Wednesday, August 8, 2018
Ultimate Red Pill: Ronald Bernard Whistle Blower Testimony
Ultimate Red Pill: Ronald Bernard Whistle Blower Testimony [English Voice Over]
noskerdycatUSA
English voice over version: Vocals applied because subtitles were small and difficult to read on small screens. *LARGE SUBTITLE* video by @apocalypse found here: https://www.youtube.com/watch?v=xptyW0lObpA
THIS IS A VERY IMPORTANT VIDEO that needs to be seen and shared by EVERYONE. It will help clarify the deep and systemic control that undermines the liberty and freedom of choice in free societies.
Ronald Bernard, Dutch banker and whistle blower, covers topics essential to understanding the globalist, ruling class, world financial structure, dark belief systems, use of child sacrifice (starting at 22:05 ) and methods used to maintain this predatory culture of the top 8000 people in power over the world.
If you really want to understand the authentic emotion by this testimony, I suggest you work through the original video with the small subtitles (linked below) so you can hear his voice and focus on the nuances of the pain expressed in Ronald's facial expressions.
Thanks to Ronald and Irma for this information reaching the public and the world.
Original Source by Irma Schiffers: https://cooperatiedevrijemedia.nl/real-big-money-revelations-by-an-insider-video/
DVM TV channel: https://www.youtube.com/channel/UCOvbkPculjIPn0ufvroG7sg
Original video upload with English subtitles only: https://vimeo.com/212237317
Also thank you to Leonie Forsman for the English subtitle translation used for this English voice reading.
This video is NOT monetized by noskerdycatUSA channel. Copyright belongs to the original creators and content makers and this channel supports their right to claim all proceeds from YouTube monetization.
The publishing of this information by NoskerdycatUSA channel that includes the added English voice over is an attempt to further the reach of the original creator's message.
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Tuesday, August 7, 2018
Monday, August 6, 2018
Sunday, August 5, 2018
9 - The Perfect Number
The Secret Behind Numbers 369 Tesla Code Is Finally REVEALED! (without music)
Gary Lite
As requested... I uploaded The Secret Behind Numbers 369 Tesla Code Is Finally REVEALED! (without music)
READ FULL ARTICLE HERE - http://369news.net/2018/04/10/secret-behind-numbers-369-tesla-code-finally-revealed/
Nikola Tesla did countless mysterious experiments, but he was a whole other mystery on his own. Almost all genius minds have a certain obsession. Nikola Tesla had a pretty big one!
He was walking around a block repeatedly for three times before entering a building, he would clean his plates with 18 napkins, he lived in hotel rooms only with a number divisible by 3. He would make calculations about things in his immediate environment to make sure the result is divisible by 3 and base his choices upon the results. He would do everything in sets of 3.
Some say he had OCD, some say he was very superstitious.
However, the truth is a lot deeper.
“If you knew the magnificence of the three, six and nine, you would have a key to the universe.”
– Nikola Tesla
Music By:
1. Frost Waltz Alternate - Kevin Macleod
2. Blue Paint Atlantean Twilight - Kevin Macleod
3. Solo Cello Passion - Doug Maxwell
https://youtu.be/LOJ50EUbWzg
Universal Truth - http://www.369universe.com
If you wish to make a small donation, it would be Greatly appreciated - Thank you :)
PayPal Donation Link: https://www.paypal.com/donate/?token=-SC2bGMwlhXDwCw-mhvEMZK36j_EfpBzlqPqgpFcRy0HsjLfwDbuB2imK-RBI4gKqO86iW&country.x=CA&locale.x=CA
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Saturday, August 4, 2018
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004) .... book review
Amazon.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie
This complete history of witchcraft from Ancient Greece to the present day charts the rise and development of witchcraft and the modern witchcraft religion of Wicca. This in-depth investigation discovers how the ideas we have about witchcraft took shape thousands of years ago in the myths and religions of the ancient world. It looks at why these ideas were expressed so violently during the era of the witch trials, and reveals how witchcraft has been transformed into one of the most radical and fastest growing religions of our age—a religion of equality and compassion that still has the power to unsettle even the bravest amongst us. With fresh insights and previously unpublished material drawn from the author's doctoral research into the mysticism, magic, and social meaning of Wicca, this is the first book to bring witchcraft fully out of the shadows.
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GoodReads.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie
Dr Leo Ruickbie is a sociologist and historian specialising in the field of witchcraft, Wicca, magic and the occult. He hold a PhD from King's College, London, for his work on modern witchcraft, and is the author of several books including Witchcraft Out of the Shadows and Faustus: The Life and Times of a Renaissance Magician. In 2008 and 2009 he exhibited on the subject of witchcraft in France. As well as giving public talks and writing articles for Pagan Dawn, Watkins Review and ASANAS, he also runs the WICA (witchology.com) website.
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One thing about this book is that it's very thorough. The only thing that I could slightly knock it for is that it didn't go back to prehistoric evidence of Proto-European spirituality; including the Earth Mother, the Horned God, and the Nebra sky disk. It started with the pre-Christian era, and was very complete from that point onward as far as I could tell.
The book started off with three chapters on 'The Early History of Witchcraft in Europe', entitled 'Age of Shadows'. First was ancient pre-Olympian Greece... "The Birthplace of All Sorceries." Essentially, it was about Hecatean tradition. and how it later conflated a bit with the the gods of Classical Greece, and later Christian Greece; and it delved into the mythology of Hecate's daughters Circe and Medea as well. Medea was a prominent character in the ancient Greek legend of 'Jason and the Argonauts'; you may recall the 1963 film.
Second was entitled 'East of Midgard', and delved into the history and mythology of the Odinic tradition in northern Europe. Included in this chapter was a sub-section entitled 'People of the Oak', which described the pre-Christian Druidic tradition; and of which I found particularly interesting. Ruickbie even gave a small account of the interaction between ancient Germania and Gaul.
Third was a chapter entitled 'South of Heaven', and was a very objectively complete overview--much if it in great detail--of the history of witchcraft/pagan traditions in the Medieval/Christian era... the burning times. I found the 'Age of Shadows' to be the most enjoyable part of the book, especially the first two chapters. I would have liked to have heard Ruickbie's opinion of how the early Proto-European traditions tied together.
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The next three chapters were entitled 'Born of Shadows', and delved into the history of modern witchcraft. First, he gives a brief summary of the survivals of the ancient magical or mystery traditions at the closing of the nineteenth century. It started with Freemasonry and Rosicrucianism, the Celtic revival, Charles G. Leland's long study on Italian Stregheria and its continued existence in a few rural locations, Hermeticism and Golden Dawn, the influence of Aleister Crowley, and Margaret Murray's "Witch Cult" hypothesis.
Second was about the invention of Wicca entitled 'The Craft of Invention'. Ruickbie proved beyond a doubt that an English Freemason named Gerald Gardner literally invented "Wicca" out of thin air. He actually used elements of Masonry, Hermeticism, and the magical works of Aleister Crowley and tried to pass them off as the ancient native magical tradition of the British Isles... and that he was a part of a long surviving coven. Personally I think that the basic idea of "Wicca" was a great idea, and I don't understand the need to rush in exaggerated claims to prove the legitimacy of what was an ancient tradition of some form.
Next was a chapter on the development of Wicca. Somewhat comically, Ruickbie detailed how a very knowledgeable associate named Doreen Valiente "cleaned up" Gardner's sloppy work and made it practical and workable. This chapter went into detail of how Wicca unfolded after Gardner's death. Lots of names were dropped, mostly charlatans and pretenders; but it seemed to me that Doreen Valiente and Patricia Crowther were sincere and practical leaders.
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The final three chapters were entitled 'Empire of Shadows', and went into great detail about every aspect of modern witchcraft today; basically in the English-speaking world, or at least as of 2004. Although undoubtedly important, it was quite wordy and monotonous. I know, it's important to understand what something is, and not what people perceive it is, what you think it is, or what you may want it to be. Still, I think it could have been summarized in a short chapter. However, for what this section was trying to accomplish, it was very complete. This book was a good and complete chronological history of pre-Christian European spiritual/magical traditions--including historically conflated elements--from ancient times up to their emerging time-nexus today.
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Thursday, August 2, 2018
'Season of the Witch' (2011) movie review
Season of the Witch is a 2011 American historical fantasy adventure film starring Nicolas Cage and Ron Perlman, and directed by Dominic Sena. Cage and Perlman star as Teutonic Knights who return from the Crusades to find their fatherland ruined by the Black Death. Two church elders accuse a girl (Claire Foy) of being a witch responsible for the destruction; they command the two knights to transport the girl to a monastery so the monks can lift her curse from the land. The film draws inspiration from the 1957 film The Seventh Seal. It reunited Sena and Cage, who had previously worked together on Gone in 60 Seconds.
Development on the film began in 2000 when the spec script by screenwriter Bragi F. Schut was purchased by MGM. The project moved from MGM to Columbia Pictures to Relativity Media, where the film was finally produced by Charles Roven and Alex Gartner. Filming took place primarily in Austria, Hungary, and Croatia. Season of the Witch was released on January 7, 2011, in the United States, Canada, and several other territories.
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To start with, this film is anti-pagan so to speak. It's unclear to me as of yet as to why they system both promotes at least what they call witchcraft while at the same time depicting it as the very essence of evil on film. The film opens with a dark medieval scene of a city and landscape with the text City of Villach... 1235 A.D. Villach is located in modern day Austria. This scene depicts a Christian-administered witch trial, with phony confessions to avoid torture or death. Whether or not they confessed or not, they were put to death by hanging in the form of grotesquely throwing the women off of a bridge. At one point, the overzealous church authority, who was presiding over this kangaroo court, had to be reprimanded briefly by what appeared to be an official of the state. One of those hanged was indeed a witch, which in this movie meant a monster. So right from the get-go, a revenge motive is developed.
They agree on the condition that she receives a fair trial. They don't believe that she's a witch. If they transport her, then all charges will be dropped. They embark on the journey on horseback, with the accused witch Anna inside of a horse-drawn jail carriage, and a convicted swindler from the jail as their guide. From this point, I would be giving away too much. None of the characters are especially endearing, except for the streak of nobility possessed by the two knights. They are certainly comparatively good in contrast with the spirit of the demonic black witch.
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Spoiler alert beyond this point!
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Tuesday, July 31, 2018
Ancestral Window Ritual and Crafting Intergenerational Continuity - Part 1
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Ancestral Room Ritual
We can all think of times when we were alone inside of a house or structure, and we may have sensed that the window held some sort've magical purpose and meaning. Then we soon likely dismissed the notion as silly. Depending on the structure itself, our own connection to it or the general area, the surroundings themselves, the time of the year, the day of the week, the time of the day or night, or other factors of the environment... the possible energetic experience may differ. Still, we most likely censored our feeling, perception, or intuition. Just like planetary bodies, mountains, bodies of water, or mirrors; windows can be energetic portals of or between time and space.
If we are in an area which is dark at night, sitting in say a dimly lit room with a window, we can look at it and see the pure darkness... almost like a portal into the abyss. Varying degrees of light all have certain energies; from total blackness, to some degree of light source(s), to perhaps urban lights or the moon illuminating the landscape. The window at twilight, with no lights on, has a powerful connective energy. Also, of course, the varying degrees of daylight possess the same types of energetic effect upon us. The morning naturally comes to mind, as we can connect to the feeling of the blessing of the rising sun though our ancestral memory.
It doesn't take a lot of imagination to recall some of those various experiences. I think an open window can heighten the energetic connection, but not necessarily always. For me, the more rural the location, the more heightened the experience would tend to be; however, I'm certain others would see an urban setting as more energetic. Just off the top of my head--for me--being alone, in a home in a smaller town, with a lot of hills and open spaces, from a second story open window, on a warm summer evening at twilight, with no lights on... would give me the energetic connectivity. But energetic connectivity to what?
The DNA-connection is the most powerful energetic connection over time and space, especially a connection of direct bloodline. The "window ritual" has everything to do with ancestral ties! The ritual can consist of whatever heightens its symbolic power. I would think that standing or sitting--not lounging--would be essential. At night, a candle and symbolic object could be used, although I think a powerful environment would be enough. Singing, meditating, or perhaps openly speaking a few trigger words, phrases, or names of favorite ancestors would help make an energetic connection. Holding a crystal or stone might aid in the process, but I think the window as the object of focus is sufficient.
Being alone isn't a necessity, as another person or small group might work. Whether it's personal ancestry or more of a collective ancestry, this objective would seem to determine how you would craft the ritual. I tend to think the night is best, as the darkness symbolizes the abyss of the unknown, the aether of time and space, the Ur. I tend to think that being alone and focusing on a particular favorite ancestor holds special magickal power, perhaps even holding your hand outside the window at a certain point. Even when someone reincarnates, part of their being--the main part--remains at source. Certainly it may be an ancestor whom you never knew; in fact, that may be even more powerful.
This isn't like playing with a Ouija board, and you have no idea what is coming through. You are already energetically tied to your ancestors over time and space. You may trust them... because you are them... and they are you.
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