Thursday, August 9, 2018

'Viking: The Berserkers' 2014 film review




Viking: The Berserkers - Official Trailer [HD]

Tornado Films

"The Viking Hunger Games!" When a clan of Viking 'Berserker' warriors terrorise Saxon youths in a ritualistic manhunt, the youths must fight back!



************




In Dark Ages Britain a group of five young Saxons are captured by a clan of fearsome Viking warriors and used as prey in a ritualistic manhunt. High on a potion that turns them berserk the brutal hunters are soon on the scent of the terrified youngsters in a desperate battle for survival. Against long odds, the captors fight back and the hunted become the hunters.

There are so many films about Romans and Vikings, Romans and Vikings, Vikings and Romans…. that I may have to be more selective in which I review. I review the Roman-themed films at the other blog. This film effort was a little different, and would hold up fairly well to ‘Valhalla Rising’, and worth a review. It was at the least, eerie, brutal, and gripping. The film opens with the words Viking Britain 835AD. Most portrayals of the Vikings tend to be negative; however here they are truly shown as brutal murdering sadists. Actually, these were a warrior subgrouping called the Berserkers.

The first scene shows what is described as a rural Saxon family whose mother had been murdered by the invading Vikings, or Berserkers, and the father was merely trying to protect what was left of his family; keeping them away from towns and open trade routes. He is soon murdered by a Berserker ambush. His sons, including a young man named Wade, are captured and taken to a holding pen at their camp.

The entire film is set amid a gloomy foreboding landscape; I assume filmed somewhere in the UK. There’s an obvious British-bias here, but it’s just a movie right? Actually the Angles, Saxons, and Jutes were Teutonic tribes which had invaded the British Isles, and they were originally from what is today northern Germany, Denmark, and Scandinavia. The idea that,--as the DVD jacket stated--"the peaceful times of Saxon Britain have been shattered by the invasion of Viking forces” is at least somewhat deceptive. Those earlier Teutonic invaders were very similar to the Vikings. Also, the Christians are shown to be very peaceful; but actually they had run an aggressive campaign against the Vikings and others who would not submit to the Christian faith. For example, cutting them off from established trading centers.

The Berserkers chose five young individuals from the holding pen, I think three men and two women, and released them into the wilderness to be hunted down. This apparently was a rite to Odin, as the high priestess called The Volva administered this blood ritual. She said to Wade before he was released: “You have fire in your blood. Odin will feast upon your soul.” As the chosen victims were trying  to escape as far as they could get, the Berserkers painted their faces white (later to add blood) as the wicked-looking Volva chanted. They ingested some type of drug substance which put them into a frenzy… growling, foaming at the mouth, and barking at the moon!

Spoiler alert beyond this point!!

.

.

.

.

.

.



































As each victim was brutally killed, their hearts were cut out and taken back to the Volva. It wasn’t always clear as to the intentions of the various characters, but that added to this unpredictable melee. At one point as one the victims was dying, they left some advice to her fellow prey:

“To beat the wolf, you have to become the wolf.”

The Berserkers were presented as like wild animals, roaring and looking into the eyes of their victims as they cut their hearts out; all the while continuing to take more of the drug substance and snarling like wolves. They were like werewolves.

I think this was the type of film that is worth at least one viewing in the same way as a good B horror flick. It’s different and keeps your attention. Of course, it portrays Asatru in a negative light; “the devils of the north” as the protagonist Wade put it. Well, someone's got to play the bad guys. There’s also an interesting theme at the end about life, nature, and evolutionary struggle.


.

Wednesday, August 8, 2018

Ultimate Red Pill: Ronald Bernard Whistle Blower Testimony




Ultimate Red Pill: Ronald Bernard Whistle Blower Testimony [English Voice Over]

noskerdycatUSA

English voice over version: Vocals applied because subtitles were small and difficult to read on small screens. *LARGE SUBTITLE* video by @apocalypse found here: https://www.youtube.com/watch?v=xptyW0lObpA

THIS IS A VERY IMPORTANT VIDEO that needs to be seen and shared by EVERYONE. It will help clarify the deep and systemic control that undermines the liberty and freedom of choice in free societies.

Ronald Bernard, Dutch banker and whistle blower, covers topics essential to understanding the globalist, ruling class, world financial structure, dark belief systems, use of child sacrifice (starting at 22:05 ) and methods used to maintain this predatory culture of the top 8000 people in power over the world.

If you really want to understand the authentic emotion by this testimony, I suggest you work through the original video with the small subtitles (linked below) so you can hear his voice and focus on the nuances of the pain expressed in Ronald's facial expressions.

Thanks to Ronald and Irma for this information reaching the public and the world.

Original Source by Irma Schiffers: https://cooperatiedevrijemedia.nl/real-big-money-revelations-by-an-insider-video/

DVM TV channel: https://www.youtube.com/channel/UCOvbkPculjIPn0ufvroG7sg


Original video upload with English subtitles only: https://vimeo.com/212237317
Also thank you to Leonie Forsman for the English subtitle translation used for this English voice reading.

This video is NOT monetized by noskerdycatUSA channel. Copyright belongs to the original creators and content makers and this channel supports their right to claim all proceeds from YouTube monetization.

The publishing of this information by NoskerdycatUSA channel that includes the added English voice over is an attempt to further the reach of the original creator's message.


.

Tuesday, August 7, 2018




Nox Arcana - Season Of The Witch

Fuegoyplata


From the album Season Of The Witch


.

Sunday, August 5, 2018

9 - The Perfect Number




The Secret Behind Numbers 369 Tesla Code Is Finally REVEALED! (without music)

Gary Lite

As requested... I uploaded The Secret Behind Numbers 369 Tesla Code Is Finally REVEALED! (without music)

READ FULL ARTICLE HERE - http://369news.net/2018/04/10/secret-behind-numbers-369-tesla-code-finally-revealed/

Nikola Tesla did countless mysterious experiments, but he was a whole other mystery on his own. Almost all genius minds have a certain obsession. Nikola Tesla had a pretty big one!

He was walking around a block repeatedly for three times before entering a building, he would clean his plates with 18 napkins, he lived in hotel rooms only with a number divisible by 3. He would make calculations about things in his immediate environment to make sure the result is divisible by 3 and base his choices upon the results. He would do everything in sets of 3.

Some say he had OCD, some say he was very superstitious.

However, the truth is a lot deeper.

“If you knew the magnificence of the three, six and nine, you would have a key to the universe.”

– Nikola Tesla

Music By:
1. Frost Waltz Alternate - Kevin Macleod
2. Blue Paint Atlantean Twilight - Kevin Macleod
3. Solo Cello Passion - Doug Maxwell

https://youtu.be/LOJ50EUbWzg

Universal Truth - http://www.369universe.com

If you wish to make a small donation, it would be Greatly appreciated - Thank you :)

PayPal Donation Link: https://www.paypal.com/donate/?token=-SC2bGMwlhXDwCw-mhvEMZK36j_EfpBzlqPqgpFcRy0HsjLfwDbuB2imK-RBI4gKqO86iW&country.x=CA&locale.x=CA
 

.

Saturday, August 4, 2018

'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004) .... book review


Amazon.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie

This complete history of witchcraft from Ancient Greece to the present day charts the rise and development of witchcraft and the modern witchcraft religion of Wicca. This in-depth investigation discovers how the ideas we have about witchcraft took shape thousands of years ago in the myths and religions of the ancient world. It looks at why these ideas were expressed so violently during the era of the witch trials, and reveals how witchcraft has been transformed into one of the most radical and fastest growing religions of our age—a religion of equality and compassion that still has the power to unsettle even the bravest amongst us. With fresh insights and previously unpublished material drawn from the author's doctoral research into the mysticism, magic, and social meaning of Wicca, this is the first book to bring witchcraft fully out of the shadows.


************


GoodReads.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie

Dr Leo Ruickbie is a sociologist and historian specialising in the field of witchcraft, Wicca, magic and the occult. He hold a PhD from King's College, London, for his work on modern witchcraft, and is the author of several books including Witchcraft Out of the Shadows and Faustus: The Life and Times of a Renaissance Magician. In 2008 and 2009 he exhibited on the subject of witchcraft in France. As well as giving public talks and writing articles for Pagan Dawn, Watkins Review and ASANAS, he also runs the WICA (witchology.com) website.


************



.
One thing about this book is that it's very thorough. The only thing that I could slightly knock it for is that it didn't go back to prehistoric evidence of Proto-European spirituality; including the Earth Mother, the Horned God, and the Nebra sky disk. It started with the pre-Christian era, and was very complete from that point onward as far as I could tell.

The book started off with three chapters on 'The Early History of Witchcraft in Europe', entitled 'Age of Shadows'. First was ancient pre-Olympian Greece... "The Birthplace of All Sorceries." Essentially, it was about Hecatean tradition. and how it later conflated a bit with the the gods of Classical Greece, and later Christian Greece; and it delved into the mythology of Hecate's daughters Circe and Medea as well. Medea was a prominent character in the ancient Greek legend of 'Jason and the Argonauts'; you may recall the 1963 film.

Second was entitled 'East of Midgard', and delved into the history and mythology of the Odinic tradition in northern Europe. Included in this chapter was a sub-section entitled 'People of the Oak', which described the pre-Christian Druidic tradition; and of which I found particularly interesting. Ruickbie even gave a small account of the interaction between ancient Germania and Gaul.

Third was a chapter entitled 'South of Heaven', and was a very objectively complete overview--much if it in great detail--of the history of witchcraft/pagan traditions in the Medieval/Christian era... the burning times. I found the 'Age of Shadows' to be the most enjoyable part of the book, especially the first two chapters. I would have liked to have heard Ruickbie's opinion of how the early Proto-European traditions tied together.




.
The next three chapters were entitled 'Born of Shadows', and delved into the history of modern witchcraft. First, he gives a brief summary of the survivals of the ancient magical or mystery traditions at the closing of the nineteenth century. It started with Freemasonry and Rosicrucianism, the Celtic revival, Charles G. Leland's long study on Italian Stregheria and its continued existence in a few rural locations, Hermeticism and Golden Dawn, the influence of Aleister Crowley, and Margaret Murray's "Witch Cult" hypothesis.

Second was about the invention of Wicca entitled 'The Craft of Invention'. Ruickbie proved beyond a doubt that an English Freemason named Gerald Gardner literally invented "Wicca" out of thin air. He actually used elements of Masonry, Hermeticism, and the magical works of Aleister Crowley and tried to pass them off as the ancient native magical tradition of the British Isles... and that he was a part of a long surviving coven. Personally I think that the basic idea of "Wicca" was a great idea, and I don't understand the need to rush in exaggerated claims to prove the legitimacy of what was an ancient tradition of some form.

Next was a chapter on the development of Wicca. Somewhat comically, Ruickbie detailed how a very knowledgeable associate named Doreen Valiente "cleaned up" Gardner's sloppy work and made it practical and workable. This chapter went into detail of how Wicca unfolded after Gardner's death. Lots of names were dropped, mostly charlatans and pretenders; but it seemed to me that Doreen Valiente and Patricia Crowther were sincere and practical leaders.




.
The final three chapters were entitled 'Empire of Shadows', and went into great detail about every aspect of modern witchcraft today; basically in the English-speaking world, or at least as of 2004. Although undoubtedly important, it was quite wordy and monotonous. I know, it's important to understand what something is, and not what people perceive it is, what you think it is, or what you may want it to be. Still, I think it could have been summarized in a short chapter. However, for what this section was trying to accomplish, it was very complete. This book was a good and complete chronological history of pre-Christian European spiritual/magical traditions--including historically conflated elements--from ancient times up to their emerging time-nexus today.

.

Thursday, August 2, 2018

'Season of the Witch' (2011) movie review

Season of the Witch (2011 film)

Season of the Witch is a 2011 American historical fantasy adventure film starring Nicolas Cage and Ron Perlman, and directed by Dominic Sena. Cage and Perlman star as Teutonic Knights who return from the Crusades to find their fatherland ruined by the Black Death. Two church elders accuse a girl (Claire Foy) of being a witch responsible for the destruction; they command the two knights to transport the girl to a monastery so the monks can lift her curse from the land. The film draws inspiration from the 1957 film The Seventh Seal. It reunited Sena and Cage, who had previously worked together on Gone in 60 Seconds.

Development on the film began in 2000 when the spec script by screenwriter Bragi F. Schut was purchased by MGM. The project moved from MGM to Columbia Pictures to Relativity Media, where the film was finally produced by Charles Roven and Alex Gartner. Filming took place primarily in Austria, Hungary, and Croatia. Season of the Witch was released on January 7, 2011, in the United States, Canada, and several other territories.



************


To start with, this film is anti-pagan so to speak. It's unclear to me as of yet as to why they system both promotes at least what they call witchcraft while at the same time depicting it as the very essence of evil on film. The film opens with a dark medieval scene of a city and landscape with the text City of Villach... 1235 A.D. Villach is located in modern day Austria. This scene depicts a Christian-administered witch trial, with phony confessions to avoid torture or death. Whether or not they confessed or not, they were put to death by hanging in the form of grotesquely throwing the women off of a bridge. At one point, the overzealous church authority, who was presiding over this kangaroo court, had to be reprimanded briefly by what appeared to be an official of the state. One of those hanged was indeed a witch, which in this movie meant a monster. So right from the get-go, a revenge motive is developed.

From that point, the film switches to the two protagonists; Teutonic Knights fighting against Muslims in the Crusades. The scene opens with an ensuing battle, with the text Gulf of Edremit... Age of the Crusades... 1552 A.D. The two knights are shown as killing machines; wiping out everything in their path. After a battle in north Africa, they observe a slaughter of innocent people by the Crusaders. They decide to desert. After returning home, they discover a countryside decimated by the Black Plague... which is portrayed as the curse of the black witch killed in the witch trial. Soon they are captured and jailed for deserting. However, they are offered a chance at freedom if they perform a service to the church by transporting an accused witch to a mountain monastery for trial.

They agree on the condition that she receives a fair trial. They don't believe that she's a witch. If they transport her, then all charges will be dropped. They embark on the journey on horseback, with the accused witch Anna inside of a horse-drawn jail carriage, and a convicted swindler from the jail as their guide. From this point, I would be giving away too much. None of the characters are especially endearing, except for the streak of nobility possessed by the two knights. They are certainly comparatively good in contrast with the spirit of the demonic black witch.

.

Spoiler alert beyond this point!

.

.

.

.

.

Anna escapes at one point, and they all eventually make it to the mountain monastery. Using a holy book showing how to fight demonic forces, they go to war with the black witch spirit. Anna is not a witch, but possessed by this demonic force. The film has a spectacular ending as they do battle with this supernatural force in the form of demonic beasts which it conjures up. I couldn't really say that this is any first rate film; probably closer to mediocre. I appreciated the dark mood of this time period, but the characters weren't well developed.

.