during I century a.e.v. 

According to contemporary scholars, they could have a Sicanian origin, or a Ligurian one; somebody believes they are Semites, a mixed population of Persians, Phoenicians and Trojans, whose name may come from that of the region Elam. Their main deity was a goddess belonging to the group of Mother Goddesses (with this name anthropologists call all ancient goddesses with maternal features and related to fertility): her main sanctuary stood on mount Erice and this goddess was called Aphrodite by Grecians and Venus by Romans, but she has also something in common with the Phoenician Astarte. Venus Ericina (Venus of mount Erice) has an ear of wheat as her symbol and she’s represented with a dog and other animals by her side (she’s a “potnia theron”, a “Mistress of animals”); her rites were celebrated outside, so that the dew could wash the stains due to sacrifices. 

Her cult was admitted in Rome, but with some restrictions on it because Roman magistrates thought it contravened Romans’ sense of decency; Venus Ericina’s day was on the 23rd of April, that was also the day of Vinalia, but the cult of the goddess was reserved to seventeen cities of Sicily, probably Elimi’s cities, which had the honor of  presenting a wreath to her, and to prostitutes (because of this, some scholars believed that sacred prostitution was practiced around the original temple in Sicily), while it was forbidden to other women to take part to it. Main Elimi’s city was Segesta: a Roman agricultural deity has the same name and her symbol was an ear of wheat like Venus Ericina’s, but the relation between the two is not clear.

In present region of Veneto, before of the arrival of palaeovenetic culture, there were two non-indoeuropean population, who left traces in names of local mountains: Rhaetian Alps derive their name from the Rhaetians, while the Euganean Hills from the Euganeans.We don’t know much about these two populations: the Rhaetians are supposed to be an ensemble of population including some groups coming from Illyria (from which the Palaeovenetics came, too) and Celtic groups also, while the Euganean are supposed to be part of the Ligurian culture, and were divided into Stoni, Camuni (who made rupestrian figures in Val Camonica) and Triumpilini (who made rupestrian figures of Val Trompia). Both Rhaetians and Euganeans merged with Celts, Etruscans and later Venetics.

On the contrary, we have enough about Etruscan religion, which influenced the Roman one as Grecians did (for a long time, the scholars believed that the Etruscans had been cultural mediators between Grecians and Romans but later direct contacts between these two cultures were proved), just as Etruscans joined Roman society: it goes without saying that three among the seven legendary kings of Rome were Etruscans. Etruscan language seems not to belong to Indo-European stock, while their alphabet had a Grecian origin: in their turn, Etruscans taught it to various population settled in northern Italy, but not, as it seems, to Latins, who learnt it directly by Grecians. Many hypotheses were made about the origin of Etruscan people:  the authochtonal theory was abandoned after the discovery of Lemnos’ inscriptions, made in a non-Grecian language, but very similar to the Etruscan one, so someone believes that Etruscans were descendants of some groups of Lemnos’ inhabitants who came to Italy and merged with local population. 

This union gave rise to Villanovan culture, first germ of the Etruscan one; at the present time, none of the theories about Etruscans’ origin can be proved with certainty. Even after this population’s decline, their language was used in Rome until the Augustan period, as it was a sacred language, used also for divinatory books, which collected cult and divinatory practices and rules of civilian life, all that was called by Romans “Etruscan subject”. Divination is the most known aspect of their religion, they taught to Romans the haruspicy, divination by observation of sacrificial victims’ viscera, of birds’ flight and of lightnings. Lightnings were particularly revered and were attributes of many deities, who could throw just one at a time, and of Tinia, later identified in Jupiter, a celestial god, who could throw three of them: the first to warn, the second to terrify and the third to destroy. 

Contrary to what happens with other Italic deities, we know many names of Etruscan deities (in their original version or through the Greco-Roman interpretatio) and we know how the priesthood was organized. According to what Romans passed down to us, Etruscan deities were hierarchically organized and there was a triad of deities at the top, consisting in Tinia, Uni and Menvra, more or less corresponding to Romans’ Jupiter, Juno and Minerva; there was also a chthonian triad consisting in Mantus, a god with features similar to those of Grecians’ Hades and Bacchus, Mania and another goddess, Phersipnei (Persephone) or Serfue (Ceres). 

Among Etruscan deities, we can distinguish deities with an Etruscan origin (Amharia, justice and revenge, Cautha, solar deity, Cilens, Colalp, Ethausva, Letham, Tecum, Thufltha, Tolusco and, known under his Latin name, Vertumnus or Volturnus, the turn of seasons), deities of Grecian origin or that we know with Hellenic features (Fufluns-Dionysus, Sethlans-Hephaestus, Turms-Hermes, Turan-Aphrodite, Aplu-Apollo, Artume-Artemis, Hercle-Hercules, Aita-Hades, Phersipnei-Persephone), deities of Italic origin (Maris-Mars, Nethuns-Neptune, Menvra-Minerva, Usil-Sun), Latin or Latinized deities (Uni-Juno, Ani-Janus, Selvans-Sylvan, Satre-Saturn, Vetis-Veiovis). 

Near the Etruscan city of Capena, there was the Lucus Feroniae, goddess Feronia’s sacred wood, dedicated to a Sabine deity. Priests compiled the calendar on a lunar basis; there was also a high priest who led the priesthood and was elected every year during federal festival of Fanum Voltumnae. The Etruscans’ religion is subject of many studies, so I won’t spread here about it, just as I won’t deal here with Grecian, Roman, Celtic and Phoenician religion, which are basic for Italian paganism, but for which I refer the reader to more exhaustive studies, as there are some deserving ones.