Showing posts with label neopagan revival. Show all posts
Showing posts with label neopagan revival. Show all posts

Friday, July 30, 2021

Festival of Diana 2021: Rising from the Shadows

Festival of Diana - August 13-15

Also known as Nemoralia, Festival of Torches, and Hecatean Ides. In Stregheria it is known as the Festival of Diana. The Old Religion predates the Etruscans and Romans. Nemoralia no doubt comes from the fabled Lake Nemi. From very ancient times, Lake Nemi was known as Diana's Mirror, or Speculum Dianae to the Romans. The Goddess Diana (Diana Nemorensis: Diana of Nemi or Diana of the Wood) is deeply associated with the lake and surrounding woods. Near the temple of Diana was the sacred grove of Aricia.

A Rex Nemorensis was the name of the head of a Dianic preisthood at the temple. However this was during Roman times, and not of the time of the original Dianic tradition(s). The Temple of Diana at Lake Nemi was constructed near the north shore by the ancient Romans about 300 BCE, and was called the 'Temple of Diana Nemorensis'. Ancient Rome, just like the United States today, fostered various cults to occupy the minds of the common people. However, there is something far more spiritually essential about the pre-Roman and pre-Etruscan folkways. The ways of the mysterious Euganei; a Proto-European people of the Italian peninsula. Probably even more mysterious than the Etruscans.

 

 

Roman ruins of the Temple of Diana at Lake Nemi


 

 1st century BCE Roman poet Ovid described the celebration:


"In the Arrician valley,
there is a lake surrounded by shady forests,
Held sacred by a religion from the olden times...
On a long fence hang many pieces of woven thread,
and many tablets are placed there
as grateful gifts to the Goddess.
Often does a woman whose prayers Diana answered,
With a wreath of flowers crowning her head,
Walk from Rome carrying a burning torch...
There a stream flows down gurgling from its rocky bed..."

 


A more modern statue of Diana overseeing Lake Nemi


1st century CE Roman poet Propertius observed the festival, apparently from a distance, and wrote to his beloved:

"Ah, if you would only walk here in your leisure hours.
But we cannot meet today,
When I see you hurrying in excitement with a burning torch
To the grove of Nemi where you
Bear light in honour of the Goddess Diana."


 

Lake Nemi in Latium

 

Diana (mythology)

Temple of Diana (Nemi)

Nemoralia

Diana Nemorensis

Lake Nemi

Rex Nemorensis

 

 

 

From Nemoralia (Wikipedia) in regards to the Roman Festival of Diana:


On this day, worshipers formed a procession of torches and candles around the waters of Lake Nemi (the name Nemi, from the Latin nemus, means a sacred wood or sacred grove), also known as Diana's Mirror. Hundreds join together at the lake, wearing wreaths of flowers. According to Plutarch, part of the ritual (before the procession around the lake) was the washing of hair and dressing it with flowers.


It is a day of rest for women and slaves. Hounds are also honored and dressed with blossoms. Travelers between the north and south banks of the lake were carried in small boats lit by lanterns. Similar lamps were used by Vestal virgins and have been found with images of the goddess at Nemi.


Requests and offerings to Diana may include small baked clay or bread statuettes of body parts in need of healing; small clay images of mother and child; tiny sculptures of stags; dance and song; and fruit such as apples. In addition, offerings of garlic are made to the Goddess of the Dark Moon, Hecate, during the festival[citation needed]. Hunting or killing of any beast is forbidden on Nemoralia.



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The pre-Etruscan/Roman Dianic cult

I suppose that it could be an area of debate within practitioners of Stregheria as to how much latter influence should be adhered to. In truth, we really don't know a lot about the Euganei or their ancient spiritual traditions. What we do know is that during the last glacial movement, ending about 9,000 years ago, about two-thirds of Europe was covered by a mile high sheet of ice. A clearly related Proto-European lunar Goddess tradition essentially stretched from Wales to Portugal to Greece and to Bavaria. The name of the Goddess was different from region to region (Diana, Hecate, Mona, etc), and other names of the finite aspects of this tradition were different, but overall it was all closely related. Remember this was basically "a little Europe" at the time. A very similar primal people existed throughout at that time, prior to the latter incoming movements of Teutons or Mediterraneans.

The Etruscans had a mysterious culture, and brought with them their own pantheon of gods and spiritual folkways which merged with the natives. Then the Romans took over and started anew; erasing much of what had been Etruscan culture, architecture, spirituality, history, etc. They had their own, often conflated, pantheon of gods and spiritual folkways. I think it was all more planned and calculated by the Romans, while the Etruscan culture likely merged with the local native folkways in a much more organic manner. So for a modern Stregheria movement... which aspects of all this do we adhere to? While in ancient Greece, the Olympian gods seem to have been separate from the more ancient Hecate cult; in ancient Italy the whole thing was more convoluted.

While it would be exciting to explore the pantheon of Etruscan gods, there does become a confusion... especially since the latter manifestations of the Old Religion which have existed in the periphery over the centuries have their own local folkways. To a large extent, what we might call Stregheria today is a confusion of time periods and regional influences as they survived in spiritual exile from the mainstream society. In the Gaulish north, not surprisingly there is Gaulish and ancient German influences, even Slavic influences. The Goddess was called Mona, the same as in Gaul proper and other ancient northern European locales. The story of the 'Witches of Benevento' is a good example of one of the many migrating peoples on the peninsula whom had an influence on the pre-existing pagan traditions... in this case, the south-migrating Langobards.

Over the centuries there were numerous, more often small, migrations of other peoples into the peninsula. Other Europeans, and even non-Europeans in the south, either invaded to migrated and had some affect on the culture and traditions. Overall, these spiritual influences--if there were any--were probably small. One thing which is not helpful, for example, is when Raven Grimassi was attacked by some for a perception that he was speaking for all who practice Stregheria. Also, some even deny Stregheria itself, insisting that it should all be about Benecaria or something else. I think that we should approach this in the following manner:

1) Acknowledge that, although there was much in common throughout the various provinces and villages of Italy, there's enough difference that there will never be full agreement on any finite codex.

2) Create levels of commonality. A chronological system where we can agree on some things, and also allow for a lot of spiritual diversity.... both individually and by small groups.

3) Proto-European witchcraft: Always acknowledge the "very ancients" from the last ice age. These were they're ways, and we're their descendants.

4) Euganei: It is essential to acknowledge that this was the primal population of Italy at one point, and they are all of our ancestors. This is the link that ties us all together, and the most important step! If we can't at least do this, then we're truly just wasting our time as far as a greater revival. We must keep this area of study and practice, pure; at least academically, and in a unifying manner. Creating a nucleus of folk-spiritual sameness of which we can all agree one.

5) Acknowledge the main contributors to latter traditions: Etruscans, Gauls, and Romans.

6) Acknowledge influences from the Middle Ages.

7) Acknowledge post-Medieval influences.

8) Allow those who are not interested in the very ancient folkways--the Euganei--to go their own way. This isn't to say that, for example, cryptic-traditions within the Church are not a big part of our history. They certainly are, but the essential basis of Stregheria must be of these ancient ancestors. I would also think the folklore of Aradia as well. If someone can't handle that, then we go our separate spiritual ways. Also, of course, there are other influences: Masonic, Hemetic, Eastern, Astrology, etc. However, at the primal heart must always be the ancient folkways! Beyond that, there can be all sorts of individually-inspired, small group, or regional flavors. Italian-Americans in New England might adopt something from earlier English pagans, or Italian-Argentines might adopt something from Basque pagans. The common American "welcome star" comes directly from Dutch/German pagan tradition. Italian-Americans in Pennsylvania might adopt that symbol to an extent. Personally, I place a little hand-made wooden red solar cross up along the trails where I usually walk, conduct ritual, alone or with others. When the early Christians were eliminating Odinic tradition from German-speaking areas, Hungary and elsewhere, the pagans would replace their old altars in the woods with a red cross to mask their holy altars in hopes that they could return to them at a later point. Of course, it never happened. So I use that same concept, using a red solar cross instead; in this case as a type of altar in of itself. There seems to be another pagan coven of some type whom places little hand-weaved hearts in the area; and I also see rocks stacked or little stone labyrinths. Meaningful things like this are fine on the surface, and don't replace the primal Stregheria which we would need to agree upon.

 

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Having passed away in 2019, Raven Grimassi left us too soon. I strongly feel, despite the trail that he blazed, that there was still work to be done. I suppose that we would all feel that way when someone important to us passes... if there only was more time. We still must finally iron out a foundation as far as creating an "Aradianist Folk Revival." Basically agree on the essentials, and agree-to-disagree on the less important things.

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Friday, June 21, 2019

Camonica Club of North America - All-Time Blog Statistics





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Total All-Time Pageviews - 386,642



 


Top-10 All-Time Pageviews By Country

1. United States - 118,467
2. France - 93,255
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5. Germany - 8,566
6. Italy - 5,334
7. Canada - 5,226
8. Ukraine - 4,926
9. Turkey - 3,874
10. Brazil - 2,130







































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Camonica Club of North America

A blog about Lombard heritage with an emphasis on the east Lombard Alps, issues dealing with neopagan folk revival with an emphasis on Indo-European traditions, ancestor reverence, dark occult issues which affect our lives, folklore, spirituality, real environmental conservation, mysteries, history, real science including metaphysical issues, music, art, and other items.

Total All-Time Posts - 892


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Monday, April 8, 2019

Tana's Day 2019 - Part III


"The four fundamental stones in the life of every individual are the corner stone, the hearthstone, the baptismal font stone, and the tombstone"
-- Jean-Francois Simon, author

[In relation to elements of life and the home from the Middle Ages]


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'Don't Breathe' (2016)

I saw this several weeks ago, and it was a surprise to me, and original horror flick. It was about three friends who get trapped inside a blind war veteran's house while breaking into it, which pretty much says it all. They mistook a trained killing machine for a pushover. It gets pretty weird near the end. There's already a sequel in the works.


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Moon Talk

Scientists are studying ways to utilize the Moon's resources to benefit activities on Earth as well as aid in space exploration. One proposal being considered is the mining of ice at the lunar poles. Ice would be converted to drinking water, oxygen, and hydrogen fuel and stored at orbiting stations, where spacecraft traveling to Mars or other areas could refuel and restock. This would save costs because fewer of these resources would need to be transported from Earth.

[from the 2019 Farmer's Almanac moon calendar]


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Ice Breakers, break through Unicorn Commercial 2016 Negotiate

entertainment


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Joey Scarbury - Believe it or Not

thilmatt


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Video links

Russia Reveals Antarctica is Not what we're being told

10 Strange Things Found Frozen In Ice Antarctica

5 Most Mysterious Phone Calls Ever Recorded That Cannot Be Explained...

The Power of Your Intentions (The Rice Experiment)

Retired Lt. Colonel Says Hillary Clinton Is A Luciferian Psychopath - Deep State Conspiracy?

The Minds of Men | Official Documentary by Aaron & Melissa Dykes


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Pepsi Cindy Crawford

jciancio4


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Indo-European Prayer and Ritual

Survive the Jive

How to pray like an Indo-European pagan. Where should you conduct prayers and rituals? What can you sacrifice at a blót and what libations can be poured? What should you say in a prayer and which god do you invoke?

I answer these questions and explain the tripartite format of Indo-European prayer with reference to Sigrdrífumál and the cycle of reciprocal gift giving. I also show you what my shrine and idols look like and how I make an offering to them.

This channel depends on your support:
Paypal: https://www.paypal.me/survivethejive
Patreon: https://www.patreon.com/survivethejive
FB: https://www.facebook.com/SurviveTheJive/

Music: Wolcensmen and Cefin Beorn


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Wolfsbane

Aconitum

Aconitum, commonly known as aconite, monkshood, wolf's bane, leopard's bane, mousebane, women's bane, devil's helmet, queen of poisons, or blue rocket, is a genus of over 250 species of flowering plants belonging to the family Ranunculaceae. These herbaceous perennial plants are chiefly native to the mountainous parts of the Northern Hemisphere, growing in the moisture-retentive but well-draining soils of mountain meadows. Most species are extremely poisonous and must be dealt with very carefully.


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''The Toxicity Surrounding Wolfsbane'

I keep thinking that Neopagans can make use of this wolfsbane, but I'm not certain if it's too toxic to handle. There are videos of people handling it however. The word "bane" means a cause of great distress or annoyance, hence the folkloric term "Wolfs bane" (wolfsbane) to ward off werewolves. Were our ancestors trying to repel wolfs, werewolves, or both? In other words, if we symbolically wore a pendant with a little glass veil of wolfsbane, are we warding off a wolf, other dangerous animals, a dangerous human aka "werewolf," the "werewolf" inside of us, or just "danger" in general? Certainly in the pantheon of real dangers today, the wolf would be near the bottom of the list. Since wolves were an ever-present danger to our ancestors, especially when alone in a remote area, it would seem logical that wolfsbane would represent "danger at large" for us today. This plant is tied to our ancestral folklore. Maybe it's time to bring it back for ritual...


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Toto - Africa (Official Music Video)

481,236,746 views

Toto Toto


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Jenny McCarthy



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Replica of the first submarine

Cornelis Drebbel

Cornelis Jacobszoon Drebbel; 1572 – 7 November 1633) was a Dutch engineer and inventor. He was the builder of the first navigable submarine in 1620 and an innovator who contributed to the development of measurement and control systems, optics and chemistry.


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'Cornelis Drebbel built three submarine in the 1620s - they all worked'


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1944 Schrader Diving Helmet

US Navy Mk V Mod 1 Diving Helmet

[A. Schrader and Son, Brooklyn, New York]

Manufactured by Schrader subsidiary, Scovill Manufacturing Company of Brooklyn, New York, in March 1944. Serial No. 1580B
neo
The dive helmet’s US Navy WWII history is not known by the current owner. However, pre-1970 this dive helmet was used in the salvage of sunken WWII ships along the Taiwan coast. The dive helmet’s previous owner was working as a commercial diver in Taiwan from 1968 to 1970, constructing an oil terminal for the national oil company. His work involved underwater inspection of civil works in Keelung & Taichung. He worked with local diving and overseas construction companies, using scuba and surface supplied lightweight gear. He traded this gear for the dive helmet before leaving Taiwan in 1970. 39 years later the current owner purchased it from him.

con't....












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I recall as a child of having an action figure of a man and all of the gear related to one of the original deep diving suits. I found the vintage style to be fascinating, particularly the copper colored helmet. It's the same idea as the moon helmet from 1969.


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BLOOD OVER INTENT | Blood Magic Explained

JayDreamerZ

What makes blood so powerful in spells and blood magic? Why is blood used? While this is not a thorough examination, I would like to focus on some key concepts.

*Please watch this video, to have a better idea of what you're getting into before you consider joining the crowd.

Some other points:

-most websites that endorse blood magic and rituals agree to use extreme caution and have a more complete understanding of the process before attempting.

-they also say blood spells are not to be taken lightly and cannot be undone.

-the will of the spirit is what gives power to an individual... The magic is in you already!

-the pain of blood letting can change the vibration of the individual.

Enjoy the vid!


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Blondie - Dreaming

Anarchy4FR


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We could sure use a new uninhabited planet to start over. A world without bankers, legalized bribery, cultural Marxists, predatory Capitalists, labor exploiters, war profiteers, social engineers, dictators, or just anyone who thinks it's a good idea to pave over the entire planet. A place based on common sense.


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Commentary on four unrelated films, for no particular reason

I make no mention of most films that I see, but I was recently reminded of several films that I just felt like commenting on. Some months ago I saw the film 'Changeling' (2008) with Angelina Jolie and John Malkovich, directed by Clint Eastwood. Based on a true story, it was about a mother of a kidnapped child in 1928 who was then put in the middle of system madness, and the only person of any power who was willing to help was a Los Angeles-based reverend. It was one of the few films in recent memory which depicts a Christian character fighting the mainstream system for justice in more-or-less just a general secular manner. Great cinematography, but with a dark mood.

As mentioned in "Part I," the film 'Jaws' is still so wildly popular. It's actually on TV again this week! People can't get enough of the ominous pursuit of the shark hunt, as well as the shark itself. There was really something about the scene set at twilight where they were in the cabin singing, telling jokes and stories. Of course after 1975, with the popularity of the film, the shark craze was on... or just general dramas set on the ocean. In 1977 the film 'The Deep' was released. Starring Jacqueline Bisset and Nick Nolte, it was a big box office success. Robert Shaw was also in it, adding something of a 'Jaws' flavor. For some reason, I have literally never seen where this movie has ever been on television! At least not in decades; very strange.

The third film I was thinking of was entitled 'Power' (1986). It was such a "would-be good movie" that didn't deliver. Although I have not seen it since that time, I don't recall it being the "train wreck" that some thought that it was ("a well-meaning, witless, insufferably smug movie that . . . suffers from the total lack of a comic imagination"). The film stars a slumping 1980s (post-'An Officer and a Gentleman') Richard Gere playing the role of a "a ruthless and highly successful media consultant" who shamelessly uses serious events to garner political support for this clients running for office. The film was a great idea, and reflected much truth. I think I would prefer a failed film, which tried to reflect some truth, rather than a successful film based on deceit.

'Southie' is a 1999 film starring Donnie Wahlberg as a young Irish guy who returns home to South Boston after a stay in New York City. From what I can recall, it was never really clear if he wanted to get involved in organized crime or was opposed to it. He came off as distant, somewhat prone to violence, even while trying go straight. I do recall that this film was continuously on the verge of "just getting good" and "really leading to something"..... then it just abruptly ENDED. It was a film which may actually have been good if it actually "happened!!" Two hours of a continuous opening scene to peak the audience's interest; no movie!


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The time I accidentally tapped into a DOD website

When I first got on the internet, I did a search for "General John Shalikashvili," since I heard that he was a big promoter of "world government," combining our military with that of other countries with joint exercises, and training foreign troops on U.S. soil. After I clicked on one of the results, a very strange looking site came on the screen. It was black with a sidebar made up of various other colors in a type of dark metalic... all just pulsating! Then after a few seconds, a window with very large text popped up on my screen. It said something like "WARNING. YOU HAVE ENTERED A NATIONAL SECURITY WEBSITE. LEAVE IMMEDIATELY." It was actually sort've scary. I just clicked off the entire screen. In hindsight, I suppose that someone could have saved the link, then entered it at some video cafe, which were popular at the time. I could understand if the site was accidentally connected to search engines, but if it was a national security site, why didn't the DOD just use the "dark web" for it?


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Old time Hollywood film actress Linda Darnell

Tragically died in a house fire in 1965 at age 41


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We Got The Beat

OfficialGoGos


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'James Ellroy's L.A.: City of Demons'

In 2011, the popular cable channel Investigation Discovery released a new series about the crime history of Los Angeles and Hollywood with the above title. It featured James Elroy, the popular author of so much of this history, including 'L.A. Confidential'... later made into a movie. Being that this true crime history is extremely interesting, it would seem to have been an excellent idea. The six-episode season only lasted two or three weeks before being pulled, which is very unusual.

"Ellroy's affected manner as presenter in this series is so irksome and distracting (he actually seems to be miming a stroke victim or some poor backward possibly drunk} slurred speech soul reading from cue cards ) as to ruin whatever content that may otherwise have contained some potential interest."
-- blademan-95603, IMDb user

He spoke slowly and over-pronounced his words, which was not even how he normally speaks. The program also featured his sidekick, a cartoon "crime dog," which probably didn't help the program any. It's still strange that they didn't just finish the last three or four episodes, as the basic content was interesting at least. Amazingly, somehow this forgotten and forgettable series found it's way to dvd, even despite the ID channel not seeing fit to air at least half the season. Ellroy really dropped the ball on this, since he was the logical person to present this sordid crime history.

No less than eleven of James Ellroy's books have been made into movies, and have done well, which makes his cable TV documentary disaster of 2011 even more remarkable. Hopefully his book 'My Dark Places' will never make it to screen--it is officially in development--as he shamelessly fantasizes about his mother who was murdered in a still unsolved case from 1958. I think that the idea of producing a good and complete series on the crime history of LA and "Tinseltown" would be a great idea.


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'Herodias' by Paul Delaroche




Hērōdiás; c. 15 BC — after 39 AD) was a princess of the Herodian dynasty of Judaea during the time of the Roman Empire.

In the Gospels of Matthew and Mark, Herodias plays a major role in John the Baptist's execution, using her daughter's dance before Antipas and his party guests to ask for the head of the Baptist as a reward. According to the Gospel of Mark, Antipas did not want to put John the Baptist to death, for Antipas liked to listen to John the Baptist preach (Mark 6:20).


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Herodias was literally a character from the Bible. It's interesting that, although she was born in Jerusalem in the Roman province of Judea, she died in Lyon, France. I suppose she was upwardly mobile, being from a royal family.


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Beethoven's unknown "Immortal Beloved"

The actual transcript of the first of the three letters:


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6 July, morning

My angel, my all, my own self — only a few words today, and that too with pencil (with yours) — only till tomorrow is my lodging definitely fixed. What abominable waste of time in such things — why this deep grief, where necessity speaks?

Can our love persist otherwise than through sacrifices, than by not demanding everything? Canst thou change it, that thou are not entirely mine, I not entirely thine? Oh, God, look into beautiful Nature and compose your mind to the inevitable. Love demands everything and is quite right, so it is for me with you, for you with me — only you forget so easily, that I must live for you and for me — were we quite united, you would notice this painful feeling as little as I should . . .

. . . We shall probably soon meet, even today I cannot communicate my remarks to you, which during these days I made about my life — were our hearts close together, I should probably not make any such remarks. My bosom is full, to tell you much — there are moments when I find that speech is nothing at all. Brighten up — remain my true and only treasure, my all, as I to you. The rest the gods must send, what must be for us and shall.

Your faithful

Ludwig


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Text of all three letters


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Immortal Beloved (1994 film)

When Ludwig van Beethoven dies, his assistant and close friend Schindler deals with his last will and testament. It reads that his estate, music and affairs will be left to his "immortal beloved", but there remains a question as to who is Beethoven's "immortal beloved", an unnamed woman mentioned in one of his letters.


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Rita Coolidge 1977 Higher And Higher

koujii334


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Sunday, April 7, 2019

Neopagan Revival




Why is Paganism Booming in Europe and Beyond?

Masaman

Why is Paganism and other Occult beliefs booming in Europe, America and beyond?

Today, we'll discuss a fascinating phenomenon that stretches back thousands of years, where thousands, and perhaps even millions of people around the globe are reverting to the pre-Christian religion of their ancestors. Be sure to let me know your thoughts on this interesting global phenomenon and community. Thanks for watching!

Song: Kevin MacLeod, Metaphysik


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He didn't get all of the terms properly defined, but it's still an interesting layman perspective.


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Can Paganism Unite Europeans?

ThuleanPerspective

Get my books from here: https://www.amazon.com/Varg-Vikernes/e/B00IVZ2KPO/ref=dp_byline_cont_book_1


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Apparently the term "Pagan" came from when the Christians had already pushed the "native believers" out of mainstream society... out of the cities. They were relegated to the rural countryside, hence the term pagan, which meant "country dweller, peasant." It was however, part of our history. It also reflects in a strong way, connecting with the land... with nature. Some people don't like the term. Given our circumstances, I don't see any problem with it as a catch-all term.

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Thursday, March 21, 2019

The Field of Folk Pagan Dreams II - "The Vehmic Mountain Altar"

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Neopagan Revival

In the film 'Field of Dreams', the symbolic approximately one-third "circle altar" was the baseball field. The phantom baseball player came and went from different realms from the vast ominous cornfield. Since we know that the unusually geometric game of baseball was invented by a Freemason, is it a stretch to ponder whether or not this film from hyper-occultic Hollywood was a further take on the game's likely occult roots? It would seem to play upon many ancient spiritual traditions, including perhaps a Proto-European one. It's ironic, from my own intrinsic point of view, that I got part of this inspiration from literally a baseball field.... a "mountain baseball field" no less!

As stated in the previous posting to this, baseball is unique in that the field of play can extend beyond the fencing. In theory, an outfielder can run into the stands to catch the ball... or out to the parking lot! That "one-third circle" fans out wider and wider, longer and longer, symbolically... forever. As long as the ball doesn't actually bounce off of any object, the outfielder may catch it for an "out." Was the cornfield a way of expressing that ominous "forever" concept? Also, the game of baseball is set up in such a manner that it simply does not change. Football is constantly evolving. The three-point line in basketball has obviously changed that game. Therefore there is a somewhat ghostly aspect to baseball and it's unusual geometry.

I feel that I discovered something on that clean and warm night last September. I wasn't in any way trying to discover anything. I was just walking out onto the dark outfield to gaze at the high mountains on the other side of the valley while sipping a sweet iced tea. I felt a powerful sensation as the characteristics of the field, mountains, hills, valley, and sky slowly came into focus as something from my ancestral memory was jogged and recognized. I have stated on here many times of the folly that many people have made over the years of mixing synchronicity--even enhanced and complex synchronicity--with a mystical experience. Synchronicity is simply a connection to the universe, and it does not make anyone special. Synchronicity is an affirmation from universal consciousness that "you're on the right track." A mystical experience is usually something more than that.


 
As late as four centuries ago, groups of "native believers"--from what I could call "the six clans" of the east Lombard Alps--would travel eight times during the year to a particular mountain pass near where the Orobi Alps meet with the northern Val Camonica and the southern Valtellina. Of course, everyone didn't all go each time. Perhaps they would make the trek one of those times during the year. At least some folk pagans from each of the six valleys--the Valtellinesi, Camuni, Chiavennaschi, Orobianesi, Triumplini, and Sabbini--were present for each seasonal ritual. It was like a larger family coming together on what we now know was the last days of their traditional way of life. It was passed down to them from their Proto-European ancestors from clear back into prehistory. However, don't allow this one good example keep anyone from seeing expressions from their own Proto-European ancestors. There are examples of this from anywhere in ancient Europe; for example the Basque Country in the Pyrenees. Even in flat country, there were foothills and small mountains, for example in Poland there's a particular small mountain in a flatland region which is a central location for paganism... going back centuries. We don't know how long.


Vehmic Mountain Altar


Valleys, including the smaller valleys, are common all over in some form. Very often there is one peak or set of peaks, which stand on one side, with smaller foothills on the other. One side is at least higher than the other in most cases. It would not take too much effort to find a place such as this close to where you live. On the "foothills" or lower elevation side, a half-circle altar may be fashioned using a few modest stones on some clearing along the midway point of the hills. The half-circle represents "the circle of nature" conflated; half of it within the earth itself, and half of it within our lives. This "half-circle altar" represents "fire," as they used to light a fire pit there. However, unless there's a large clearing that you have access to, where you can create a safe fire, you own the land, or where there's a safe place to light a tiki torch.... then this is not necessary.



Any time of the day or night is fine. I think of the night a little more. The night is magical when the weather allows. The valley below represents "water," as it is where the rainfall naturally gravitates towards. There may even be a river, stream, creek, or small body of water down there anyway. Hopefully many trees and animals as well. The "high point of the foothills," behind the altar," represents "earth." It symbolizes the ground beneath your feet; the "earth" where half of the altar symbolically is rooted. The mountain peak(s) on the other side of the valley represent "spirit," as they are earth's marvelous sculptures. They are the spiritual antennas which may interact with the moon, which in turn allows a connection with the other side.... the great vast Ur where our ancestors exist.

The sky above represents "air," as it is the wonderful ethereal glue that holds the universe together. That sky where we may humbly observe the Almother Moon, Alfather Sun, the planets of our solar system, and of course all the stars. In conclusion, there are five levels to this configuration. From top to bottom: 1) Sky and universe; 2) Tall peak(s); 3) High point(s) of the foothills; 4) Half-circle altar at the midway point of the foothills; and 5) Valley below.



Five = The Sacred Vehme (Earth, Air, Fire, Water, and Spirit)

Earth - High point(s) of the Foothills, behind the altar
Air - Sky and universe
Fire - Half-circle altar
Water - Valley below
Spirit - Tall peak(s) at which the altar faces



While becoming, we discover, we already are


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Saturday, August 4, 2018

'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004) .... book review


Amazon.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie

This complete history of witchcraft from Ancient Greece to the present day charts the rise and development of witchcraft and the modern witchcraft religion of Wicca. This in-depth investigation discovers how the ideas we have about witchcraft took shape thousands of years ago in the myths and religions of the ancient world. It looks at why these ideas were expressed so violently during the era of the witch trials, and reveals how witchcraft has been transformed into one of the most radical and fastest growing religions of our age—a religion of equality and compassion that still has the power to unsettle even the bravest amongst us. With fresh insights and previously unpublished material drawn from the author's doctoral research into the mysticism, magic, and social meaning of Wicca, this is the first book to bring witchcraft fully out of the shadows.


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GoodReads.com
'Witchcraft Out of the Shadows - A Complete History' (Ruickbie; 2004)
Leo Ruickbie

Dr Leo Ruickbie is a sociologist and historian specialising in the field of witchcraft, Wicca, magic and the occult. He hold a PhD from King's College, London, for his work on modern witchcraft, and is the author of several books including Witchcraft Out of the Shadows and Faustus: The Life and Times of a Renaissance Magician. In 2008 and 2009 he exhibited on the subject of witchcraft in France. As well as giving public talks and writing articles for Pagan Dawn, Watkins Review and ASANAS, he also runs the WICA (witchology.com) website.


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One thing about this book is that it's very thorough. The only thing that I could slightly knock it for is that it didn't go back to prehistoric evidence of Proto-European spirituality; including the Earth Mother, the Horned God, and the Nebra sky disk. It started with the pre-Christian era, and was very complete from that point onward as far as I could tell.

The book started off with three chapters on 'The Early History of Witchcraft in Europe', entitled 'Age of Shadows'. First was ancient pre-Olympian Greece... "The Birthplace of All Sorceries." Essentially, it was about Hecatean tradition. and how it later conflated a bit with the the gods of Classical Greece, and later Christian Greece; and it delved into the mythology of Hecate's daughters Circe and Medea as well. Medea was a prominent character in the ancient Greek legend of 'Jason and the Argonauts'; you may recall the 1963 film.

Second was entitled 'East of Midgard', and delved into the history and mythology of the Odinic tradition in northern Europe. Included in this chapter was a sub-section entitled 'People of the Oak', which described the pre-Christian Druidic tradition; and of which I found particularly interesting. Ruickbie even gave a small account of the interaction between ancient Germania and Gaul.

Third was a chapter entitled 'South of Heaven', and was a very objectively complete overview--much if it in great detail--of the history of witchcraft/pagan traditions in the Medieval/Christian era... the burning times. I found the 'Age of Shadows' to be the most enjoyable part of the book, especially the first two chapters. I would have liked to have heard Ruickbie's opinion of how the early Proto-European traditions tied together.




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The next three chapters were entitled 'Born of Shadows', and delved into the history of modern witchcraft. First, he gives a brief summary of the survivals of the ancient magical or mystery traditions at the closing of the nineteenth century. It started with Freemasonry and Rosicrucianism, the Celtic revival, Charles G. Leland's long study on Italian Stregheria and its continued existence in a few rural locations, Hermeticism and Golden Dawn, the influence of Aleister Crowley, and Margaret Murray's "Witch Cult" hypothesis.

Second was about the invention of Wicca entitled 'The Craft of Invention'. Ruickbie proved beyond a doubt that an English Freemason named Gerald Gardner literally invented "Wicca" out of thin air. He actually used elements of Masonry, Hermeticism, and the magical works of Aleister Crowley and tried to pass them off as the ancient native magical tradition of the British Isles... and that he was a part of a long surviving coven. Personally I think that the basic idea of "Wicca" was a great idea, and I don't understand the need to rush in exaggerated claims to prove the legitimacy of what was an ancient tradition of some form.

Next was a chapter on the development of Wicca. Somewhat comically, Ruickbie detailed how a very knowledgeable associate named Doreen Valiente "cleaned up" Gardner's sloppy work and made it practical and workable. This chapter went into detail of how Wicca unfolded after Gardner's death. Lots of names were dropped, mostly charlatans and pretenders; but it seemed to me that Doreen Valiente and Patricia Crowther were sincere and practical leaders.




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The final three chapters were entitled 'Empire of Shadows', and went into great detail about every aspect of modern witchcraft today; basically in the English-speaking world, or at least as of 2004. Although undoubtedly important, it was quite wordy and monotonous. I know, it's important to understand what something is, and not what people perceive it is, what you think it is, or what you may want it to be. Still, I think it could have been summarized in a short chapter. However, for what this section was trying to accomplish, it was very complete. This book was a good and complete chronological history of pre-Christian European spiritual/magical traditions--including historically conflated elements--from ancient times up to their emerging time-nexus today.

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