Caesar Cardini

Last week, while grocery shopping, I noticed "Cardini's Salad Dressing." To me the name sounded like it could be of northern or Lombardian origin. Later I looked it up online and found that Caesar Cardini, whom the label was named after, is credited as the creator of the "caesar salad." His place of birth is mentioned simply as the "Lake Maggiore region," prior to emigrating to the United States (Sacramento).

Caesar Cardini

Cesare Cardini (February 24, 1896 – November 3, 1956) was an Italian American restaurateur, chef, and hotel owner, who is credited with creating the Caesar salad.

He was born in the region of Lago Maggiore and had at least four siblings: Alessandro, Carlotta, Caudencio and Maria. While the sisters stayed in Italy, the three brothers emigrated to America; Alessandro and Caudencio eventually were in the restaurant business in Mexico City. Alessandro, who was called Alex in the USA, is reported to have been Caesar's partner in Tijuana, Mexico.

After having worked in European gastronomy, Caesar went to the United States in his early 20s. He ran a restaurant in Sacramento, then he moved to San Diego where he was in the restaurant business. At the same time he engaged in the same business in Tijuana, where he could avoid the restrictions of prohibition. He married Camille, and had a daughter, Rosa Maria Cardini (1928-2003).

Cardini is credited with having created "Caesar's salad" which became fashionable among Hollywood and other celebrities, especially after he had moved his restaurant a few blocks to the hotel built c. 1929 (nowadays called Hotel Caesar's).

The family moved to Los Angeles in 1935 and Cardini focused on the production and marketing of his salad dressing which he trademarked in 1948. He died in Good Samaritan Hospital on November 3, 1956 in Los Angeles following a stroke at his home at 8738 Bonner Drive and was buried in Inglewood Park Cemetery. His daughter took control of Caesar Cardini Foods Inc. Later, the label Cardini's was sold to a third party. It is still popular and offers more than a dozen varieties of the original recipe.

Caesar salad

A Caesar salad is a salad of romaine lettuce and croutons dressed with parmesan cheese, lemon juice, olive oil, egg, Worcestershire sauce, garlic, and black pepper. It may be prepared tableside.

History

The salad's creation is generally attributed to restaurateur Caesar Cardini, an Italian immigrant who operated restaurants in Mexico and the United States. Cardini was living in San Diego but also working in Tijuana where he avoided the restrictions of Prohibition. His daughter Rosa (1928–2003) recounted that her father invented the dish when a Fourth of July 1924 rush depleted the kitchen's supplies. Cardini made do with what he had, adding the dramatic flair of the table-side tossing "by the chef."

A number of Mr. Cardini's staff have claimed to have invented the dish.

Julia Child claimed to have eaten a Caesar salad at Cardini's restaurant when she was a child in the 1920s.

Nonetheless, the earliest contemporary documentation of Caesar Salad is from a 1946 Los Angeles restaurant menu, twenty years after the 1924 origin asserted by the Cardinis.

Recipe

The original Caesar salad recipe (unlike Alex's Aviator's salad) did not contain pieces of anchovy; the slight anchovy flavor comes from the Worcestershire sauce. Cardini was opposed to using anchovies in his salad.

In the 1970s, Cardini's daughter said that the original recipe included whole lettuce leaves, which were meant to be lifted by the stem and eaten with the fingers; coddled eggs; and Italian olive oil.

The trademarks "Cardini's", "Caesar Cardini's" and "The Original Caesar Dressing" are all claimed to date to February 1950, though they were only registered decades later, and more than a dozen varieties of bottled Cardini's dressing are available today. Some recipes include mustard, avocado, tomato, bacon bits, garlic cloves or anchovies. Cardini's Brand original Caesar dressing is somewhat different from Rosa's version.

Many restaurants offer a more substantial salad by topping a Caesar salad with grilled chicken, steak, or seafood. Certain Mexican restaurants may improvise on items such as substituting tortilla strips for croutons and Cotija cheese for the Parmesan, or the addition of tomatoes.

Ingredients

Ingredients according to the Hotel Caesar's recipe from about 2006:

*Romaine or cos lettuce

*Olive oil

*Fresh crushed garlic – often in olive oil

*Salt to taste

*Fresh-ground black pepper

*Wine vinegar

*Lemon juice or lime juice - fresh squeezed

*Worcestershire sauce

*Raw or coddled egg yolks

*Freshly grated Parmesan cheese

*Freshly prepared croutons

Variations

There are limitless variations. However, some of the more common are:

*Other varieties of lettuce

*Grilled poultry (most often chicken), meat, shellfish, or fish

*Capers

*Romano cheese

*Anchovies

*Bacon

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Milanese Rite chant from the Middle Ages

Ambrosian chant - Ecce apertum est Templum tabernaculi

Uploaded by Callixtinus

Medieval Ambrosian chant of the church of Mediolanum (Milan).

Title: "Offertorium: Ecce apertum est Templum tabernaculi".

Performers: Ensemble Organum, Director: Marcel Peres

Album: "Chants de l'Église Milanaise"

This is a truncated version (last 2 minutes of the chant missing due to time restrictions).

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Guido von List: Part 13

I hadn't intended on making this into this type of "series," but as there are connections to the larger Alpine peoples of ancient times, I see fit to keep adding to this. One area, in which I had not anticipated tie-ins to our culture, was the connection of "primal words." However, some of List's concepts, especially regarding the precise fabric of ancient word patterns, are so deep that one would need to buy the book.

List seemed to believe that Wotanism was too large of a concept for the average person's daily life. He believed in what he called "Armanism," which was basically an elite priesthood who could study the finite details of the ancient concepts, and interpret it for the larger society. List believed that spirituality, art, science, architecture, education, etc., were "all one" within the Wotanist culture in ancient times. If ever was there a religion or spiritual tradition which did not conflict with science, it was Wotanism.

To clarify once again, I use the word "Wotanism" in the sense that it seems to tie in more with the expression of Odinism in central Europe, not the mainstream incarnation and related perception of the word. "Odinism" even specifically sounds Scandinavian. Actually, much of what is modern Odinism or Ásatrú, is largely "Norse mythology." If you look at Gaulish or Slavic spirituality and myth, it has close ties to Wotanism. Either through direct migration, or through more subtle spiritual influence, often the ancient spiritual traditions more-or-less referred to the same "All Father" (Wotan). Therefore, when I use "Wotanism," I'm referring to the larger European whole, usually in ancient times.

Guido von List's Armanic ideas were strongly entertained, long after his death, by the National Socialists; and it developed (along with the work of others) into what was called "Ariosophy," which was similar to List's Armanism. I just don't see exactly how that has to do with von List? Consequently, the Armanic concept itself has been demonized. People from the Tre Valli Bresciane ("Three Brescian valleys"), our people, invented the "hand held cannon" five centuries ago. Does this mean that our culture should be vilified as a result of how many people have been shot during the past five centuries?

I was going to place some Wikipedia text regarding Armanism here, but it was just "too anti-von List." It's like Christopher Columbus. He was a hero in his day, and a bad guy today; all because some "social scientist" who never placed his fingers in the Earth's soil or hammered in a single nail, said so. Of course, there's also the factor that our own Camunian ancestors were killed for their pagan faith; so wouldn't von List have been a hero to them, especially during "the burning times"? Perhaps we should consider this before we automatically demonize von List. I'm going to put out some information here soon which will really show what the Catholic officials and the Venetian state thought of us. They believed that we were a bunch of devils.

Because many sun symbols, from western Europe to India, have subtle similarities; this also becomes an area of perceived controversy. In other words, if you compare the circular swastika to the Celtic cross, it's quite obvious that it is the same symbol. The Odinic Rite sells t-shirts and material which features the circular swastika with the slogan "Heritage Not Hate." I can think of some symbols which were used politically, and where many innocents perished in its name, and yet not demonized at all. Aside from that, it should be noted that the "sun of the Alps" is a sun symbol as well. Personally, I can't see how anyone can divorce at least the basic Celtic cross--the circular one, crossed in the middle only--from any type of European neo-paganism.

List apparently wrote extensively about old folk traditions which were incorporated into Christianity; which is far from "the concept of renouncing the imposed foreign creed of Christianity and returning to the pagan religions of the ancient Indo-Europeans" (Wikipedia). It appears that most of the anti-von List ideas simply originate from an opportunity by some Christian concerns to smear paganism in general. So, are pagans "far right" now? Again, a good quote regarding 'Secret of the Runes' and von List by an Amazon.com critic:

This is a classic book on runic magic. A lot of New Age writers [copy] his occult ideas. The Right misunderstands him and the Left smears him. One of the most lied about men in occult history.

This book is well worth the price. Even though many of his ideas have been used by other occult writers, and some of his ideas on magic are standard New Age rite, it is always interesting to visit the source where these rivers sprung. Hopefully, all of Von List's books will be made ready to an English speaking market.

--Wyatt Kaldenberg, Amazon.com review

I wanted to add here that many cultures perceive that they lived in a type of paradise at one time, then something happened to foul it all up for them. I think that these ideas are often greatly exaggerated, but do have some truth to them. About as close as it can get to this, at least in the ancient world, seems to be the Etruscan civilization. They didn't have the philosophy and order of the ancient Greeks or Egyptians--although since the Romans destroyed almost all of their text, we'll never know for certain--they had better land and resources, plenty of technology, and were not "war-like." In fact, it appears that they didn't even have a definite bordered "Nation"; hence the name "Etruscan civilization," as opposed to "Roman Empire." As a "Padanist" (or for that matter, a "Langbardist," "Cisalpinist," or "Etrurianist."), I believe that they would have eventually and peacefully merged with the Umbrians, Cisalpine Gauls, Alpine tribes, etc, and formed a "northern nation"; the specific name of which, not being at all important.

I just didn't want it to sound like I was placing the Etruscans or Umbrians out of my spiritual idealism. Their technology was greater than the Teutons, and their spirituality was on the same level. They seemed to be as close to "living in paradise" as it was possible in the ancient world. The quality of life for the average Roman or Egyptian wasn't very good. There was a tremendous amount of slavery, classism, sexism, and general abuse. I don't just mean that in a modern political usage of terms, but also in a spiritual way. Perhaps the Greeks had something better, but I don't know enough about ancient Greece to say. The ancient Etruscans had great architecture, the institutions of civility, a great farming culture on great land, women had it fairly good, and there just didn't seem to be much strife.

From 'Secret of the Runes' pages 75-76, related to Armanism and society:

All of this is based on the fact that all Aryans or Teutons felt themselves to be one folk. On account of this, every individual, be he free-man or king, had to belong to the provider-class in order to prevent this class, as the main class, from being devalued. Everyone had, therefore, to be a farmer, that is "Ing-fo"--an original maintainer and perpetuator of the ancestors. The second class was the intellectually advanced, the intelligentsia, the rulers, the "teaching-class," to which the skalds, the high nobility, and the kings (princes, counts, etc.) belonged--without ceasing to be farmers. It has already been said on p. 56 above that "ar" means the sun and the law of the sun, and the earn, the eagle [Aar] is its symbol and hieroglyph. Therefore a member of the second class was called an Ar-man or Ir-man, namely a sun-man, Se-man. The Se-mans were the men of knowledge [Wissenden], and from them emerged the skalds--the priests of Wuotan--or better said their core group was the skalds, who, as priests and teachers were also the judges--for in those times "Wihinei" (religion) was simultaneously science and law. one believed what one knew--or at least intuitively recognized, and lived accordingly. Since the Semans, Irminons, Skalds, etc., were one and the same with the scholars, artists, etc., this second class is the "teacher-class"--in spite of the fact that it too belonged to the farmer-class--and is to be recognized as the root area of the activation of the Aryan spiritual work. Therefore, all original lines of the collective arts and sciences are to be derived from it. However, the skalds must remain the central focus in which all the diverse special manifestations of the hieroglyphics can be unified.

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Night sky puts on its timeless show

The ancient Camunni were very deep into astronomy. They constructed complex observatories in the mountains. It was a major part of their ancient culture. The Cernic spiritual tradition was based on astronomy. Cernunnos was literally based on the Ophiuchus Constellation ("he who holds the snake"; "the snake bearer"); or known as "Ofiuco" in Italian.

I just wanted to inject here, about five years ago I was in a rural field at about midnight. I don't recall the time of the year, but I believe that it was summer, and I was just in the right place at the right time. A shooting star suddenly came into view. It was traveling at an angle so low that I could see and hear the flames. This fireball was about the size of a basketball. It was pretty startling to witness this. It landed in a tree covered area along a small creek. I tried hard to find it, but I wasn't able to.

Season is right for night sky's timeless show

Tom Stienstra - Outdoors - San Francisco Chronicle - November 27, 2011

On an early winter night at a camp deep in the Santa Cruz Mountains, Jupiter, almost directly overhead, was like a beacon in a black sky speckled with stars.

About 40 degrees to one side of Jupiter, a bright orange star, Aldebaran, which marks the constellation Taurus, stood out as well.

"Back in the late 1800s, at a camp just like this, these are the same stars that John Muir was looking at on Mount Tamalpais," said Jeff Patty, or "Foonski," my long-since-departed buddy of hundreds of trail camps.

"Or the same stars Joe Walker saw in November of 1833 when he was the first trailblazer to camp in Yosemite."

We had this talk at a camp 30 years ago this week, but you might have the same conversation tonight. The night sky is the link to all places and all times.

Whether you're spending the night at a camp at Point Reyes National Seashore or Yosemite National Park, you're looking at the same stars. Whether it's tonight, 30 years ago or 300 years ago, they are the same stars.

Now can be the best time of year for stargazing. The cold nights of late November and early December can wick moisture out of the air and leave skies sparkling clear. As fall merges into winter, night comes early and campsites in the Bay Area foothills finally have plenty of space.

Spending time looking into the night sky can make your life feel timeless. It can make camps unforgettable. Compared with how so many people push-push-push all the time, when they drive, when they work, even when they play, it sets things aside while you soak in the night treasures.

My favorite winter constellation is the little Pleiades star cluster, the Seven Sisters. It's shaped like a miniature spatula. It is faint to the naked eye and is best seen when not looking at it directly, but just off-center.

At every camp trip, we spend at least one night when we scan the sky for an hour or so. Along with Foonski, Michael Furniss and brother Rambob, my pals across thousands of trail miles and hundreds of camps, we've learned a lot of stars and planets.

"Most people look up at the sky like it's a two-dimensional dome," Furniss said. "Instead, imagine the incredible depth" that seems to extend to infinity "... and our place in it."

We try to add a new star or planet we can share with the group. There's Vega, Deneb, Sirius, Antares, Rigel, Betelgeuse - and as December takes hold, Venus will rise and be brighter than the brightest stars.

When you get in the habit of scanning the sky every night possible, you can see landmark events by accident. This is most true with meteor showers.

This past summer, the Perseids, the most anticipated meteor shower of the year, seemed pretty much like a dud, with a full moon overwhelming the sky. Yet in 1988, while camped at Mount Shasta, I happened to look up by accident and saw 300 to 400 shooting stars in a few hours, often with fireballs that left trails arcing far across the sky.

The next promising meteor shower is the Geminids, which peak Dec. 13 and can provide a good chance to see shooters from Dec. 4 to Dec. 16. If you get lucky, you might see 50 to 100 shooting stars per hour. Though mostly white, they can come in many colors: yellow, as well as orange and red. Look mostly to the east. Like most meteor showers, the show gets better later into the night.

Other significant events are on the way. A lunar eclipse is projected for Dec. 10, from 6:06 a.m. to 6:47 a.m., according to my friends at the Chabot Space and Science Center. That will get a lot of play as it approaches.

As December takes hold, watch Venus, which is easy to pick out because it is so bright. On Dec. 26, just after sunset, you will be able to see Venus adjacent to a thin crescent moon. I've seen this event in past years and it can be one of the coolest night-sky sights of the year.

If you are new to stargazing, start by watching Venus in December. The rest will come with curiosity.

Then imagine Muir looking up at the winter sky when he camped at Mount Tamalpais. Or the sea captains who landed in the Bay Area in the 1700s. Then look up there yourself. The night sky connects all people, from the past to the present.

E-mail Tom Stienstra at tstienstra@sfchronicle.com.

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Camillo Golgi: Nobel Prize in Physiology or Medicine 1906

Camillo Golgi: Nobel Prize in Physiology or Medicine 1906

A Camunian from Corteno, Val Camonica


[Thanks to Etrusco-Umbro-Gallic]



Camillo Goldi Wikipedia page

Camillo Golgi (July 7, 1843 – January 21, 1926) was an Italian physician, pathologist, scientist, and Nobel laureate.

Born	July 7, 1843 Corteno, Kingdom of Lombardy–Venetia, Austrian Empire
Died	January 21, 1926 (aged 82) Pavia, Italy
Citizenship	Austrian Empire, Italian
Nationality	Italian
Fields	Neuroscience
Notable awards	Nobel Prize in Physiology or Medicine (1906)

Biography

Camillo Golgi was born in the village of Corteno, Lombardy, then part of the Austrian Empire. The village is now named Corteno Golgi in his honour. His father was a physician and district medical officer. Golgi studied at the University of Pavia, where he worked in the experimental pathology laboratory under Giulio Bizzozero, who elucidated the properties of bone marrow. He graduated in 1865. He spent much of his career studying the central nervous system. Tissue staining techniques in the later half of the 19th century were inadequate for studying nervous tissue. While working as chief medical officer in a psychiatric hospital, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). He discovered a method of staining nervous tissue which would stain a limited number of cells at random, in their entirety. This enabled him to view the paths of nerve cells in the brain for the first time. He called his discovery the "black reaction" (in Italian, reazione nera), which later received his name (Golgi's method) or Golgi stain. The reason for the random staining is still not understood.

The black reaction consisted in fixing silver chromate particles to the neurilemma (the neuron membrane) by reacting silver nitrate with potassium dichromate. This resulted in a stark black deposit on the soma as well as on the axon and all dendrites, providing an exceedingly clear and well contrasted picture of neuron against a yellow background. The ability to visualize separate neurons led to the eventual acceptance of the neuron doctrine.^[1]

In addition to this discovery, Golgi discovered a tendon sensory organ that bears his name (Golgi receptor). He studied the life cycle of Plasmodium and related the timing of tertian and quartan fevers seen in malaria with the life cycle of the organisms now named Plasmodium vivax and Plasmodium malariae, respectively.^[2] Using his staining technique, Golgi identified the intracellular reticular apparatus in 1898 which bears his name, the Golgi apparatus.

In renal physiology Golgi is renowned for being the first to show that the distal tubulus of the nephron returns to its originating glomerulus, a finding that he published in 1889 ("Annotazioni intorno all'Istologia dei reni dell'uomo e di altri mammifieri e sull'istogenesi dei canalicoli oriniferi". Rendiconti R. Acad. Lincei 5: 545–557, 1889.).

Golgi, together with Santiago Ramón y Cajal, received the Nobel Prize in Physiology or Medicine in 1906 for his studies of the structure of the nervous system. In 1900 he was named senator by king Umberto I^[3]

Golgi died in Pavia, Italy, in January 1926.

[Right: Drawing by Camillo Golgi of a hippocampus stained with the silver nitrate method.]

Monuments in Pavia

In Pavia several landmarks stand as Golgi’s memory.

• A marble statue, in a yard of the old buildings of the University of Pavia, at N.65 of the central “Strada Nuova”. On the basament, there is the following inscription in Italian language: "Camillo Golgi / patologo sommo / della scienza istologica / antesignano e maestro / la segreta struttura / del tessuto nervoso / con intenta vigilia / sorprese e descrisse / qui operò / qui vive / guida e luce ai venturi / MDCCCXLIII – MCMXXVI" (Camillo Golgi / outstanding pathologist / of histological science / precursor and master / the secret structure / of the nervous tissue / with strenuous effort / discovered and described / here he worked / here he lives / here he guides and enlightens future scholars / 1843 – 1926).
• "Golgi’s home", also in Strada Nuova, at N.77, a few hundreds meters away from the University, just in front to the historical “Teatro Fraschini”. It is the home in which Golgi spent the most of his family life, with his wife Lina.
• Golgi’s tomb is in the Monumental Cemetery of Pavia (viale San Giovannino), along the central lane, just before the big monument to the fallen of the First World War. It is a very simple granite grave, with a bronze medallion representing the scientist’s profile. Near Golgi’s tomb, apart from his wife, two other important Italian medical scientists are buried: Bartolomeo Panizza and Adelchi Negri. People are still inspired by him today.

Eponyms

• The organelle Golgi apparatus or Golgi complex
• The sensory receptor Golgi tendon organ
• Golgi's method or Golgi stain, a nervous tissue staining technique
• The enzyme Golgi alpha-mannosidase II
• Golgi cells of the cerebellum
• Golgi I nerve cells (with long axons)
• Golgi II nerve cells (with short or no axons)

References

1.      ^ The MIT Encyclopedia of the Cognitive Sciences (1999) The MIT Press Bradford book, by Kathleen S. Rockland p 353

2.      ^ Golgi C. "On the cycle of development of malarial parasites in tertian fever: differential diagnosis between the intracellular parasites of tertian and quartant fever. Archivio per le Scienza Mediche. 13: 1730196. 1889. Title translated from the Italian

3.      ^ From Italian senate website

• Paolo Mazzarello (2010), Golgi: A Biography of the Founder of Modern Neuroscience, Translated by Aldo Badiani and Henry A. Buchtel, New York: Oxford University Press, ISBN 970195337846
• De Carlos, Juan A; Borrell, José (2007), "A historical reflection of the contributions of Cajal and Golgi to the foundations of neuroscience.", Brain research reviews 55 (1): 8–16, 2007 August, doi:10.1016/j.brainresrev.2007.03.010, PMID 17490748
• Muscatello, Umberto (2007), "Golgi's contribution to medicine.", Brain research reviews 55 (1): 3–7, 2007 August, doi:10.1016/j.brainresrev.2007.03.007, PMID 17462742
• Kruger, Lawrence (2007), "The sensory neuron and the triumph of Camillo Golgi.", Brain research reviews 55 (2): 406–10, 2007 October, doi:10.1016/j.brainresrev.2007.01.008, PMID 17408565
• Dröscher, A (1998), "The history of the Golgi apparatus in neurones from its discovery in 1898 to electron microscopy.", Brain Res. Bull. 47 (3): 199–203, 1998 October, doi:10.1016/S0361-9230(98)00080-X, PMID 9865850
• Fabene, P F; Bentivoglio, M (1998), "1898–1998: Camillo Golgi and "the Golgi": one hundred years of terminological clones.", Brain Res. Bull. 47 (3): 195–8, 1998 October, doi:10.1016/S0361-9230(98)00079-3, PMID 9865849
• Mironov, A A; Komissarchik, Ia Iu; Mironov, A A; Snigirevskaia, E S; Luini, A (1998), "[Current concept of structure and function of the Golgi apparatus. On the 100-anniversary of the discovery by Camillo Golgi]", Tsitologiia 40 (6): 483–96, PMID 9778732
• Farquhar, M G; Palade, G E (1998), "The Golgi apparatus: 100 years of progress and controversy.", Trends Cell Biol. 8 (1): 2–10, 1998 January, doi:10.1016/S0962-8924(97)01187-2, PMID 9695800
• Bentivoglio, M (1998), "1898: the Golgi apparatus emerges from nerve cells.", Trends Neurosci. 21 (5): 195–200, 1998 May, doi:10.1016/S0166-2236(98)01229-6, PMID 9610881

External links

• Life and Discoveries of Camillo Golgi
• The Nobel Prize in Physiology or Medicine 1906
• Some places and memories related to Camillo Golgi
• The museum in Corteno, now called Corteno Golgi, dedicated to Golgi. Includes a gallery of images of his birthplace.

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Guido von List: Part 12

The following quote was taken from the Runic script Wikipedia page:

Historically, the runic alphabet is a derivation of the Old Italic alphabets of antiquity, with the addition of some innovations. Which variant of the Old Italic family in particular gave rise to the runes is uncertain, suggestions including Raetic, Etruscan or Old Latin candidates. All these scripts at the time had the same angular letter shapes suited for epigraphy which would become characteristic of the runes. The process of transmission of the script (the oldest inscriptions being found in Denmark and Northern Germany, not near Italy) is also unknown. A "West Germanic hypothesis" suggests transmission via Elbe Germanic groups, while a "Gothic hypothesis" assumes transmission via East Germanic expansion.

As you can plainly see, there is a definite tie-in with our culture, especially via the old Raetic alphabet. This connection may not have been apparent in Guido von List's day. The perception was that everything south of the Alps was "Roman," without taking into account that the early Roman political strategy was to destroy anything Etruscan, Gaulish, or other local cultural groups in this territory.

The following text was taken from 'The Secret of the Runes', page 68, regarding the original definition, and eventual decline, of the Runes:

.....it has been proven that the runes were more than our letters are today, more even than mere syllable- or word-signs, that is, they were "holy signs" or "magical characters." They were , in a certain way of thinking, something similar to the "spirit sigils" (not "spirit seals"!) of later times, which played a conspicuous role in the notoerious "Hellish Conjuration of Dr. Faust." Actually they were nothing less than "collectors" for the purpose of auto-suggestion, "media" for concentrated thought and intensive meditation. The characterization as "holy-signs" is therefore fully justified, as is the other name "runes," that is, the "rowning [whispering], the "slightly speaking ones."

Only after these beginnings did those runes, and a number of others that the "Runatals thattr Odhins" does not name, gradually shrivel up into letters in our sense of the word--that is, into empty, inarticulate phonetic signs. The great still-uncounted mass of the other "holy signs" or "hieroglyphs," which were not simplified into insubstantial phonetic signs, but which were rather--as has already been stated--often developed with ongoing elaboration into the most elegant ornamental motifs with the characteristic preservation of the basic lines of their primary forms, and which also expanded their names and symbolic values, formed the Aryan system of hieroglyphs or pictographs which remained a secret of the skalds. Until now, no one had thought to decipher or read them, because no one recognized these widely disparate signs as hieroglyphs.

First it would also do well to ascertain where those--until now silent or in the best case misinterpreted--"holy signs" or "hieroglyphs" are to be found, this in order to prove the context of the special formations of individual signs (corresponding to the kind of the areas in which they are found), and finally to establish through their names the primal-words and ideas that they represent, and from these to form a basis for their decipherment and reading.

This particular area of text later goes into root words (see earlier runic examples in this series), or what List called "primal words," of which many other words stem from; and as they tie into the ancient runic system. On some level, List was partial to his German roots. However, we must realize that this area of study was new at that time, and it appeared wholley Germanic then. I see certain Listian "primal words" which are very similar to certain words and syllables in the Camunian dialect, like "mon," "bor," and "ur." Some of these may have had a Celto-Alpine origin, or even an origin with the mysterious ancient Alpine peoples who predated them. Of course, some could have a Norse, Slavic, or other origin.

Just to follow up with the previous primal word examples. "Mòn" is the original Camunian name for the village of Monno; which is interesting because variations of this word, in numerous ancient language origins, generally means "Moon." "Mon," usually as a prefix, is common within the Camunian dialect. Even the name for Valle Camonica in the Camunian dialect is "Al Camònega." "Mon" is a primal word associated with the Norse life rune (also with "the Moon" meaning); however, the connection is most likely just linguistic. Although, the Langobards did bring the runes back to the Italian peninsula, so there's a possibility of a greater connection there. "Borha" (bor) means business or exchange in Camunian; with "bor" being an indirect primal word associated with the Gibor rune. Lastly, "Urdèn" (ur) means order in Camunian; and although it would be fun to ponder whether or not this could linguistically tie into the name Odin, it appears not to. "Ur" is an important primal word associated with the Ur rune, which may be the most primal word associated with the runes. It stands for "the primordial," which the ancient pagan Camunni may have associated with "the order of nature." The suffixes "ur" and "ura" are very common in the Camunian dialect.

I just think much of this text from this part of the book would be difficult to deeply understand unless it was all placed here, and it would be easier for someone to just get the book. Also, some of it, again, showed a pro-Germanic partiality that could be misinterpreted due to the wording. After looking at hundreds of Camunian surnames and words, they appear to likely be of Alpine and Gaulish origin, with some Roman (Latin) and German influence. However, the Lombard language can sound French, but that could be due to the similar "Romanized Gaulish" linguistic direction.

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Guido von List: Part 11

Vienna, Austria: Birthplace of Guido von List

The Algiz rune

"The Life Rune"

I decided that I had to add this Listian rune because there are some definite ancient Camun ties to it. Although the runes have an ancient Cisalpine origin, this particular rune is genuinely ancient Norse in origin. One question, which I have developed over this period of time, is whether or not List's runes were actually found on lower Austrian artifacts or present in any ruins there?

I had a funny synchronistic experience today. It happened as I drove my mother to an errand. I was reading the book in the car while she was inside shopping. When she returned to the car, I was energized having just read about the Algiz rune; and in particular, of one of it's alternate names "mon." The Camunian town and comune of Monno was originally named "Mòn" in the Camunian dialect. As we drove off, she said something like "I'm going to use these "Vienna sausages" for something I'm going to make for dinner tonight." Vienna? {{BINGO}} Vienna is the birthplace of Guido von List! A classic synchronistic connection. She doesn't even know who Guido von List is.

People and animals unwittingly play out this symbolism for others. Two weeks ago today, I brought up a subject out of the blue; and one of the people who was present was startled. "Oh, it's amazing that you brought that up!" he exclaimed, and he went onto a tangent about something which was important to him. That, however, is probably more of a mild psychic connection than a synchronistic one. About a week ago, while hiking, I was thinking about some of these subjects and I saw three ravens fly by. These ravens were playing out a synchronistic symbol for me. It wasn't synchronistic for them. Just me. That seems to be how it works. A living symbol is just going about its own journey; and any symbolic meaning is an entirely separate concept. "Three ravens," or any three birds, is a very ancient symbol in European paganism. It's present in one of the crests of a family of which I descend as well. List offers a mixed scientific-mystical explanation to this. It's a natural condition of this planet, although it has no hard science to back it up.

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The website Thora Design quickly sums up the Raido rune with the following description:

Algiz represents protection according to tradition. On another level, it represents divine inspiration and aspirations. What do the two have in common? The Valkryies are that common element. Valkryries were the warrioress, amazon-like daughters of Odin. They were the choosers of the dead on battlefields and lead the dead to the afterlife. They protected the souls of those who died, as well as those who were meant to remain alive. The tie to divine aspirations come from the fact that in some Germanic customs, it was believed that a Valkryrie was actually part of a persons higher consciousness, the "god-like" part of our own being. These all being the case, Algiz represents both protection and the divine consciousness withing each of us.

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Algiz rune Wikipedia page:

The Algiz is part of the ancient Nordic and Anglo-Saxon runic alphabet, often equated to the modern day z, however was traditionally pronounced yr. The letter has come to symbolize many neo-pagan religions and is often worn as a pendant. When casting rune stones it is most commonly determined to represent refusal to move on, or one's family and heritage.

*Algiz, sometimes *Elhaz, is the reconstructed Proto-Germanic name for the ᛉ rune, representing the Proto-Germanic terminal -z (from PIE word-final *-s). The reconstructed word *algiz (meaning "elk") is based on the name of the Anglo-Saxon eolh ("elk") which is of the same shape but represented a different sound. Like much of the Proto-Germanic language, it is not attested in any known text.

Like the Ing-rune, *Algiz differs from the other runes because it was not named acrophonically, since the sound it represents is a suffix. The Proto-Germanic terminal z (continuing Proto-Indo-European terminal s) became obsolete, and the rune is usually transcribed as ʀ for Proto-Norse and Old Norse. The sound eventually became the terminal -r in Old Norse, but its continuation in the yr-rune (see below) shows that there was still a phonemic difference between -r and -ʀ in Old East Norse (the Swedish and Danish dialect of Old Norse) in the 11th century.

Name	Proto-Germanic	Old English	Old Norse
	*Algiz	Eolh	Yr
	"elk"		"yew"
Shape	Elder Futhark	Futhorc	Younger Futhark
Unicode	ᛉ U+16C9		ᛦ U+16E6	ᛧ U+16E7
Transliteration	z	x	ʀ
Transcription	z	x	ʀ
IPA	[z]	[ks]	[ɻ], [r]
Position in rune-row	15		16

Elder Futhark

In the Elder Futhark, the reconstructed name *Algiz is given to the rune. *Algiz represents the sound of the letter "Z" in the Elder Futhark. In the 8th century, the Elder Futhark began to be replaced by the Younger Futhark in Scandinavia.

Gothic Futhark

In the Gothic alphabet, the Gothic letter , called Ezec, is identified with the rune. Like the Elder Futhark, the sound value of the term was that of "Z" but the name of the rune is of uncertain meaning.^[1]

Anglo-Saxon futhorc

Recorded in the Anglo-Saxon rune poem, the shape of the rune appears in the Anglo-Saxon futhorc alphabet, as ᛉ Eolh. However, instead of representing the sounds of the letter "Z" as in the Elder Futhark and Gothic Futhark, it here represents the sound of the letter "X".^[1]

     Anglo-Saxon Rune Poem                      Modern English translation[2]

Eolh-secg eard hæfþ oftust on fenne     The Elk-sedge usually lives in the fen,

wexeð on wature, wundaþ grimme    growing in the water. It wounds severely,

blode breneð beorna gehwylcne                 staining with blood any man

ðe him ænigne onfeng gedeþ.                      who makes a grab at it.

The varying forms of the rune in the Elder futhark during the centuries

Younger Futhark

Main article: Yr rune

As the Younger Futhark gradually began to replace the Elder Futhark, the shape of the *Algiz rune appears again as Yr ᛦ "yew". The shape is also continued in another character in the Younger Futhark; Maðr ᛘ ("man"), replacing the Elder Futhark ᛗ rune *Mannaz.

Modern usage

Guido von List and influence

The Madr and Yr runes in Guido von List's Armanen Futharkh were very loosely based on the Younger Futhark. List's runes were later adopted and modified by Karl Maria Wiligut who was responsible for their adoptions by the NSDAP and subsequently used widely on insignia and literature during the Third Reich, notably in SS-obituaries.

Based on this association, the rune is still used by various neo-Nazi or white nationalist groups including the National Alliance.^[3]

Germanic Neopaganism

Various forms of the *Algiz rune are commonly used by various Germanic Neopagan groups as a symbol of their religion.

See also

• Elder Futhark
• Younger Futhark

Notes

1. ^ ^{a b} Dobbie (1942).
2. ^ Page (1999:71).
3. ^ From the official National Alliance website: "The Life Rune signifies life, creation, birth, rebirth, and renewal. It expresses in a single symbol the raison d’etre of the National Alliance and of the movement of Aryan renewal." The symbol is used throughout the website. "The Life Rune: an ancient symbol used by the National Alliance". Natall.com.

References

• Dobbie, Elliott Van Kirk (1942). 
• The Anglo-Saxon Minor Poems. Columbia University Press. ISBN 0-231-08770-5.
• Page, R. I. (1999). An Introduction to English Runes. Boydell Press, page 71. ISBN 0-85115-946-X.

Runes	See also: Epigraphy · Runestones · Rune Poems · Runology · Runic magic																													v · d · e
Elder Futhark:	ᚠ	ᚢ	ᚦ	ᚨ	ᚱ	ᚲ	ᚷ	ᚹ	ᚺ	ᚾ	ᛁ	ᛃ		ᛇ	ᛈ	ᛉ	ᛊ	ᛏ	ᛒ	ᛖ	ᛗ	ᛚ	ᛜ	ᛞ	ᛟ
Old English Futhorc:	ᚠ	ᚢ	ᚦ	ᚩ o	ᚱ	ᚳ c	ᚷ ȝ	ᚹ	ᚻ	ᚾ	ᛁ	ᛄ		ᛇ eo	ᛈ	ᛉ x	ᛋ	ᛏ	ᛒ	ᛖ	ᛗ	ᛚ	ᛝ	ᛞ	ᛟ œ		ᚪ a	ᚫ æ	ᚣ y	ᛠ ea
Younger Futhark:	ᚠ	ᚢ	ᚦ	ᚬ ą	ᚱ	ᚴ			ᚼ	ᚾ	ᛁ		ᛅ a				ᛋ	ᛏ	ᛒ		ᛘ	ᛚ				ᛦ ʀ
Transliteration:	f	u	þ	a	r	k	g	w	h	n	i	j		ï	p	z	s	t	b	e	m	l	ŋ	d	o

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Guido von List's "Algiz rune" (he used different names):

man, mon, moon (ma = to mother, to increase; empty or dead).

A fifteenth I tell, which Folk-rast the dwarf

     sang before the Doors of Day

to the Ases [Aesir] for strength, to the Elves for might,

     to myself to clear my mind

In another sense, as in that of the well-known folktale, "the Man in the Moon" reveals himself in the fifteenth rune as a sanctified sign of the propagation of the human race. The primal word "ma" is the hallmark of feminine generation--"mothering"--just as the primal word "fa" is that of the masculine. Therefore, we have here "ma-ter" (mother) just as there we have "fa-ter" (father). The moon mythico-mystically serves as the magical ring Draupnir (Dripper), from which every ninth night an equally heavy ring drips (separates itself), and which was burned with Baldr; that is, Nanna, the mother of his children, was burned at the same time as Baldr.

According to mythico-mystical rules, however, nights always mean months, and so the "nine nights" mentioned above indicate the time of pregnancy. While the concepts of man, maiden, mother, husband, [Gemahl], wife [Gemählin], marriage, menstruation, etc., etc. are rooted in the primal word "ma" (just like the concept "moon," with which they are all internally connected conceptually), they nevertheless symbolize individual concepts reconnected into an apparent unity according to the principle of the multiune-multifidic multiplicity.

So too is the conceptual word for this unity rooted in the primal word "ma" and expressed "man-ask" or "men-isk," that is: man [Mensch]. Therefore--as a concept of unification--the word "man" is only of one gender (masculine), while the derogatory concept belongs to the third stage as a neuter, to which we will return later. The fifteenth rune encompasses both the exoteric and the esoteric concept of the high mystery of humanity and reaches its zenith in the warning: "Be a man!"

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Again, the old name for the town and comune of Monno is "Mòn." Therefore, there is a definite tie-in here. Linguistically, if nothing else. As to whether that origin is Euganeian (ancient Alpine), Gaulish, or Germanic; we just don't know. On the Moon Wikipedia webpage, under "Name and etymology," it states the following:

The English proper name for Earth's natural satellite is "the Moon".^[7][8] The noun moon derives from moone (around 1380), which developed from mone (1135), which derives from Old English mōna (dating from before 725), which, like all Germanic language cognates, ultimately stems from Proto-Germanic *mǣnōn.^[9]

The principal modern English adjective pertaining to the Moon is lunar, derived from the Latin Luna. Another less common adjective is selenic, derived from the Ancient Greek Selene (Σελήνη), from which the prefix "seleno-" (as in selenography) is derived.^[10]

1.  N/A
2.  NA
3.  N/A
4.  N/A
5.  N/A
6.  N/A
7. ^ "Naming Astronomical Objects: Spelling of Names". International Astronomical Union. Retrieved 29 March 2010.
8. ^ "Gazetteer of Planetary Nomenclature: Planetary Nomenclature FAQ". USGS Astrogeology Research Program. Retrieved 29 March 2010.
9. ^ Barnhart, Robert K. (1995). The Barnhart Concise Dictionary of Etymology. USA: Harper Collins. p. 487. ISBN 0-06-270084-7.
10. ^ "Oxford English Dictionary: lunar, a. and n.". Oxford English Dictionary: Second Edition 1989. Oxford University Press. Retrieved 23 March 2010.

According to Merriam-Webster.com, under the definition of Moon, it states the following of the origin of the word "moon":

Middle English mone, from Old English mōna; akin to Old High German māno moon, Latin mensis month, Greek mēn month, mēnē moon

First Known Use: before 12th century

I'm not sure if it's a certainty that the most basic root word(s) for moon has a Germanic origin, since it was present in Latin and Greek. The 12th century period is for "moon," but other words starting with an "m" may go back deep into the ancient world.

According to 20000-Names.com, "Monday" is an English name derived from the week day name, composed of the Old English elements mona "moon" and dæg "day," hence "moon day."

According to the book 'Creed of Iron' (McVan; 1997): The name "moon" means "the measurer" or one who metes out time with her phases and movements. The word "mon-th" in its origin means "a measurement of the moon."

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According to 'Creed of Iron', the Algiz run is described as the following:

ELHAZ - elk

(z) Life, protection, connection between gods and men.

* Black tourmaline

Also known as algiz, it is symbolic of a spread hand or an elk's antlers, both being signs of active defense. A rune of protection and of purifying, it is associated with a swan or valkyrie and with striving towards one's potential. Elhaz is the life symbol and was often carved into spears for protection and victory.

[Also, it symbolizes the top chakra: The crown of the head, governing consciousness and higher self.]

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One more time

Just as I was finishing this post, just a few minutes ago, my mother called. After a brief discussion about her plans for Sunday, she said something like "have you seen the moon tonight? It's so bright!" {{BINGO}} In addition to the connection to the moon (List: "mon"), the Algiz rune stands for "mother" (List: "ma") The moon administers time for the earth, like "mothering"; as she just administered time for me as to what time to pick her up tomorrow and to remind me to turn back my clock one hour for daylight savings. She was definitely my synchronistic connection for the day.

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