Showing posts with label the Runes. Show all posts
Showing posts with label the Runes. Show all posts

Thursday, April 1, 2021

The runes, esoteric studies, and the paranormal - Coast to Coast AM Friday evening



 

Runes & Occult Practices / Open Lines

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Date Host George Noory
Guests Kaedrich Olsen, Open Lines

Occultist and paranormal researcher Kaedrich Olson will discuss his esoteric studies that led him to understand and teach others how to resolve paranormal issues, clear their shadows, and discover their own sacred path in life. He'll recount how his work began at an early age with séances and led to a lifetime of esoteric study and occult practice, specializing in runes and Norse mysticism. Followed by Open Lines.

Website(s):

Book(s):

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Thursday, July 2, 2020

Fourth of July "Thunder Moon" & Lunar Eclipse


'How and When to See the ‘Thunder Moon Eclipse’ on July Fourth'


This weekend, a Thunder Moon Eclipse will be visible from North America.

Jamie Carter -  TravelAndLeisure.com - June 30, 2020


[Excerpt]

When is the Thunder Moon Eclipse?

There are two specific times to watch this month’s full moon at its best — moonrise and "maximum eclipse." If you want to watch the Thunder Moon appear on the eastern horizon — a dramatic sight indeed — take a look just after 8:23 p.m. EDT on July 4 if you're in New York, and look up in the minutes after 8:06 p.m. PDT that evening if you're in Los Angeles.

Next comes the eclipse, which is a global event taking 2 hours and 45 minutes. From New York, the best time to look will be 12:29 a.m. EDT on July 5, and the best time to look from Los Angeles will be 9:29 p.m. PDT on July 4.


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Note: Saturday's eclipse is a "penumbral lunar eclipse," not a total lunar eclipse. The next total lunar eclipse will occur on Wednesday, May 26, 2021


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Mysterious Runestones

[CoastToCoastAM.com]


Date: Host Jimmy Church
Guests: Scott Wolter, Open Lines
 



Scott Wolter, author and host of America Unearthed and President of American Petrographic Services since 1990, will join host Jimmy Church (Twitter) to discuss his recent trip to Texas and a discovery of ancient stones that were discovered in a cave that is reported to be from 1501 with over 100 stone tablets with inscriptions and covered by a mysterious blue powder. The last hour will feature Open Lines.

Websites:

Books:


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Saturday, November 24, 2012

Guido von List: Part 20





Vehmic Court: Part 1

First I should state that Runa-Raven Press has gone out of business, so I believe that I am no longer binded to the copyright of their translation of 'History of the Aryo-Germanic Folk'. They had one or two other List books translated into English, but I didn't get a chance to purchase them. I don't think the word really got out that they were translating some of his works other than 'Secret of the Runes', and works by other author-researcher-historians like him. I'm disappointed because a publishing company is power, media, or at least a voice. There are other publishing companies with a similar foundation I believe, so we'll have to be on the look out.

No, the above image was not put there in regards to the publishing company going under. I wanted to look at one of history's great ironies: "The Vehmic Court." As stated many times in earlier sections, at the time of the rise of Christianity and the systematic and violent destruction of anything non-Christian, secret meetings ("heimliche Acht") took place among the Heathen Skalds across the German countryside in order to decide what to do. It was decided first that they must form an underground Wotanic rite, and they formulated a complex esoteric system to be attached to every aspect of society.

This system was largely based on the German-Wotanic spiritual concept of the cycle of life: "1) Birth, 2) Life, and 3) Death and to a new arising"; therefore it's symbolism was three-fold: 1) Exoteric for the unknowing, 2) Esoteric for the initiated, and 3) Deeper Esoteric. Remember, they had to do this unless they were to disappear forever without a trace. This was a form of cultural-spiritual genocide they were facing. They were forced to be "Occultic," which simply means "hidden."

Although it would be a powerful symbol to imagine the Wotanic Skalds all meeting at one place, at one time, in some candle lit cellar at midnight; but it didn't happen that way. I would guess that they probably had all-day meetings deep in the forests and on high mountain locations, where they could stand and speak their minds, and that this took place over years. Imagine the great locations, dates, names, and speeches which we will probably never know a bit about. However, we can honor and redeem them by occasionally imagining them--for the final times as leaders of their culture--standing and speaking their ancient wisdom upon the great thrones of mountains, trees, suns, and skies. In that way, they will never die.

From pages 86 and 87 of 'The Secret of the Runes':

The five-angled star, the Vehme-star, the Truthenfuss (truh = turn, fuss = foot) is the hieroglyph of "revolving or turning generation," of "rebirth"--one of the most important articles of faith in the Aryan religion. In its exoteric interpretation this sign simply says: "return," and was therefore a favorite sign used at hostels and inns, in order to convey the meaning: "whoever is a guest here should come again."

And from pages 89 and 90:


In the administration of justice, too, the old Aryan tripartition is naturally found again as (1) arising or law (Rita), (2) the existing, ruling (justice), and (3) the passing away to renewed arising (the court). Because law and justice culminate in the decisive pronouncement of the court (and consequently, as the third level, this provided the final result) the holy sign of the court was the ruoth-cross, rod-cross, or rowel- (wheel) cross which was therefore also known as the Vehme cross, consisting of a fyrfos whose hooks were bent in the circular shape of a wheel rim. As the Vehme cross it appears engraved on the blade of the great Vehme-sword as an equilateral cross enclosed by a circle. At the cross point the letter "V" appears and furthermore in the quadrants between the arms and letters "S.S.G.G." were engraved. These letters probably displaced the formerly used runes [Fehu symbol] and [Sol and Gebo symbols] (doubled), which signified: "Vehme" and the old passwords: "Strick (string), "Stein" (stone), "Gras" (grass), "Grein" (branch?), i.e., "wyd" ("white") = law; "brick" = secret; "rage" = thunder = doing = ar = right-doing; greyen = to uphold; that is: "Through law and secrecy (heimliche Acht) right-doing is upheld." In abbreviated form this is: tue gege (two s's and two g's).

In the heimliche Acht or kala all this signifies "present in the hidden," which exoterically refers to the watchfulness of the Vehme, esoterically to the omniscience of God as the highest judge. For this reason the "ruoth-cross" was the symbol of the court, and it is for this reason that the crucifix on the bench of the modern judge should be seen--not as a symbol of religion--but rather as a substitute for the "ruoth-cross." Wherever the words "Rothenkreuz" (red-cross), "Rothenburg" (red-castle), or even "roth" (red), "Rad" (wheel), "Ratt" (rat), etc., occur in place names, there is where there was at one time "marked steads of the Vehme," as, for example, near Hochroderd in the Viennese Woods. All "red crosses" that stand in lonely forests were at one time Irminsuls or Roland-columns, i.e., "mark-columns," which designate such "marked steads,"* and all "red courts" were at one time the property of the Wise of the Vehme.

*E.g., The Red Court in the eighth parish in Vienna (at one time the town of Josephstadt).

It goes on in more finite details, but I will cut it off at this point as far as 'The Secret of the Runes' on this subject. I'm just focusing on one aspect of this occult Wotanic codex, but it's quite something to ponder that all of these things were deliberated and eventually decided upon by the Heathen Skalds in one final important and long-enduring action over a period of time. Remember, these wise men were not accustomed to "hiding." Their culture was THE culture of the German people prior to that. They didn't want to just forget the holy Wotanic spots--often the former locations of Irminsuls--and they marked them in one form or another with probably the full intent that their ancestors would someday redeem them. This all sounds like a script out of some fantasy move.. only it's real!

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Sunday, November 20, 2011

Guido von List: Part 12

The following quote was taken from the Runic script Wikipedia page:

Historically, the runic alphabet is a derivation of the Old Italic alphabets of antiquity, with the addition of some innovations. Which variant of the Old Italic family in particular gave rise to the runes is uncertain, suggestions including Raetic, Etruscan or Old Latin candidates. All these scripts at the time had the same angular letter shapes suited for epigraphy which would become characteristic of the runes. The process of transmission of the script (the oldest inscriptions being found in Denmark and Northern Germany, not near Italy) is also unknown. A "West Germanic hypothesis" suggests transmission via Elbe Germanic groups, while a "Gothic hypothesis" assumes transmission via East Germanic expansion.

As you can plainly see, there is a definite tie-in with our culture, especially via the old Raetic alphabet. This connection may not have been apparent in Guido von List's day. The perception was that everything south of the Alps was "Roman," without taking into account that the early Roman political strategy was to destroy anything Etruscan, Gaulish, or other local cultural groups in this territory.

The following text was taken from 'The Secret of the Runes', page 68, regarding the original definition, and eventual decline, of the Runes:

.....it has been proven that the runes were more than our letters are today, more even than mere syllable- or word-signs, that is, they were "holy signs" or "magical characters." They were , in a certain way of thinking, something similar to the "spirit sigils" (not "spirit seals"!) of later times, which played a conspicuous role in the notoerious "Hellish Conjuration of Dr. Faust." Actually they were nothing less than "collectors" for the purpose of auto-suggestion, "media" for concentrated thought and intensive meditation. The characterization as "holy-signs" is therefore fully justified, as is the other name "runes," that is, the "rowning [whispering], the "slightly speaking ones."

Only after these beginnings did those runes, and a number of others that the "Runatals thattr Odhins" does not name, gradually shrivel up into letters in our sense of the word--that is, into empty, inarticulate phonetic signs. The great still-uncounted mass of the other "holy signs" or "hieroglyphs," which were not simplified into insubstantial phonetic signs, but which were rather--as has already been stated--often developed with ongoing elaboration into the most elegant ornamental motifs with the characteristic preservation of the basic lines of their primary forms, and which also expanded their names and symbolic values, formed the Aryan system of hieroglyphs or pictographs which remained a secret of the skalds. Until now, no one had thought to decipher or read them, because no one recognized these widely disparate signs as hieroglyphs.

First it would also do well to ascertain where those--until now silent or in the best case misinterpreted--"holy signs" or "hieroglyphs" are to be found, this in order to prove the context of the special formations of individual signs (corresponding to the kind of the areas in which they are found), and finally to establish through their names the primal-words and ideas that they represent, and from these to form a basis for their decipherment and reading.

This particular area of text later goes into root words (see earlier runic examples in this series), or what List called "primal words," of which many other words stem from; and as they tie into the ancient runic system. On some level, List was partial to his German roots. However, we must realize that this area of study was new at that time, and it appeared wholley Germanic then. I see certain Listian "primal words" which are very similar to certain words and syllables in the Camunian dialect, like "mon," "bor," and "ur." Some of these may have had a Celto-Alpine origin, or even an origin with the mysterious ancient Alpine peoples who predated them. Of course, some could have a Norse, Slavic, or other origin.

Just to follow up with the previous primal word examples. "Mòn" is the original Camunian name for the village of Monno; which is interesting because variations of this word, in numerous ancient language origins, generally means "Moon." "Mon," usually as a prefix, is common within the Camunian dialect. Even the name for Valle Camonica in the Camunian dialect is "Al Camònega." "Mon" is a primal word associated with the Norse life rune (also with "the Moon" meaning); however, the connection is most likely just linguistic. Although, the Langobards did bring the runes back to the Italian peninsula, so there's a possibility of a greater connection there. "Borha" (bor) means business or exchange in Camunian; with "bor" being an indirect primal word associated with the Gibor rune. Lastly, "Urdèn" (ur) means order in Camunian; and although it would be fun to ponder whether or not this could linguistically tie into the name Odin, it appears not to. "Ur" is an important primal word associated with the Ur rune, which may be the most primal word associated with the runes. It stands for "the primordial," which the ancient pagan Camunni may have associated with "the order of nature." The suffixes "ur" and "ura" are very common in the Camunian dialect.

I just think much of this text from this part of the book would be difficult to deeply understand unless it was all placed here, and it would be easier for someone to just get the book. Also, some of it, again, showed a pro-Germanic partiality that could be misinterpreted due to the wording. After looking at hundreds of Camunian surnames and words, they appear to likely be of Alpine and Gaulish origin, with some Roman (Latin) and German influence. However, the Lombard language can sound French, but that could be due to the similar "Romanized Gaulish" linguistic direction.

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Saturday, November 5, 2011

Guido von List: Part 11

Vienna, Austria: Birthplace of Guido von List
The Algiz rune

"The Life Rune"

I decided that I had to add this Listian rune because there are some definite ancient Camun ties to it. Although the runes have an ancient Cisalpine origin, this particular rune is genuinely ancient Norse in origin. One question, which I have developed over this period of time, is whether or not List's runes were actually found on lower Austrian artifacts or present in any ruins there?

I had a funny synchronistic experience today. It happened as I drove my mother to an errand. I was reading the book in the car while she was inside shopping. When she returned to the car, I was energized having just read about the Algiz rune; and in particular, of one of it's alternate names "mon." The Camunian town and comune of Monno was originally named "Mòn" in the Camunian dialect. As we drove off, she said something like "I'm going to use these "Vienna sausages" for something I'm going to make for dinner tonight." Vienna? {{BINGO}} Vienna is the birthplace of Guido von List! A classic synchronistic connection. She doesn't even know who Guido von List is.

People and animals unwittingly play out this symbolism for others. Two weeks ago today, I brought up a subject out of the blue; and one of the people who was present was startled. "Oh, it's amazing that you brought that up!" he exclaimed, and he went onto a tangent about something which was important to him. That, however, is probably more of a mild psychic connection than a synchronistic one. About a week ago, while hiking, I was thinking about some of these subjects and I saw three ravens fly by. These ravens were playing out a synchronistic symbol for me. It wasn't synchronistic for them. Just me. That seems to be how it works. A living symbol is just going about its own journey; and any symbolic meaning is an entirely separate concept. "Three ravens," or any three birds, is a very ancient symbol in European paganism. It's present in one of the crests of a family of which I descend as well. List offers a mixed scientific-mystical explanation to this. It's a natural condition of this planet, although it has no hard science to back it up.


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The website Thora Design quickly sums up the Raido rune with the following description:

Algiz represents protection according to tradition. On another level, it represents divine inspiration and aspirations. What do the two have in common? The Valkryies are that common element. Valkryries were the warrioress, amazon-like daughters of Odin. They were the choosers of the dead on battlefields and lead the dead to the afterlife. They protected the souls of those who died, as well as those who were meant to remain alive. The tie to divine aspirations come from the fact that in some Germanic customs, it was believed that a Valkryrie was actually part of a persons higher consciousness, the "god-like" part of our own being. These all being the case, Algiz represents both protection and the divine consciousness withing each of us.


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The Algiz is part of the ancient Nordic and Anglo-Saxon runic alphabet, often equated to the modern day z, however was traditionally pronounced yr. The letter has come to symbolize many neo-pagan religions and is often worn as a pendant. When casting rune stones it is most commonly determined to represent refusal to move on, or one's family and heritage.

*Algiz, sometimes *Elhaz, is the reconstructed Proto-Germanic name for the rune, representing the Proto-Germanic terminal -z (from PIE word-final *-s). The reconstructed word *algiz (meaning "elk") is based on the name of the Anglo-Saxon eolh ("elk") which is of the same shape but represented a different sound. Like much of the Proto-Germanic language, it is not attested in any known text.

Like the Ing-rune, *Algiz differs from the other runes because it was not named acrophonically, since the sound it represents is a suffix. The Proto-Germanic terminal z (continuing Proto-Indo-European terminal s) became obsolete, and the rune is usually transcribed as ʀ for Proto-Norse and Old Norse. The sound eventually became the terminal -r in Old Norse, but its continuation in the yr-rune (see below) shows that there was still a phonemic difference between -r and -ʀ in Old East Norse (the Swedish and Danish dialect of Old Norse) in the 11th century.


Name Proto-Germanic Old English Old Norse
*Algiz Eolh Yr
"elk" "yew"
Shape Elder Futhark Futhorc Younger Futhark
Runic letter algiz.svg Yr rune.png Runic letter yr.png
Unicode
U+16C9

U+16E6

U+16E7
Transliteration z x ʀ
Transcription z x ʀ
IPA [z] [ks] [ɻ], [r]
Position in rune-row 15 16



Elder Futhark

In the Elder Futhark, the reconstructed name *Algiz is given to the rune. *Algiz represents the sound of the letter "Z" in the Elder Futhark. In the 8th century, the Elder Futhark began to be replaced by the Younger Futhark in Scandinavia.


Gothic Futhark

In the Gothic alphabet, the Gothic letter Gothic z.png, called Ezec, is identified with the rune. Like the Elder Futhark, the sound value of the term was that of "Z" but the name of the rune is of uncertain meaning.[1]


Anglo-Saxon futhorc

Recorded in the Anglo-Saxon rune poem, the shape of the rune appears in the Anglo-Saxon futhorc alphabet, as Eolh. However, instead of representing the sounds of the letter "Z" as in the Elder Futhark and Gothic Futhark, it here represents the sound of the letter "X".[1]


     Anglo-Saxon Rune Poem                      Modern English translation[2]
Eolh-secg eard hæfþ oftust on fenne     The Elk-sedge usually lives in the fen,
wexeð on wature, wundaþ grimme    growing in the water. It wounds severely,
blode breneð beorna gehwylcne                 staining with blood any man
ðe him ænigne onfeng gedeþ.                      who makes a grab at it.


The varying forms of the rune in the Elder futhark during the centuries

Younger Futhark


As the Younger Futhark gradually began to replace the Elder Futhark, the shape of the *Algiz rune appears again as Yr "yew". The shape is also continued in another character in the Younger Futhark; Maðr ("man"), replacing the Elder Futhark rune *Mannaz.


Modern usage


Guido von List and influence

The Madr and Yr runes in Guido von List's Armanen Futharkh were very loosely based on the Younger Futhark. List's runes were later adopted and modified by Karl Maria Wiligut who was responsible for their adoptions by the NSDAP and subsequently used widely on insignia and literature during the Third Reich, notably in SS-obituaries.

Based on this association, the rune is still used by various neo-Nazi or white nationalist groups including the National Alliance.[3]


Germanic Neopaganism

Various forms of the *Algiz rune are commonly used by various Germanic Neopagan groups as a symbol of their religion.


See also


Notes
  1. ^ a b Dobbie (1942).
  2. ^ Page (1999:71).
  3. ^ From the official National Alliance website: "The Life Rune signifies life, creation, birth, rebirth, and renewal. It expresses in a single symbol the raison d’etre of the National Alliance and of the movement of Aryan renewal." The symbol is used throughout the website. "The Life Rune: an ancient symbol used by the National Alliance". Natall.com.

References


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Guido von List's "Algiz rune" (he used different names):

man, mon, moon (ma = to mother, to increase; empty or dead).

A fifteenth I tell, which Folk-rast the dwarf
     sang before the Doors of Day
to the Ases [Aesir] for strength, to the Elves for might,
     to myself to clear my mind

In another sense, as in that of the well-known folktale, "the Man in the Moon" reveals himself in the fifteenth rune as a sanctified sign of the propagation of the human race. The primal word "ma" is the hallmark of feminine generation--"mothering"--just as the primal word "fa" is that of the masculine. Therefore, we have here "ma-ter" (mother) just as there we have "fa-ter" (father). The moon mythico-mystically serves as the magical ring Draupnir (Dripper), from which every ninth night an equally heavy ring drips (separates itself), and which was burned with Baldr; that is, Nanna, the mother of his children, was burned at the same time as Baldr.

According to mythico-mystical rules, however, nights always mean months, and so the "nine nights" mentioned above indicate the time of pregnancy. While the concepts of man, maiden, mother, husband, [Gemahl], wife [Gemählin], marriage, menstruation, etc., etc. are rooted in the primal word "ma" (just like the concept "moon," with which they are all internally connected conceptually), they nevertheless symbolize individual concepts reconnected into an apparent unity according to the principle of the multiune-multifidic multiplicity.

So too is the conceptual word for this unity rooted in the primal word "ma" and expressed "man-ask" or "men-isk," that is: man [Mensch]. Therefore--as a concept of unification--the word "man" is only of one gender (masculine), while the derogatory concept belongs to the third stage as a neuter, to which we will return later. The fifteenth rune encompasses both the exoteric and the esoteric concept of the high mystery of humanity and reaches its zenith in the warning: "Be a man!"


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Again, the old name for the town and comune of Monno is "Mòn." Therefore, there is a definite tie-in here. Linguistically, if nothing else. As to whether that origin is Euganeian (ancient Alpine), Gaulish, or Germanic; we just don't know. On the Moon Wikipedia webpage, under "Name and etymology," it states the following:

The English proper name for Earth's natural satellite is "the Moon".[7][8] The noun moon derives from moone (around 1380), which developed from mone (1135), which derives from Old English mōna (dating from before 725), which, like all Germanic language cognates, ultimately stems from Proto-Germanic *mǣnōn.[9]

The principal modern English adjective pertaining to the Moon is lunar, derived from the Latin Luna. Another less common adjective is selenic, derived from the Ancient Greek Selene (Σελήνη), from which the prefix "seleno-" (as in selenography) is derived.[10]

  1.  N/A
  2.  NA
  3.  N/A
  4.  N/A
  5.  N/A
  6.  N/A
  7. ^ "Naming Astronomical Objects: Spelling of Names". International Astronomical Union. Retrieved 29 March 2010.
  8. ^ "Gazetteer of Planetary Nomenclature: Planetary Nomenclature FAQ". USGS Astrogeology Research Program. Retrieved 29 March 2010.
  9. ^ Barnhart, Robert K. (1995). The Barnhart Concise Dictionary of Etymology. USA: Harper Collins. p. 487. ISBN 0-06-270084-7.
  10. ^ "Oxford English Dictionary: lunar, a. and n.". Oxford English Dictionary: Second Edition 1989. Oxford University Press. Retrieved 23 March 2010.


According to Merriam-Webster.com, under the definition of Moon, it states the following of the origin of the word "moon":

Middle English mone, from Old English mōna; akin to Old High German māno moon, Latin mensis month, Greek mēn month, mēnē moon

First Known Use: before 12th century

I'm not sure if it's a certainty that the most basic root word(s) for moon has a Germanic origin, since it was present in Latin and Greek. The 12th century period is for "moon," but other words starting with an "m" may go back deep into the ancient world.

According to 20000-Names.com, "Monday" is an English name derived from the week day name, composed of the Old English elements mona "moon" and dæg "day," hence "moon day."

According to the book 'Creed of Iron' (McVan; 1997): The name "moon" means "the measurer" or one who metes out time with her phases and movements. The word "mon-th" in its origin means "a measurement of the moon."


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According to 'Creed of Iron', the Algiz run is described as the following:


ELHAZ - elk

(z) Life, protection, connection between gods and men.

* Black tourmaline

Also known as algiz, it is symbolic of a spread hand or an elk's antlers, both being signs of active defense. A rune of protection and of purifying, it is associated with a swan or valkyrie and with striving towards one's potential. Elhaz is the life symbol and was often carved into spears for protection and victory.

[Also, it symbolizes the top chakra: The crown of the head, governing consciousness and higher self.]

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One more time

Just as I was finishing this post, just a few minutes ago, my mother called. After a brief discussion about her plans for Sunday, she said something like "have you seen the moon tonight? It's so bright!" {{BINGO}} In addition to the connection to the moon (List: "mon"), the Algiz rune stands for "mother" (List: "ma") The moon administers time for the earth, like "mothering"; as she just administered time for me as to what time to pick her up tomorrow and to remind me to turn back my clock one hour for daylight savings. She was definitely my synchronistic connection for the day.

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Wednesday, October 19, 2011

Guido von List: Part 10

The Raido rune

I wasn't going to look at another one of von List's runes here, but perhaps just one more. The numerous names that he used for it did not include "raido," so I actually had to look it up since I'm not especially familiar with the rune names other than a few. Naturally I was familiar with this runic symbol itself.

This post could have some material that some would put in the category of what I would call "guilt by association." All I can say is that I see this as partly a spiritual endeavor. By that, I mean earth-based religion(s). I see a lot of beautiful and powerful ancient symbolism in particularly Alpine Gaulish, Germanic, Slavic cultures; and even from proto-European cultures like the Camunni. These aren't necessarily runic artifacts found in some cave. Some of these pre-Roman, Alpine cultures were far more advanced than archeologists had previously thought. Recent digs from Celtic peoples in modern France and south Germany have shown that their architecture often consisted of an underground cellar, a strong stone foundation, with a finely-constructed two-story wooden building on top. They had trade routes, marketplaces, metalurgy, fine art, weaponry, leather products, and a system of tribal identity-socialism. Everyone was accounted for. Nobody went hungry.


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The website Thora Design quickly sums up the Raido rune with the following description:

Raido means riding as in traveling and moving. On a deeper level, Raido refers to the wheels of a wagon, the mechanism behind which movement actually occurs. To the early germanic people, the wheel was a symbol by which the gods set the universe into motion, a great cosmic wheel by which all the cycles, patterns and orders of the universe move in rhythm too. Being a rune, then, Raido also represents moving in the right direction and doing what is proper and correct.


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*Raidô "ride, journey" is the reconstructed Proto-Germanic name of the r- rune of the Elder Futhark ᚱ. The name is attested for the same rune in all three rune poems, Old Norwegian Ræið Icelandic Reið, Anglo-Saxon Rad, as well as for the corresponding letter of the Gothic alphabet 𐍂 r, called raida. The shape of the rune may be directly derived from Latin R.


Name Proto-Germanic Old English Old Norse *Raiđō Rad Reið "ride, journey" Shape Elder Futhark Futhorc Younger Futhark Unicode
U+16B1
Transliteration r Transcription r IPA [r] Position in rune-row 5


Rune Poem:[1]
English Translation:
Old Norwegian
ᚱ Ræið kveða rossom væsta;
Reginn sló sværðet bæzta.

Riding is said to be the worst thing for horses;
Reginn forged the finest sword.
Old Icelandic
ᚱ Reið er sitjandi sæla
ok snúðig ferð
ok jórs erfiði.
iter ræsir.

Riding is of sitting a blessing
and swift journey
and horses toiling
Anglo-Saxon
ᚱ Rad byþ on recyde rinca gehwylcum
sefte ond swiþhwæt, ðamðe sitteþ on ufan
meare mægenheardum ofer milpaþas.

Riding seems easy to every warrior while he is indoors
and very courageous to him who traverses the high-roads
on the back of a stout horse.


References
1.    ^ Original poems and translation from the Rune Poem Page.


External links


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Guido von List's "Raido rune" (he used different names):

rit, reith, rath, ruoth, rita, rat [rede], roth, [red], rad [wheel], rod, rott, Recht [right], etc.

A fifth I heard, if from a happy flight
          a shot flies into the host;
however swiftly it flies, I will force it to stop
          if I can only catch it with my gaze.

The thrice hallowed "Rita," the solar-wheel, the "Urfyr" (primal fire, God) itself! The exalted introspective awareness [Innerlichkeitsgefuehl] or subjectivity of the Aryans was their consciousness of their own godliness, for "internity" is just "being-with-one's-self," and to be with one's Self is to be with God. As long as a people possesses unspoiled their entire original "internity" as a "natural people,"* it also has no cause to worship an external divinity, for an external divine service bound by ceremony is only made obvious when one is not able to find God in one's own innermost being, and begins to see this outside his "ego" and outside the world--"up there in the starry heaven."

The less internal the person is, the more outward his life becomes. The more a people loses its internity, the more pompous and ceremonialized its outward manifestations become--in the character of its government, law, and cult (all of which will begin to emerge as separate ideas). But they should remain one in the knowledge: "What I believe, is what I know, and so I also live it out." For this reason, the Aryan devine-internity is also the basis for a proud disdain for death among the Aryans and for their limitless trust in God and in the Self, which expresses itself gloriously in the "Rita," [cosmic order, law] and which has the fifth rune as its symbolic word-sign. Therefore, this rune says: "I am my rod [right], this rod is indestructible, therefore I am myself indestructible, because I am my rod."

*The "people as a natural people" is not being in a savage condition, for uncivilized "savages" live in the bondage of the most horrible "shamanism." The "people as a natural people," on the contrary, stipulates a high level of culture,yet free from any kind of false sophistication.


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Rachel

Sometimes I think that the concept of "Wotan" is simply too big for everyday living. When I use the term "Wotan," I'm not referring to the very recent usage of the word. I am using it in relation to what I think was the more widespead pronunciation. To me, "Odin" sounds more specifically Scandinavian, or even Icelandic; while "Wotan" somehow reminds me more of the ancient mountain forests of central Europe. Wotanism, with all of it's related myths and concepts, is a little much for the 6:00 AM alarm.

I have gotten the impression, from my very limited knowledge of Guido von List, that he may have thought the same thing. He did found a folkish spiritual doctrine which he named "Armanism" after "the Armanen." The Armanen were a priest-class in the pre-Roman German lands. From 'Secret of the Runes', I got the sense that he believed that the more complex concepts and ideas of Wotanism were more of a study for a "priest-class," similar to what we know in the major religions today. In other words, to ease the burden, of a complex spirituality for everyday living, for the average person. Of course, it's going to be there; but it's impractical for it to be twenty-four/seven, if you understand what I mean. Wikipedia, which is pretty good when it's not dealing with subjects on the periphery of "political correctness," has von List wanting to replace "alien Christianity" with Armanism; despite clear evidence to the contrary, as we covered earlier.

We can cover Armanism and other related ideas at a later time. As one can see in von List's interpretation of the Raido rune, there is a close tie-in with the ideas behind Armanism. I think part of the idea was for a simpler version of Wotanism for the masses. I guess what I'm really trying to say is that there is no practical way that a person can truly live by "The Creed of Iron" from dawn to dusk. Life is struggle, and sometimes "going on instinct" cannot be avoided. Often, life is one big fight! Why not just acknowledge that one needs a bare-bones version of one's spiritual path, for everyday living. A "mode of operation" for the daily fight, to be blunt.

One common theme of Armanism is imagery of the natural world, sometimes mixed with shrines or temples with folkish symbology. Often, nudity is depicted as well. When people marry, they form a new kinship. At least that's what was intended, but I can't say that it's always the case today with Western governments totally obsessed with alien ideas. I don't even mean alien to our culture, but more like alien to the human race at large. This kinship was intended to be sacred. A new family construct, still tied to its clan, still tied to its tribe, and still tied to its nation. I think that this kinship was closely connected to the Armanism concept. I don't necessarily mean connected to Wotanism, although that too. That's obvious. But to the spirit of one's daily life. To all the things that might be just mundane, and seemingly not have anything to do with one's spiritual path.

My ex-fiance was named Rachel. She was a physically beautiful woman of Tuscan descent. She had really long straight brown hair. The type of hair that looked very dark in dim light, but could look blondish in the bright sun. Her eyes were basic brown, somewhat prominent, and with thin rounded feminine eyebrows. Her nose wasn't very prominent, probably average for a straight nose. Her skin was a beautiful flesh tone; not ivory, not pinkish, not olive. She had an unusual bite. It's difficult to describe, but it added a certain character to her look. Her head and face were subtly round, with somewhat prominent cheekbones, but her features weren't "heavy." If her personality was even marginally docile, you might even say that she was cute. Her headstrong manner and loud high-pitched voice were in strong contrast to her appearance.

Rachel stood 5'8 1/2" tall, weighed about 140 pounds, and had the natural body of a 70s playboy bunny. She was Mediterranean, but looked almost like a German brunette. When they were into all of that artistic nude pagan-like photography in Germany; hypothetically, I think that they would have been really impressed with Rachel. The wide shoulders, long limbs, the muscularity. She wasn't literally athletic, but she would have been a fine athlete if she had any desire to be. She had large feminine hands which didn't necessarily match her body type. Her surname loosely meant "sun," like the sun-worship of Armanism; and her sister's name was "Rita," like the Raido rune or solar-wheel; and the "R" rune is the same as the "R" in Rachel; so there's the synchronistic connection to this for me.

She had an absolute hold on me, even though her drug use and verbal and even physical abuse made the relationship entirely impractical. Her awesome physical beauty was such that I would have just let her "be boss" if that could finally reconcile our relationship. Yes, I wanted the beautiful Tuscan girl from the East Bay. No doubt about it. Eventually, as her audacity grew, and I finally grew tired of "fixing things," the relationship ended; and she went on to meet her self-appointed destiny.

The only really good memories was the occasional humor. She could be really funny if she wanted to be, but chose not to be for some unknown reason. For example, her childish attempts to "punish me" for some absurd reasoning, could be pretty funny. The contrived attempt to "be mean" to me. Sometimes she would make loud funny comments in public. Things that were true, but nobody had the guts to say it, and people usually laughed at the sheer audacity of it. She was totally serious about those comments, but in her own crazy way, it was almost like her version of a "dry sense of humor." And, sometimes people would tell me stories of how she did some audacious thing which struck them as funny usually because they didn't know the dark side of her. I sometimes laughed at her misplaced "fighting spirit." Maybe she was a warrior in a previous life, and didn't really fit in well in this life because of it? She needed a war to fight.

I guess I look back at Rachel as a type of "spirit." Not a goddess, but an "energy." If I'm in a good fight, then I want to be like her; but otherwise, I don't want to be like her. Like a "spirit-energy" to draw upon from memory. This energy could also represent, for me, wasted talent. Misplaced energy. If she put all that energy into a business maybe, she probably could have been very successful. So, maybe it's like a lesson too. Use your energy and resources wisely. Originally I wanted to mention her because she reminded me of certain aspects of Armanism, for me. Maybe she is like a goddess for me. Sort've like an aloof goddess, like the god Loki.

~RIP my dear ♥~

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