Showing posts with label Brescian culture. Show all posts
Showing posts with label Brescian culture. Show all posts

Tuesday, December 27, 2022

The Tarot: The name originally came from the Brescian "Tarocho" - Part IV

LEARNING THE TAROT: TOO COMPLICATED? Let me teach you how to read Tarot

AnnieTime Tarot

Anne Vos
Energy healing - Cacao ceremonies - Tarot course
https://www.annevoshealing.com/join-the-tarot-course

Is learning the Tarot too complicated? Let me teach you Tarot!

In these videos we will break down the Tarot step by step, starting at the Basics. This video is perfect for the beginner Tarot reader!

This first Tarot lesson is all about the structure of your Tarot deck: What is the difference between the Major Arcana and the Minor Arcana? What is the meaning of the 4 Suits?

I like to link the tarot to several other spiritual tools, like Astrology, Numerology, Mythology, and so on. If you want to join me on this adventure, please don't forget to subscribe to my channel and follow me on Instagram!

Anne Vos
Instagram: https://www.instagram.com/annietimetarot/

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Anne Vos

There are a lot of  Tarot channels on YouTube. This is just one of them. It's an ongoing study, and this was the first program. I think to really understand how to use them, you would have to seek instruction or from a book. What struck me here is that Anne Vos is very knowledgeable and thorough, and incorporates other disciplines such as numerology or astrology.

The Complete 78 Tarot Cards List with their True Meanings

 

 

 

 

 

 

 

 

 

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Pentagram and Brescian-Camunian nexus

I think it's interesting that there is an indirect Brescian Tarot-Camunian pentagram link. The likely oldest pentagrams have been discovered in the Val Camonica. They showed up in the "mainstrem" so to speak, about 3,000 years ago. Ultimately, there had to be a pentagram first, before the pentacle. The pentagram is an earth symbol, and I interpret the circle surrounding a symbol as a circle of nature... making the pentacle a very powerful sigil. The Fibonacci tie-in was very interesting, and new to me.








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PENTACLES EXPLAINED: What is the meaning of the Pentacle suit? 

AnnieTime Tarot

PENTACLES EXPLAINED! Everyone has seen the Pentacle before, but what is the meaning of this mysterious symbol?

In this video I explain the meaning of the Pentacle in general, but I also walk through the pentacle cards one by one. Let me teach you everything about the Pentacle suit!

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Monday, August 16, 2021

The Tarot: The name originally came from the Brescian "Tarocho" - Part III

Cards from the Pierpont Morgan Bergamo deck

Final thoughts

Apparently the Tarot came into Europe via Marduk, Egypt (Egypt, the Levant, and Hejaz), and the first European records of them were in Milan, Ferrara, Florence, and Bologna. With such an obscure origin, they may be a remnant of the old mystery schools which stretched from ancient western Europe (Druids?) to Greece to Egypt to India to China at one point. Also, it was very dicey with the Medieval power of the Church, and the Islamic world looming so large. The old knowledge and teachings of Hermeticism and similar ancient traditions were already present when Christian and Muslim despots arrived on the world stage as societies transitioned from native paganism to Abrahamic systems (the Middle East had been largely Indo-European with spiritual systems such as Zoroastrianism).

Queen Theodelinda fresco at Monza

Where the Tarot may have fit in within the ancient wisdom... I'm sure someone from some level of initiation knows. It's very curious that the modern incarnation of Tarot got its name from Brescia. The artisans of Brescia--whether producing fine clothing, luxurious silk accessories, leather products, brilliant weaponry, the finest textiles, etc--were second to none. They exported their crafts to the Near East during that time period, and perhaps that's how the Tarot came in. Brescia was then part of the Venetian Republic, and Venetian ships exported the goods overseas.

The middle card in the image above looks much like depictions of the Lombard Queen Theodelinda, and perhaps the figure on horseback as well. Compare those images to the example of the art depiction of Theodelinda on the left, from the Cathedral she had constructed at Monza, Lombardia. What other monarchical figure in Lombardia appeared like that... blonde.. monarchical.. so grand? Clearly someone important, a queen. I can't think of too many others. Was there a Queen Theodelinda card(s) on the Pierpont Morgan Bergamo deck? She ruled some seven centuries earlier.

Milanese tarocchi, c. 1500

A terrific head of state, Theodelinda could very well have been declared a Catholic saint. The Pierpont Morgan Bergamo card image would be very consistent with her artistic portrayals, downplaying her beauty, and depicting her as merely stately. Early historians had clearly described her as tall and beautiful, and she was later depicted as somewhat shorter as well. I guess it wasn't acceptable to show a woman as beautiful and physically imposing, especially if she was such a great head of state. Things were very touch-and-go when she took over alone as Queen of the Langobards. She was extremely loved by her people, and proceeded to patch things up with the Vatican and other surrounding states, pragmatically codified laws, defined the culture, and was a great patron of the arts. One of the great underappreciated female rulers in world history; one of the great underappreciated heads of state, period!

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Sunday, August 15, 2021

The Tarot: The name originally came from the Brescian "Tarocho" - Part II

Arms for the Visconti-Sforza family

Trionfi (cards)

Trionfi (Italian: 'triumphs') are 15th-century Italian playing cards with allegorical content related to those used in tarocchi games. The general English expression "trump card" and the German "trumpfen" (in card games) have developed from the Italian "Trionfi". Most cards feature the personification of a place or abstraction.

 

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History

Many of the motifs found in trionfi are found in trionfo, theatrical processions that were popular in the Italian Renaissance. The Palazzo Schifanoia in Ferrara, once owned by the ducal House of Este, contains many murals depicting these floats. Petrarch wrote a poem called I Trionfi which may have served as inspiration.

The earliest known use of the name "Trionfi" in relation to cards can be dated to 16 September 1440 in the records of a Florentine notary, Giusto Giusti. He recorded a transaction where he transferred two expensive personalized decks to Sigismondo Pandolfo Malatesta.

In a letter from 11 November 1449, Antonio Jacopo Marcello used the expression triumphorum genus for a deck that was produced sometime between 1418 and 1425. It was commissioned by the duke of Milan, Filippo Maria Visconti, painted by Michelino da Besozzo and described in an accompanying text by Martiano da Tortona.

Two decks from June 1457 seem to relate to a visit at Ferrara of the young Milanese heir of the dukedom Galeazzo Maria Sforza in July/August 1457. Each deck consisted of 70 cards — the modern Tarot deck typically has 78.

The earliest known appearance of the word "Tarocho" as the new name for the game is in Brescia around 1502).

[Depaulis, Thierry (2008). "Entre farsa et barzelletta: jeux de cartes italiens autours de 1500". The Playing-Card. 37 (2): 89–102]

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Tarocchini

Tarocchini (plural for tarocchino) are point trick-taking tarot card games popular in Bologna, capital city of the Emilia-Romagna region of Italy and has been confined mostly to this area. They are the diminutive form of tarocchi (plural for tarocco), referring to the reduction of the Bolognese pack from 78 to 62 cards, which probably occurred in the early 16th century.

The games of Tarocchini are very complex, yet the rules have changed little over the years.

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Visconti-Sforza tarot deck

The Visconti-Sforza tarot is used collectively to refer to incomplete sets of approximately 15 decks from the middle of the 15th century, now located in various museums, libraries, and private collections around the world. No complete deck has survived; rather, some collections boast a few face cards, while some consist of a single card. They are the oldest surviving tarot cards and date back to a period when tarot was still called Trionfi ("triumphs" i.e. trump) cards, and used for everyday playing. They were commissioned by Filippo Maria Visconti, Duke of Milan, and by his successor and son-in-law Francesco Sforza. They had a significant impact on the visual composition, card numbering and interpretation of modern decks.

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Overview

The surviving cards are of particular historical interest because of the beauty and detail of the design, which was often executed in precious materials and often reproduce members of the Visconti and Sforza families in period garments and settings. Consequently, the cards also offer a glimpse of nobiliary life in Renaissance Milan, which the Visconti called home since the 13th century.

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Pierpont Morgan Bergamo (card deck)

This deck, also known as Colleoni-Baglioni and Francesco Sforza, was produced around 1451. Originally composed of 78 cards, it now contains 74, i.e. 20 trumps, 15 face cards, and 39 pip cards. The Morgan Library & Museum in New York City has 35, the Accademia Carrara has 26 in its catalogue, while the remaining 13 are in the private collection of the Colleoni family in Bergamo. Trumps and face cards have a gilt background, while the pip cards are cream-coloured with a flower and vine motif. The two missing trumps are the Devil and the Tower. Modern published reproductions of this deck usually contain attempted reconstructions of missing cards.

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Saturday, August 14, 2021

The Tarot: The name originally came from the Brescian "Tarocho" - Part I

Tarot

[The Tarot] first known as trionfi and later as tarocchi or tarock, is a pack of playing cards, used from at least the mid-15th century in various parts of Europe to play games such as Italian tarocchini; many games are still played today; in the late 18th century, some tarot decks began to be used for divination via tarot card reading and cartomancy leading to custom decks developed for such occult purposes.

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History

The first documented tarot packs were recorded between 1440 and 1450 in Milan, Ferrara, Florence and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi, which became "trumps" in English. The earliest documentation of trionfi is found in a written statement in the court records of Florence, in 1440, regarding the transfer of two decks to Sigismondo Pandolfo Malatesta.

The oldest surviving tarot cards are the 15 or so Visconti-Sforza tarot decks painted in the mid-15th century for the rulers of the Duchy of Milan. A lost tarot-like pack was commissioned by Duke Filippo Maria Visconti and described by Martiano da Tortona probably between 1418 and 1425, since the painter he mentions, Michelino da Besozzo, returned to Milan in 1418, while Martiano himself died in 1425. He described a 60-card deck with 16 cards having images of the Roman gods and suits depicting four kinds of birds. The 16 cards were regarded as "trumps" since in 1449 Jacopo Antonio Marcello recalled that the now deceased duke had invented a novum quoddam et exquisitum triumphorum genus, or "a new and exquisite kind of triumphs". Other early decks that also showcased classical motifs include the Sola-Busca and Boiardo-Viti decks of the 1490s.

In Florence, an expanded deck called Minchiate was used. This deck of 97 cards includes astrological symbols and the four elements, as well as traditional tarot motifs.

The expansion of tarot outside of Italy, first to France and Switzerland, occurred during the Italian Wars. The most important tarot pattern used in these two countries was the Tarot of Marseilles of Milanese origin.

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Etmology

The word Tarot and German Tarock derive from the Italian Tarocchi, the origin of which is uncertain but taroch was used as a synonym for foolishness in the late 15th and early 16th centuries. The decks were known exclusively as Trionfi during the fifteenth century.

The new name first appeared in Brescia around 1502 as Tarocho.

[Depaulis, Thierry (2008). "Entre farsa et barzelletta: jeux de cartes italiens autours de 1500". The Playing-Card. 37 (2): 89–102]


During the 16th century, a new game played with a standard deck but sharing a very similar name (Trionfa) was quickly becoming popular. This coincided with the older game being renamed tarocchi. In modern Italian, the singular term is Tarocco, which, as a noun, refers to a cultivar of blood orange. The attribute Tarocco and the verb Taroccare are used regionally to indicate that something is fake or forged. This meaning is directly derived from the tarocchi game as played in Italy, in which tarocco indicates a card that can be played in place of another card.

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Gaming decks


The original purpose of tarot cards was to play games. A very cursory explanation of rules for a tarot-like deck is given in a manuscript by Martiano da Tortona before 1425. Vague descriptions of game play or game terminology follow for the next two centuries until the earliest known complete description of rules for a French variant in 1637. The game of tarot has many regional variations. Tarocchini has survived in Bologna and there are still others played in Piedmont and Sicily, but in Italy the game is generally less popular than elsewhere.

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Tarocco Piemontese: the Fool card

These were the oldest form of tarot deck to be made, being first devised in the 15th century in northern Italy. Three decks of this category are still used to play certain games:

The Tarocco Piemontese consists of the four suits of swords, batons, cups and coins, each headed by a king, queen, cavalier and jack, followed by the pip cards for a total of 78 cards. Trump 20 outranks 21 in most games and the Fool is numbered 0 despite not being a trump.
 
The Swiss 1JJ Tarot is similar, but replaces the Pope with Jupiter, the Popess with Juno, and the Angel with the Judgement. The trumps rank in numerical order and the Tower is known as the House of God. The cards are not reversible like the Tarocco Piemontese.

The Tarocco Bolognese omits numeral cards two to five in plain suits, leaving it with 62 cards, and has somewhat different trumps, not all of which are numbered and four of which are equal in rank. It has a different graphical design than the two above as it was not derived from the Tarot of Marseilles.

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Card reading

The earliest evidence of a tarot deck used for cartomancy (fortune telling) comes from an anonymous manuscript from around 1750 which documents rudimentary divinatory meanings for the cards of the Tarocco Bolognese.

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Tuesday, May 26, 2020

Nova Bréscia: Brescians in Brazil II



Família Delazeri, imigração italiana na Serra Gaúcha.

Jatir Delazeri

Resgatando mais um pouco da historia da família imigrante Delazeri, a qual faz parte da imigração italiana na Serra Gaúcha.



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In Portuguese, but very interesting photographs of this clan though the course of time. I don't know the origin of the music, or as to whether or not it was sort've a "Brazilianized" version of old folk music? Great photos at the end as well!

The only specific locations in North America, that I know of, which had a sizable number of Brescian immigrants was the American side of the Great Lakes region (such as Upper Michigan) and the Pacific Northwest.

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Tuesday, May 19, 2020

Nova Bréscia: Brescians in Brazil




NOVA BRÉSCIA VISTA DE CIMA

IMAGEMAEREARS


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Nova Bréscia - "New Brescia" in Latin, founded 1964

Not surprisingly, wherever they go, everything rises up around them. The hard work, the intelligence, the creativity; a culture-bearing people. This is a rural area, the kind of place where there always is talk of the lack of opportunities, but they're the kind of people who just make things happen. The first settlers arrived in 1902, but it became official in 1964.


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Rio Grande do Sul - "Great Southern River"

Nova Bréscia is located in the Rio Grande do Sul state in Brazil, which is the southernmost state. Often people from Brescia, and other people from the Padan plane, immigrated in order to find affordable farm land. I once read that some Brescians in the early twentieth century had migrated to a then sparsely populated Turkey, probably for the same region. There are approximately 10,000 Brescians in Brazil.


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Festival Do Chrrasqueiro

Is the actual origin of the churrasquiero from the traditional Brescian spit? That's what this piece seems to suggest, although I don't know. A lot of people arrive for the festival; not every person in these videos is Bresican. The whole general region there is mainly Portuguese, Italian, German, and African. Most of the faces seem to clearly be Brescian. Outside of the semi-tropical vegetation, the town looks much like a town in rural Brescia. Such a different landscape from the Northwoods environment where my family settled, although it's similarly rural.

FestivalDoChurrasqueiro.com.br

'Lo Spiedo Bresciano: The Brescian Spit'

Os Churrasqueiros de Nova Bréscia

Encontro dos Churrasqueiros de Nova Bréscia


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Nova Bréscia

[Translated by Bing Microsoft Translator. It's not an exact match, with Portuguese, Italian, and English translating back and forth a little too much in a few places.]

Nova Brescia is a municipality in the Brazilian state of Rio Grande do Sul,colonized by Italian immigrants. It is located at a latitude of 29º12'52" south and at a longitude of 52º01'39" west, being at an altitude of 313 meters. Its population was 3,184 according to the 2010 IBGE census.

It has an area of 102.183 km².

New Brescia is known as the capital of lies, holding every two years the Festival da Mentira ("Festival of Lies"),where the person who tells the biggest lie wins, but who manages to leave viewers in doubt about its veracity. It is also known for being the capital of the churrasqueiros.


History

Municipality created on December 28, 1964, according to State Law Number 4,903. On April 11, 1965, the first mayor, João Arlindo Deves, was graduated, having as deputy Alfredo Silvestre Macagnan. The first chamber of aldermen was composed of João Sbardelotto, Benjamin Giongo, Guido Dalpian, Alcides Armando Laste, Isidoro Berti, Alcides Zambiasi, Maximiliano Salami and Arlindo Simonetti.

"Noi italiani lavoratori,/ Allegri andiamo in Brasile./ E voialtri d'Italia signori,/ Lavoratelo il vostro badile./ Se volete mangiare." We Italian workers/ Let's go happy for Brazil./ And you nobles from Italy,/ Get your shovel/ If you want to eat.

This was the spirit, this was the chant of the Italian immigrants on their ships. They were fleeing Italy like a prison. There was so much abundance of manpower in Europe that more than 10 million Italians immigrated to the New World between the 1810s and 1930s. In Brazil, from 1875 to 1935, 1.5 million entered, of which 100,000 came to Rio Grande do Sul, with the most diverse qualifications.

The immigration of the Italians is linked to the process of unification of Italy and the victory of capitalism over the "small kingdoms and their agrarian structure", deeply affecting the families who lived on the land. From Brescia, located in the Region of Lombardy, many Italians arrived in Rio Grande do Sul, giving birth to the city of New Brescia.

Exactly in 1895, the Italian families of De Maman, Mezacasa, Casaril and Daroit, coming from the municipalities of Bento Gonçalves, Antonio Prado and Veranópolis, climbed steep paths and settled in the locality of Arroio das Pedras, where today is the town of Linha Tigrinho Alto, an initial landmark of the colonization of the municipality of New Brescia, with its current 33 communities.

The city of New Brescia began around 1902, when the first settlers, the Italians born Santo Titton and João Dalnora, plus the Brazilians Felisberto de Freitas and João Machado, arrived there.

In these places there were only woods and pickets. It wasn't easy for the young community of settlers to settle down. These pioneers came bringing their families and their changes upon horses. They suffered a lot to build their wooden houses, for the planks were sawn by hand. There were no bricks or building materials. To buy groceries not produced on site, it was necessary to go on horseback, along a road full of curves and steep slopes, to Arroio Grande, now Enchanted.

In 1906, more settlers arrived, among them Antonio Dall'Oglio, Batista Recco, João Magagnin and others who added to those who were already on site, in order to explore the land through agriculture. The main crops were wheat, corn and beans. The commercialization of the products was carried out in the neighboring cities, transported on mules that formed long fias on the paths through which only one animal passed at a time. Later, when the roads were widened and flattened, carts pulled by oxen or horses began to be used. Only in 1914 was opened the current road that connects New Brescia to Encantado; before, the route was made by the Tigrinho Line.

The first church in New Brescia was built of basalt stone, but had to be demolished a few years after its construction in the early 1930s. The current mother church, also built of stone, had its foundation stone laid in 1936 and was inaugurated in 1952.

In 1924 came the first doctor, Dr. José Lorenzin; in the same year the first pharmacy appeared. Until then, when necessary, patients who could not keep on top of a horse were loaded on padiolas until Encantado or Arroio do Meio. In 1938 the São João Batista Charity Hospital was founded, which operates to this day.

The years passed and the city grew. In 1964 came emancipation: New Bréscia ceased to be a district of the municipality of Arroio do Meio and gained its autonomy.

Shortly before a new story had begun: the saga of the churrasqueiros.

New Brescia is now nationally known as the land of the best churrasqueiros in Brazil. Countless are the houses specialized in barbecue scattered throughout Brazil; and there are countless in other countries, especially in the United States.

In the 1960s, the municipality had around 11,000 inhabitants. Today there are just over 3,000, due to the exodus of many residents, but mainly due to the emancipation of several districts, which constituted autonomous municipalities.

Currently it is estimated that more than 10,000 Brescians spread throughout Brazil and the world in various activities. They stand out mainly in the branch of steakhouses and restaurants, which followed the example of Albino Ongaratto, from Linha Alegre, who decided to drop the hoe, the fight against mountainous terrain, unpredictable bites in the winter months and the indomable force of prodigious nature, thus initiating a massive rural exodus, which we can call as the saga of churrasqueiros.

Currently the municipality of New Brescia stands out for its quality of life. According to recent data, the HDI (UN Human Development Index) the municipality of New Brescia is in 1st place in the Taquari Valley and among the first in the state.


Monument to the churrasqueiro

New Brescia is also known for offering the world the best churrasqueiros in Brazil. The fame of Brescians is very great, even paying homage to the churrasqueiro in the city center.

On the monument there is a sign, which reads:

To you churrasqueiro who represent so well the Brescians community in every corner of the country, our gratitude and gratitude.


Economy

The service sector is the main economic activity of the municipality, corresponding to 52.4% of GDP. In second place, there is the agricultural sector, with 37.4% of GDP, with special emphasis on poultry farming, with New Brescia being the municipality with the highest production of birds in the state, with about 40 million birds per year. In recent years, the industrial sector has also developed, representing about 1% of GDP, with companies in the textile, furniture, timber, metal-mechanical and food sectors.


Culture

Sovereigns

The new court of sovereigns of the municipality was elected on April 29, 2017, in a ball held at the Municipal Sports Gymnasium, as a program of the festivities in commemoration of the 52nd anniversary of the city. Nine beautiful girls took the catwalk, but only three were crowned. The queen elected is Camila Laste and princesses Dainar Amaral and Jaine de Oliveira Simonetti.





Nova Brescia, Terra dos Churrasqueiros

Jatir Delazeri


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